An Eye For An Eye Makes The Whole World Blind

An Eye For An Eye Makes The Whole World Blind features poems by over 100 poets from all over The United States of America. This important book creates an alternative poetic response to the din of collective madness that has characterized our national dialogue since 9/11/2001. Many of the poets have projected themselves into the minds and the bodies of the victims if 9/11, and the firemen and policemen who were searching the wreckage of the buildings and even the hijackers. The poets express deep emotions and profound thoughts with the sever attention to detail that makes poems revelatory. Upon reading these poems written by so many diverse poets one sees a deepening of perception, of renewed seriousness about the human predicament and about the necessity to evolve into our full humanity. We hope the poems will help readers feel more deeply, think about our future, and ultimately act to achieve a more peaceful and just world. Poets include: Lawrence Ferlinghetti, Diane di Prima, Robert Creeley, Opal Palmer Adisa, Robert Pinsky, Michael McClure, devorah major, Nellie Wong, Jack Hirschman, David Meltzer, Neeli Cherkovski, Lyn Lifshin, Antler, John Sinclair, Allen Cohen, Clive Matson, Al Young, Steve Kowit, Gerald Nicosia, Q.R. Hand, Ira Cohen, Julia Vinograd, Jack Foley, Janine Pommy Vega, A.D. Winans, Shepherd Bliss, S.A. Griffin, Coleman Barks, Claire Burch, Gail Ford, Charles Pappas, and many more.

Wine is a muse for poets and ordinary folks alike, a great seducer and lifelong friend to many. It’s integral to some of the finest cultures on earth. But as simple and lovely as wine may be, the wine world can be intimidating. Many so-called experts perpetuate an elitist approach to wine, with their explanations so jargon-filled that the wine gets lost in the analysis. WineSense cuts through the jargon and complexities wine can present. In this common-sense guide, Bob Desautels offers straightforward information on types of wine, tasting, wine history, grape varieties, approaches to winemaking, and more. His Three Keys to Understanding Wine allow the everyday wine enthusiast and the beginner to truly grasp the subject while increasing their appreciation of wine. The ultimate purpose of this book is to teach you how to find good and consistent styles of wine that suit your palate. You’ll be able to look beyond the safe choices and search for local wines that have the best qualities of your international favourites. With a deeper understanding of wine, you’ll gain true WineSense, offering you a newfound confidence in choosing the right wine for the right time.

“The issues of South Africa and the nuclear bomb and theologies of liberation have for some time spotlighted the question of violence and non-violence. The strength or weakness of Gandhian non-violence often comes up in discussions on the subject. This manuscript analyzes Gandhian non-violence. The analysis is able, thorough and—this is what I most respond to—marked both by rigorous Western-style scrutiny and a familiarity with Gandhi’s philosophical and religious roots. He provides a strong theoretical basis for the instinctive reactions of many of Gandhi’s non-violence, for the widespread and commonsense belief that in general non-violence is sound and beneficial but that non-violent extremism may not be. His treatment of Gandhian non-violence in the context of Indian philosophy and metaphysics is of high calibre. His approach is both fresh and successful.” — Rajmohan Gandhi “Borman shows in great detail where Gandhi’s thought arises from the Upanisads, The Bhagavad Gita, and a few other ancient documents. He also shows clearly where Gandhi deviates from his sources. As to argument, Borman uses a close-grained approach characteristic of analytic philosophy. Borman claims that Gandhi’s principles are extreme and unsupportable, and eventually lead to contradiction. It is not an intellectual biography, and it does not deal with the development of Gandhi’s thought. Rather it analyzes the logic of his position, and shows how he came to defend it from new angles in different circumstances. The text is well related to historical events, but does not pretend to history.” — Robert C. Neville “The manuscript is not, and does not pretend to be, a historical analysis of Mahatma Gandhi’s experience. Its notable strength lies in its unique and commendable examination of Gandhi’s philosophy of non-violence, and in this particular respect it is the best study of the subject that I have read among the hundreds of books that deal with aspects of Gandhi’s contribution to our understanding of non-violence.” — Dennis Dalton “It is refreshing to read an author who has a basis for understanding Gandhi since so many writers fail to understand or appreciate the spiritual essentials that form the core of Gandhi’s life and message. This book rings with clear, accurate, insightful understandings of Gandhi. It explores fully Gandhi’s philosophy of action and brings in scriptural sources for concepts that Gandhi practiced in his everyday affairs. I think the Western reader will gain a much needed clarification of Gandhian philosophy, methods, and actions, and especially of the source of his inspiration and intentions.” — Jean B. Mann

A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.

The bestselling author Jeffrey Archer once again astonishes, delights, and electrifies with this collection, Twelve Red Herrings. Archer, the internationally bestselling author of Honor Among Thieves and Kane & Abel, serves up this inventive collection of a dozen short stories -- with a twist. Cleverly styled, with richly drawn characters and ingeniously plotted story lines, each of the twelve pieces ends with a delightfully unexpected turn of events. An imprisoned man is certain that his supposed murder victim is very much alive....A female driver is pursued relentlessly by a menacing figure in another vehicle....A young artist gets the biggest break of her career....A restless beauty manages the perfect birthday celebration....An escaped Iraqi on Saddam Hussein's death list pays an involuntary visit to his homeland. In each tale, human beings are given an opportunity to seize, a crucial problem to solve, or a danger to avoid. How will they react? How would you? Capping off the collection are two additional rewards. In the final story, Archer offers a choice of four endings. And buried in each story is another diversion -- a red herring which Archer challenges his readers to uncover.

“Our world of war, poverty, corporate greed, racism, sexism, nuclear weapons, and catastrophic climate change demonstrates the total failure of violence,” says John Dear. The internationally known peace activist and Nobel Prize nominee has always offered a single answer: Jesus. Now he invites us to follow the nonviolent Jesus through the holy season of Lent, beginning with Jesus’ journey to Jerusalem and culminating in his resurrection and the new life of peace he brings to all. Deeply personal and uncompromisingly committed to peace, these prayerful reflections on Jesus’ life and death challenge the notion that support of violence at any level is compatible with a life in Christ. Drawing on the insights of Mahatma Gandhi, Martin Luther King, Jr., and others, Dear shows us how we can practice gospel nonviolence, be apostles of peace, and change the world. Perfect for personal reflection or small group discussion, these meditations invite us to “participate in our own inner disarmament and cultivate our true nonviolent nature” as we follow the Good Shepherd, the Lamb of God. A timely, important, and inspiring book for our times.

When her mother is jailed for being one of Gandhi's freedom fighters, ten-year-old Anjali overcomes her own prejudices and continues her mother's social reform work, befriending Untouchable children and working to integrate her school.

A New York Times Editors' Choice A Washington Independent Review of Books Favorite Book of 2021 A writer’s humorous and often-heartbreaking tale of losing his sight—and how he hid it from the world. At age sixteen, James Tate Hill was diagnosed with Leber’s hereditary optic neuropathy, a condition that left him legally blind. When high-school friends stopped calling and a disability counselor advised him to aim for C’s in his classes, he tried to escape the stigma by pretending he could still see. In this unfailingly candid yet humorous memoir, Hill discloses the tricks he employed to pass for sighted, from displaying shelves of paperbacks he read on tape to arriving early on first dates so women would have to find him. He risked his life every time he crossed a street, doing his best to listen for approaching cars. A good memory and pop culture obsessions like Tom Cruise, Prince, and all things 1980s allowed him to steer conversations toward common experiences. For fifteen years, Hill hid his blindness from friends, colleagues, and lovers, even convincing himself that if he stared long enough, his blurry peripheral vision would bring the world into focus. At thirty, faced with a stalled writing career, a crumbling marriage, and a growing fear of leaving his apartment, he began to wonder if there was a better way.