An Immigrant S Tale

Old New Worlds intertwines the immigrant stories of the author and her great-great grandmother. Sarah Barker and her new husband sail from England in 1815 to minister to the indigenous Khoihoi in South Africa's Eastern Cape. In the midst of conflict, illness, and natural disasters, Sarah bears sixteen children. Two hundred years later, Judith leaves post apartheid South Africa with her new American husband to immigrate to the United States. She is drawn to Sarah's immigrant story in the context of her own experience, and she sets out to try and trace her. In the process, she finds a soul mate.

“I felt like an alien who fell down to earth, not understanding the rules of the game, making all the possible mistakes, saying all the wrong things.” “Your whole life is in the hands of other people who do not always mean well and there is nothing you can do about it. They can decide to send you away and you have no control.” “The moment I enter the house, I shelve my American self and become the 'little obedient wife' that my husband wants me to be.” “The most difficult part is to find myself again. At the beginning I lost myself.” This jargon-free book documents and analyzes the experience of immigration from the female perspective. It discusses the unique challenges that women face, offers insights into the meanings of their experiences, develops gender-sensitive knowledge about immigration, and discusses implications for the effective development and provision of services to immigrant women. With fascinating case studies of immigration to the United States, Australia, and Israel as well as helpful lists of relevant organizations and Web site/Internet addresses, Immigrant Women Tell Their Stories is for everyone who wants to learn or teach about immigration, especially its female face. “It was like somebody sawed my heart in two. One part remained in Cuba and one part here.” Immigrant Women Tell Their Stories examines the nature of immigration for women through the eyes of those who have experienced it: how they perceive, interpret, and address the nature of the experience, its multiple aspects, the issues that it presents, and the strategies that immigrant women develop to cope with those issues. The women in this extraordinary book came from different spots around the globe, speak different languages and dialects, and their English comes in different accents. They vary in age as well as in cultural, ethnic, social, educational, and professional status. They represent a rainbow of family types and political opinions. In spite of their diversity, all these women share immigration experience. This book provides an understanding of the journeys they traveled and the experiences they lived to bring you new insights into what it means to immigrate as a woman and to frame effective strategies for working with—and for—immigrant women. “My father is the head of the house. When he decided to move to America [from India] my mother and us, the daughters, did not have much say. My mother and I were not happy at all, but it did not matter.” Immigrant Women Tell Their Stories provides you with historical and global perspectives on immigration and addresses: legal, political, economic, social, and psychological dimensions of immigration and its aftermath deconstructing immigration by age, gender, and circumstances major issues of immigrant women—language, mothering, relationships and marriage, finding employment, assimilation (how much and how soon), loneliness, and more resilience in immigrant women immigration from a lesbian perspective guidelines for the development and delivery of services to immigrant women “You may say that I am the bridge, the desert generation that lost the chance to have it my way. But I will do my best to raise my daughters to have more choices than I.” In this well-referenced book, immigrant women from Austria, Bosnia, Cuba, various parts of the former Soviet Union, Guatemala, India, Israel, Lebanon, Mexico, Pakistan, and the Philippines tell us their stories, recount what their experiences entailed and what challenges they posed, and teach us ways to help them cope successfully. “This was the best decision we could have made and the best thing we had ever done.”

FINALIST FOR THE 2019 SCOTIABANK GILLER PRIZE Award-winning author David Bezmozgis’s first story collection in more than a decade, hailed by the Toronto Star as “intelligent, funny, unfailingly sympathetic” In the title story, a father and his young daughter stumble into a bizarre version of his immigrant childhood. A mysterious tech conference brings a writer to Montreal, where he discovers new designs on the past in “How It Used to Be.” A grandfather’s Yiddish letters expose a love affair and a wartime secret in “Little Rooster.” In “Childhood,” Mark’s concern about his son’s phobias evokes a shameful incident from his own adolescence. In “Roman’s Song,” Roman’s desire to help a new immigrant brings him into contact with a sordid underworld. At his father’s request, Victor returns to Riga, the city of his birth, where his loyalties are tested by the man he might have been in “A New Gravestone for an Old Grave.” And, in the noir-inspired “The Russian Riviera,” Kostya leaves Russia to pursue a boxing career only to find himself working as a doorman in a garish nightclub in the Toronto suburbs. In these deeply felt, slyly humorous stories, Bezmozgis pleads no special causes but presents immigrant characters with all their contradictions and complexities, their earnest and divided hearts.

Joanna Brooks reveals the harsh realities behind seventeenth- and eighteenth-century working-class English emigration--and dismantles the idea that these immigrants were drawn to America as a land of opportunity. Brooks follows American folk ballads back across the Atlantic, uncovering an archaeology of the worldviews of America's earliest immigrants and a haunting historical perspective on the ancestors we thought we knew.

This is a story about a 25-year-old immigrant who left India in June 1969 to travel to Canada with eight dollars in his pocket. Times were different then: there were no credit cards or mobile phones at that time. There would be no job waiting for him when he arrived in Canada, so, he was travelling into the unknown. In those days, air line travel was expensive, but it had its perks. One of the perks was you were allowed to break journey and stay overnight on the route; airlines would pay for the accommodation and food. The author decided take a chance and stay couple of places with the eight dollars in his pocket. He decided stay in Delhi, Zurich and Cologne. In Cologne, he got in trouble with hotel management - you will find the details in the book. His ambition was to travel the world for three years and return to India. He knew eight dollars wouldn't take him too far, but that was the most the Indian government allowed you to take out of the country. Soon after arriving, he started to fall in love with Canada and the people here. After few years, he gave up the idea of returning to India. During this time, his company recognized his capability in engineering and offered him responsible positions. He put his two sons through medical programs; they became doctors and they both married doctors also. He considers this is his greatest achievement and sacrifice in Canada. The author also gives some advice to new immigrants. This is his story.

“A virtuosic debut [and] a wry look at immigrant life in the global age.” —Vogue Having left Odessa for Brighton Beach, Brooklyn, with a sense of finality, the Nasmertov family has discovered that the divide between the old world and the new is not nearly as clear-cut as they had imagined. With the collapse of the Soviet Union, returning is just a matter of a plane ticket, and the Russian-owned shops in their adopted neighborhood stock even the most obscure comforts of home. Pursuing the American Dream once meant giving up everything, but does the dream still work if the past refuses to grow distant and mythical, remaining alarmingly within reach? If the Nasmertov parents can afford only to look forward, learning the rules of aspiration, the family’s youngest, Frida, can’t help looking back—and asking far too many questions. Yelena Akhtiorskaya’s exceptional debut has been hailed not only as the great novel of Brighton Beach but as a “breath of fresh air … [and] a testament to Akhtiorskaya’s wit, generosity, and immense talent as a young American author” (NPR).

A famous writer exiled from Albania and Greece. A Somali nomad-turned-multinational banker. An Asian-born virtuoso violinist with perfect pitch, and many more . . . In this eye-opening collection of immigrant trials, triumphs, and contributions, leading immigration lawyer Susan Cohen invites you to walk with her clients as they share their incredible journeys coming to America while overcoming unimaginable dangers and often heartbreaking obstacles abroad. Cohen masterfully uplifts marginalized voices, laying bare the remarkable realities of staggering hardships and inspiring resilience. Sprinkled with amusing anecdotes, tense junctures, and heartwarming segments, you will sit front and center at the courtroom learning about US immigration policies and systems—which often become an immigrant’s greatest hurdle—while also discovering the ways unscrupulous American citizens take advantage of those not born in the States. As you ride the ups and downs and follow the zig-zagging twists and turns of their travails, you will discover the many ways immigrants from all over the world give back to their local communities and enrich the fabric of the nation. Finding yourself enmeshed in their stories, you will gain insight, grow in empathy, and come to understand what it truly takes to become an American citizen.

What drives so many to leave everything behind and journey alone to a mysterious country, a place without family or friends, where everything is nameless and the future is unknown. This silent graphic novel is the story of every migrant, every refugee, every displaced person, and a tribute to all those who have made the journey.