An Uncommon Poet For The Common Man

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Philip Larkin (1992-1985) Is Today Acclaimed As A British National Cultural Icon. Historically A Movementeer, Larkin Followed The Pleasure Principle To Democratize Poetry By Forging A Distinctive Philistine Aesthetic, By Employing A Defiantly Demotic Diction, And By Building His Poems Around A Structure Of Rational Discourse.Philip Larkin : Poetry That Builds Bridges Is A Well-Researched And Immensely Readable Book. It Is Perhaps The Only Work Available Today That Offers A Comprehensive Critical Account Of The Full Range Of Larkin S Poetry. A Significant Contribution To Larkin Studies, This Book Provides A Between-The-Lines Analysis Of Almost All The Poems Embodied In The Four Major Collections Of Larkin The North Ship, The Less Deceived, The Whitsun Weddings And High Windows.By Exploiting The Resources Of Larkin S Letters, His Prose Writings And His Biography, The Author Traces, Much Against The Grain Of Contemporary Larkin Criticism, The Poet S Thematic, Attitudinal And Technical Development From One Book Of His Poetry To The Next, And Shows The Trend Of Larkin S Evolution.With A Holistic Approach To The Total Corpus Of Larkin S Poetry, The Author Perspectivises The Poet, And Argues The Larkin S Achievements Lie In His Success In Building Bridges Between Aestheticism And Philistinism, Between Empiricism And Transcendentalism, Between Classicism And Romanticism, Between Modernism And Postmodernism, Between The Native British Poetic Tradition And The Anglo-Franco-American Experimental Line, And, Above All, Between Poetry And The Reading Public.This Book Also Contends The Larkin S Vision Of Life Is Neither Pessimistic Nor Optimistic, But Tragic And Melioristic.

Uncommon Poems, Common People By: T. D. Kruser Uncommon Poems, Common People is a compilation of poems written over the past 40 years. It combines the traditional poetic elements of turn of phrase and open and multiple interpretations for the reader while at the same time most of the poems are written in commonsense language that most people will be able to relate to and find easier to understand. What makes this book interesting is that it reflects the common experiences and emotions that most all of us go through and are able to relate with; additionally, its message is very relevant in that most everyone searches for both meaning and a sense of purpose in their lives, despite life's obstacles and pitfalls. What makes Uncommon Poems unique is that it offers to the reader the possibility that a path can be found, that life is not hopeless, and that with the proper growth and guidance, it is possible for all/anyone to come to a place of self-peace and contentment in their own lives. It is intended to be enriching, inspiring, and to instill within the reader a renewed sense of hope and purpose.

The Poetry Of Philip Larkin: A Study In Long Perspectives By: S. N. Prasad The present book is an innovative attempt to give the Philip Larkin criticism a new direction. Early critical writings on Larkin for the most part tried to show him as a provincial poet and his poetic imagination as of a middle-brow kind. However, soon some perceptive readers of his poetry found some of its real value, as a result of which he is now regarded as one of the major British post-modern poets. This book has tried to show that Philip Larkin in his poetry tries to see man in his present existential condition and he sees his future prospects as a species in very long perspectives and, in this respect, besides his many- faceted merit as a true poet, he can and should be seen in the company of great mainstream scientists, philosophers, creative writers and thinkers. Philip Larkin in his major poems aims at giving a therapeutic touch to the ailing human culture. This book has a long INTRODUCTION which tries to show the true origins of man, his physiology and his present psycho-social condition. Views of reputed creative writers, scientists, philosophers and thinkers have been referred to in this connection. In the three middle sections of the book, thirty of Larkin’s poems taken from his three major volumes have been analyzed individually at some length. These analyses reveal some of the very important but hitherto unrevealed aspects of his poetry.

Questions of genres as well as their possible definitions, taxonomies, and functions have been discussed since antiquity. Even though categories of genre today are far from being fixed, they have for decades been upheld without question. The goal of this volume is to problematize traditional definitions of poetic genres and to situate them in a broader socio-cultural, historical, and theoretical context. The contributions encompass numerous methodological approaches (including hermeneutics, poststructuralism, reception theory, cultural studies, gender studies), periods (Romanticism, Modernism, Postmodernism), genres (elegy, sonnet, visual poetry, performance poetry, hip hop) as well as languages and national literatures. From this interdisciplinary and multi-methodological perspective, genres, periods, languages, and literatures are put into fruitful dialogue, new perspectives are discovered, and suggestions for further research are provided.

Larkin's poems are often regarded as falling somewhere between the traditional 'plain' and the more contemporary 'postmodern' categories. This study undertakes a comprehensive linguistic and historical study of the plain style tradition in poetry, its relationship with so-called 'difficult' poetry, and its particular realization in the cultural and historical context of 20th-century Britain. The author examines the nature of poetry as a type of discourse, the elements of, and factors in, the development of literary styles, a close rhetorical examination of Larkin's poems within the described poetic frameworks, and his position in the British twentieth-century poetic canon.

Featuring contributions from some of the major critics of contemporary poetry, Twentieth-Century British and Irish Poetry offers an accessible, imaginative, and highly stimulating body of critical work on the evolution of British and Irish poetry in the twentieth-century Covers all the poets most commonly studied at university level courses Features criticisms of British and Irish poetry as seen from a wide variety of perspectives, movements, and historical contexts Explores current debates about contemporary poetry, relating them to the volume's larger themes Edited by a widely respected poetry critic and award-winning poet