An Aristocratic Affair

BIOGRAPHY: HISTORICAL. The life of Harriet Spencer, Countess of Bessborough, was one of both respectability and high scandal. She was born into the wealth and privilege of the Spencer family - and was the great-great-great-aunt of Diana, Princess of Wales. Harriet became one of the most glamorous and influential women of the Regency age. At a time when marriage was an aristocratic woman's only career choice, Harriet made an excellent match, to Frederick, Viscount Duncannon. But the marriage proved unhappy and Harriet soon embarked on a series of illicit affairs. In Naples she met and fell in love with the handsome young aristocrat Lord Granville Leveson Gower, a man twelve years her junior.And so began the affair that became the last, untold story of enduring love in the Regency period, an open secret within just a tiny circle. A window on aristocratic life at its most intimate, and brings one of the Regency period's most colourful characters vividly to life.

The life of Harriet Spencer, Countess of Bessborough, was one of both respectability and high scandal. The aristocracy of the eighteenth century were the A-list celebrities of the day; their lives, loves, fashions and misfortunes avidly reported in the press. They dominated the political world as well as the social, and Harriet was at the very heart of this powerful clique. She was born into the wealth and privilege of the Spencer family - and was the great-great-great-aunt of Diana, Princess of Wales. Following in the train of her sister, the charismatic Georgiana, Duchess of Devonshire, Harriet became one of the most glamorous and influential women of the Regency age. At a time when marriage was an aristocratic woman's only career choice, Harriet made an excellent match, to Frederick, Viscount Duncannon. But the marriage proved unhappy and Harriet soon embarked on a series of illicit affairs, including one with the charismatic playwright Richard Sheridan. In Naples she met and fell in love with the handsome young aristocrat Lord Granville Leveson Gower, a man twelve years her junior. And so began the affair that became the last, untold story of enduring love in the Regency period, an open secret within just a tiny circle. It only ended when Granville married her niece, Georgiana's daughter, taking into his care the two illegitimate children he had by Harriet. Harriet's was a life intertwined with public scandal, royal intrigue and high political drama. She was petted and spoiled by Marie Antoinette; she witnessed the French Revolution and George III's madness. She successfully dodged the Prince Regent's amorous advances; quarrelled bitterly with Byron, when her daughter Caroline Lamb embarked on a scandalous affair with him; and travelled through war-torn Europe during the rise and fall of Napoleon. She survived her sister Georgiana by twenty years, living to see the Battle of Waterloo and the coronation of George IV. An Aristocratic Affair opens a window on aristocratic life at its most intimate, and brings one of the Regency period's most colourful characters vividly to life.

Can tragic views of the human condition as known to Westerners through Greek and Shakespearean tragedy be identified outside European culture, in the Indian culture of Hindu epic drama? In what respects can the Mahabharata epic's and the Bhagavadgita's views of the human condition be called 'tragic' in the Greek and Shakespearean senses of the word? Tragic views of the human condition are primarily embedded in stories. Only afterwards are these views expounded in theories of tragedy and in philosophical anthropologies. Minnema identifies these embedded views of human nature by discussing the ways in which tragic stories raise a variety of anthropological issues-issues such as coping with evil, suffering, war, death, values, power, sacrifice, ritual, communication, gender, honour, injustice, knowledge, fate, freedom. Each chapter represents one cluster of tragic issues that are explored in terms of their particular (Greek, English, Indian) settings before being compared cross-culturally. In the end, the underlying question is: are Indian views of the human condition very different from Western views?

Science, Medicine, and Lineage in Popular Fiction of the Long Nineteenth Century explores the dialogue between popular literature and medical and scientific discourse in terms of how they represent the highly visible an pathologized British aristocratic body. This books explores and complicates the two major portrayals of aristocrats in nineteenth-century literature: that of the medicalised, frail, debauched, and diseased aristocrat, and that of the heroic, active, beautiful ‘noble’, both of which are frequent and resonant in popular fiction of the long nineteenth century. Abigail Boucher argues that the concept of class in the long nineteenth century implicitly includes notions of blood, lineage, and bodily ‘correctness’, and that ‘class’ was therefore frequently portrayed as an empirical, scientific, and medical certainty. Due to their elevated and highly visual social positions, both historical and fictional aristocrats were frequently pathologized in the public mind and watched for signs of physical excellence or deviance. Using popular fiction, Boucher establishes patterns across decades, genres, and demographics and considers how these patterns react to, normalise, or feed into the advent of new scientific and medical understandings.

Outrageously handsome, witty and clever, Harry Cust was reputed to be one of the great womanisers of the late Victorian era. In 1893, while a Member of Parliament, he caused public scandal by his affair with artist and poet Nina Welby Gregory. When she revealed she was pregnant, horror swept through their circle known as 'the Souls', a cultured, mostly aristocratic group of writers, artists and politicians who also rubbed shoulders with luminaries such as Oscar Wilde and H. G. Wells. For the rest of their lives, Harry and Nina would fight to rebuild their reputations and maintain the marriage they were pressurised to enter. In Tangled Souls, acclaimed biographer Jane Dismore tells the tumultuous story of the romance which threatened to tear apart this distinguished group of friends, revealing pre-war society at its most colourful and most conflicted.

In his praise for Part I of Upbuilding Discourses in Various Spirits, the eminent Kierkegaard scholar Eduard Geismar said, "I am of the opinion that nothing of what he has written is to such a degree before the face of God. Anyone who really wants to understand Kierkegaard does well to begin with it." These discourses, composed after Kierkegaard had initially intended to end his public writing career, constitute the first work of his "second authorship." Characterized by Kierkegaard as ethical-ironic, Part One, "Purity of Heart Is to Will One Thing," offers a penetrating discussion of double-mindedness and ethical integrity. Part Two, "What We Learn from the Lilies in the Field and from the Birds of the Air," humorously exposes an inverted qualitative difference between the learner and the teacher. In Part Three, "The Gospel of Sufferings, Christian Discourses," the philosopher explores how joy can come out of suffering.

Single moms are not supposed to fall for rich French aristocrats! There's no way he will ever choose her.Is there such a thing as Prince Charming? Chastity didn't take a teaching job in France to find hers, but a woman can dream, n'est-ce pas? If the father of one of her students--the Viscount Charles Jean Anne Monorie de Brase--is the best local example of princes, Charming or Otherwise, Chastity is ready to put aside any thought of falling in love again. She's had enough of his arrogance and would prefer him to keep his distance, yet it seems there is no avoiding each other. With the ongoing pressure of a repentant ex-boyfriend, a nefarious drug dealer, and an art heist that spans the decades, Chastity and the viscount are thrown together by circumstances she would soon rather forget.As the intimacy between Charles and Chastity deepens, they must decide if their love is enough to bridge the gap between their disparate worlds, and if happily ever after can exist outside of fairy tales.A clean, modern romance set in France.