An Old Man S Winter Night

-- New York Times Book Review

Now in paperback An Old Man's Winter Night: Ghostly tales is the most recent gathering of ghost tales by Tom Dawe, one of Newfoundland and Labrador's most distinguished writeres. It includes tales of visitations both malevolent and benign. There are stories of ghostly galleons, of unsettling graves, of srange omens and fetches; an eerie tale of a notoriously haunted house, and another of a ghostly sled dog that returns to save its master who has been lost in a blizzard. All the stories are based on ones Dawe himself has collected over the years. Targeted to middle readers, the book includes original wood-cut illustrations by acclaimed artist Veselina Tomova. As powerful as the stories themselves, Tomova's haunting images capture perfectly the book's dark moodiness. These are chilling tales--perfect for reading or telling by the fireside on a cold winter's night.

Offers detailed accounts of sixty-five poems that span Frost's writing career and assesses the particular nature of the poet's style, discussing how it changes over time and relates to the works of contemporary poets and movements.

This Companion brings together essays on some fifty-four American poets, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, "confessional" poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry.

The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.

Though critics traditionally have paid homage to Robert Frost's New England identity by labeling him a regionalist, John Kemp is the first to investigate what was in fact a highly complex relationship between poet and region. Through a frankly revisionist interpretation, he not only demonstrates how Frost's relationship to New England and his attempt to portray himself as the "Yankee farmer poet" affected his poetry; he also shows that the regional identity became a problem both for Frost and for his readers. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book is a product of the XI International Conference on English Language and Literary Studies held in Montenegro in 2014. The “old spaces” were taken as a metaphorical tool for reintroducing a wide range of established topics with new approaches. Space was, thus, understood as physical, mechanical, continuous, linear, as measurable and symbolic, as subjective and relational, and as aesthetic. It was found on maps, in architecture, on theatre stages, in books, in hearts, in one’s identity, in time, and in theses and theories from the Aristotelian topos to Einstein’s construct of space-time. Therefore, the means of travel to these spaces and the forms the journeys take are also multifarious. However, so are the discursive strategies and their limitations when it comes to presenting the journeys and their destinations. The contributors to this volume represent a range of nationalities, and present research that either follows in the footsteps of other authors, in a literal or secondary literary journey to real geographical places, or observes the universal literary and old theoretical issues through new critical lenses. Indeed, they are often on both roads, witnessing how inextricable human efforts are to finding, identifying, and aestheticising oneself in relation to a particular space. Their contributions to this book expose how “spaces” were created and recreated through writing and symbolical representations in general. They also show how the images of these spaces have been changing in consent to the intentions of their visitors, and reveal that persistent and obstinate moment in a space that despite, or in spite of, changing perspectives, itself refuses to be changed. The book will encourage for further contributions to this expanding field in the humanities. In their numerous and distinct ways, the contributions to this particular book maintain that understanding how spaces are conceived and conceptualised is of pronounced importance in the globalized world in which cultures are gradually losing authenticities, while their spaces – geographical, tourist, spiritual, literary, aesthetic – are as reflective of the “visitors” as they are of the “hosts.”