Ana Takes Manhattan

Fans of Abby Jimenez and Alexis Daria will love this novel about one New York City woman skilled in producing swoon‑worthy reality TV shows but whose own life is a mess, with nothing ever going according to plan. As a reality TV producer, Ana Karina orchestrates extravagant marriage proposals that always (well, mostly) go as planned. When they don’t, she’s not afraid to cut and paste scenes to make the moment picture-perfect. If only Ana’s own life was as simple to direct. Her colleagues are getting promotions. Her best friend and her younger sister are both getting married. Everyone is moving forward—except Ana. Sick of feeling stuck, she decides to start living with no regrets. She’s going to pitch all her ideas at work, no matter how unlikely. She’ll take a chance on a guy even if he doesn’t check all her boxes for Mr. Right. Soon, she’s swept up in a roller coaster of exhilarating dates—a comedy show, a Jane Austen reenactment, a rave pool party, and a whirlwind trip to Vienna. With all this excitement, Ana should be on her way to her own happily-ever-after, but instead her life is getting messier by the second. Yet throwing caution to the wind may still bring Ana more than she hoped for as she begins to listen to her heart and realizes the life—and man—truly meant for her might be the one she never saw coming.

Law and the City offers a lateral, critical and often unexpected description of some of the most important cities in the world, including Moscow, Istanbul, Berlin, Singapore, Athens, Mexico City, Toronto, Sydney, Johannesburg: each one from a distinctive legal perspective. An invaluable 'guide' to adopting a different approach to the city and its history, culture and everyday experience, Law and the City is not simply an exploration of the relationship between these two spheres. It details: a flourishing of law’s spatiality and urban legal locality an unfolding of both the juridical urban body and the city’s legal dreams, of both the ‘urban law’ and the ‘juridical polis’. Enlightening and at the same time problematizing the reader, this volume is an innovative collection of truly global dimensions that will prove compelling reading both for specialists and for critical travellers.

L. M. Montgomery’s classic tale, Anne of Green Gables, gets a romantic, charming, and hilarious modern adaptation, set in New York City. After an idyllic girlhood in Avonlea, Long Island, Anne has packed up her trunk, said goodbye to her foster parents, Marilla and Matthew, and moved to the isle of Manhattan for grad school. Together with her best friend, Diana Barry, she’s ready to take on the world and find her voice as a writer. When her long-time archrival Gilbert Blythe shows up at Redmond College for their final year, Anne gets the shock of her life. Gil has been in California for the last five years—since he kissed her during a beach bonfire, and she ghosted him. Now the handsome brunette is flashing his dimples at her like he hasn’t a care in the world and she isn’t buying it. Paired with the same professor for their thesis, the two former competitors come to a grudging peace that turns into something so much deeper…and sexier than either intended. But when Gil seemingly betrays her to get ahead, Anne realizes she was right all along—she should never have trusted Gilbert Blythe. While Gil must prove to Anne that they’re meant to be together, she must come to terms with her old fears if she wants a happily-ever-after with the boy she’s always (secretly) loved.

Hildegard Peplau's 50-year career in nursing left an indelible stamp on the profession of nursing, and on the lives of the mentally ill in this country. She wore many hats -- founder of modern psychiatric nursing, innovative educator, advocate for the mentally ill, proponent of advanced education for nurses, Executive Director and then President of the American Nurses Association, and prolific author. She raised her daughter as a single parent while pursuing an ambitious professional path. Her determined manner often aroused controversy which never deterred her commitment to advancing the nursing profession.

Since the 1990s, when Reviving Ophelia became a best seller and “Girl Power” a familiar anthem, girls have assumed new visibility in the culture. Yet in asserting their new power, young women have redefined femininity in ways that have often mystified their mothers. They have also largely disavowed feminism, even though their new influence is a likely legacy of feminism’s Second Wave. At the same time, popular culture has persisted in idealizing, demonizing, or simply erasing mothers, rarely depicting them in strong and loving relationships with their daughters. Unruly Girls, Unrepentent Mothers, a companion to Kathleen Rowe Karlyn’s groundbreaking work, The Unruly Woman, studies the ways popular culture and current debates within and about feminism inform each other. Surveying a range of films and television shows that have defined girls in the postfeminist era—from Titanic and My So-Called Life to Scream and The Devil Wears Prada, and from Love and Basketball to Ugly Betty—Karlyn explores the ways class, race, and generational conflicts have shaped both Girl Culture and feminism’s Third Wave. Tying feminism’s internal conflicts to negative attitudes toward mothers in the social world, she asks whether today’s seemingly materialistic and apolitical girls, inspired by such real and fictional figures as the Spice Girls and Buffy the Vampire Slayer, have turned their backs on the feminism of their mothers or are redefining unruliness for a new age.

In a global context in which phenomena of migration play an ever more important role, the ways individual and collective experiences of migration are covered in the media, represented in culture, and interpreted are coming under increasing scrutiny. This book explores the complex relationship between creative engagements with migration on the one hand, and forms of knowledge about migration on the other, inquiring into the ways aesthetic practices are intertwined with knowledge structures. The book responds to three pressing research questions. First, it analyses how fictional texts, plays, images, films, and autobiographical accounts mediate forms of knowledge about migration. Second, it identifies the ways in which specific media approaches and aesthetic practices influence people's ideas about and awareness of migratory experiences in a globalized world. Finally, it delineates how historical perspectives help us compare epistemological approaches to migration in the nineteenth, twentieth, and early twenty-first centuries, and how these approaches affect the way critics and the public responded to and thought about different forms of (forced) migration. Bringing together renowned scholars working across disciplines, it investigates the possibilities and limitations that different media present when it comes to reflecting on, communicating, and imagining experiences of migration, and how these representations in turn create ways of knowing and understanding migration.

Hauntingly beautiful, this new work by the author of "Lick Creek" is an extraordinarily moving novel about solitude, love, losing one's way, and finding something like home.

A bilingual edition of poetry from an important Cuban poet.