An Impossible Woman

Impossible Women fills a critical gap in queer theory by spotlighting representations of lesbian sexuality in nineteenth- and twentieth-century American literature. Reading through the lens of feminist and psychoanalytic theory, Valerie Rohy considers texts by Nathaniel Hawthorne, Kate Chopin, Henry James, Zora Neale Hurston, Ernest Hemingway, and Elizabeth Bishop.Addressing American ideologies of reproduction and representation, Impossible Women suggests that lesbian figures are made to symbolize both the unrepresentable and the failures of meaning inherent in language. Rohy traces the ways lesbian sexuality—relegated to the domain of the ineffable, yet endlessly subject to inscription—appears in tropes of transference and displacement, the disembodied voice, repetition-compulsion, and the uncanny. Impossible Women also asks what cultural work such figures perform, locating lesbian desire in American literary history and engaging issues of genre and narrative, social formations such as the rhetoric of the "New Woman," and intersections of racism, sexism, and homophobia.

"People say our marriage is impossible." Laurie and Matt Krieg are in a mixed-orientation marriage: a marriage in which at least one partner's primary attraction isn't toward the gender of their spouse. In the Kriegs' case, Laurie is primarily attracted to women—and so is Matt. Some find the idea of mixed-orientation marriage bewildering or even offensive. But as the Kriegs have learned, nothing is impossible with God—and that's as true of their marriage as anyone else's. In An Impossible Marriage, the Kriegs tell their story: how they met and got married, the challenges and breakthroughs of their journey, and what they've learned about marriage along the way. Christianity teaches us that marriage is a picture of Jesus’ love for the church—and that's just as true in a mixed-orientation marriage as in a straight one. With vulnerability and wisdom, this book lays out an engaging picture of marriage in all its pain and beauty. It's a picture that points us, over and over again, to the love and grace of Jesus—as marriage was always meant to do.

Jayne Ellis is worried. Her beautiful sister Fleur is besotted with a playboy, neglecting her studies and ruining her future. Which is why Jayne decides to approach Dante Fiorelli, the boy's rich and powerful uncle. Dante will help, but he wants Jayne involved. But dealing with the dark and delicious Dante is hard. Especially when he decides little Jayne might merit her own, intimate exploration. - 50760 words.

Malcolm thought marriage was some sort of trap. Judy Campbell was youthful, petite and feminine?hardly the usual description of a truck-driving, sod-toting landscape gardener. But then, Malcolm Stewart was no ordinary client, either. The celebrated Sydney architect was handsome, funny and generous, and altogether too easy to fall in love with. Which made for an impossible situation, considering his attitude to marriage. It hurt Judy to learn that the man she loved resisted giving himself to a lifetime commitment. But it simply was not in her nature to settle for anything less.

If life were a fairy tale, Daisy Montgomery's stepmother and two stepsisters would surely be cast in the wicked roles. For years, they've made life miserable for Daisy. But when she discovers she has a godmother, she's determined to ask her for help. Little did Daisy expect her godmother to play matchmaker with her very own grandson—who happens to be a viscount! A freewheeling playboy, Charles Thorpe, Viscount Lumley, is bored with his wealth-seeking female admirers. Not only that, he's been cut off from the family coffers. One day, on a bet, he rids himself of what little money he has left in his pockets and vows to solve problems using his wits alone. But when the Impossible Bachelor is confronted with Daisy's plan to save her castle, the payoff is more than he could have bargained for. Sometimes, if you give a girl a viscount, you just might find love....