Anarchy In The Year Zero

The story of the birth of Punk, with a capital P, in the only country where it was a mainstream movement: the UK, told entirely by eye-witnesses whose words, then and now, have been held up to the light of hindsight.

From the world's leading authority on Bob Dylan comes the definitive biography that promises to transform our understanding of the man and musician—thanks to early access to Dylan's never-before-studied archives. In 2016 Bob Dylan sold his personal archive to the George Kaiser Foundation in Tulsa, Oklahoma, reportedly for $22 million. As the boxes started to arrive, the Foundation asked Clinton Heylin—author of the acclaimed Bob Dylan: Behind the Shades and 'perhaps the world's authority on all things Dylan' (Rolling Stone)—to assess the material they had been given. What he found in Tulsa—as well as what he gleaned from other papers he had recently been given access to by Sony and the Dylan office—so changed his understanding of the artist, especially of his creative process, that he became convinced that a whole new biography was needed. It turns out that much of what previous biographers—Dylan himself included—have said is wrong. With fresh and revealing information on every page A Restless, Hungry Feeling tells the story of Dylan's meteoric rise to fame: his arrival in early 1961 in New York, where he is embraced by the folk scene; his elevation to spokesman of a generation whose protest songs provide the soundtrack for the burgeoning Civil Rights movement; his alleged betrayal when he 'goes electric' at Newport in 1965; his subsequent controversial world tour with a rock 'n' roll band; and the recording of his three undisputed electric masterpieces: Bringing it All Back Home, Highway 61 Revisited and Blonde on Blonde. At the peak of his fame in July 1966 he reportedly crashes his motorbike in Woodstock, upstate New York, and disappears from public view. When he re-emerges, he looks different, his voice sounds different, his songs are different. Clinton Heylin's meticulously researched, all-encompassing and consistently revelatory account of these fascinating early years is the closest we will ever get to a definitive life of an artist who has been the lodestar of popular culture for six decades.

In his sensational novel The Descent, Jeff Long created a world of stunning terror and adventure, "an imaginative tour de force" (Jon Krakauer). Now he imagines a scenario so vivid, so haunting, it anchors his place among storytelling masters. YEAR ZERO An archaeological manhunt is raging in the holy land -- a hunt for the historical Jesus. For Nathan Lee Swift, a young American field researcher and expectant father, the line between noble discovery and the plunder of ruins is sacred -- until the night he crosses it. At a Roman landfill beneath the crucifixion grounds known as Golgotha, Nathan Lee yields to his professor's greed and turns common grave robber. His world -- his unborn daughter -- seems lost to him. Hundreds of miles away, on the remote Greek island of Corfu, a wealthy collector pries open his latest black-market purchase -- a fourteen-inch holy relic containing a vial of blood dating back to the first century -- and unleashes a two-thousand-year-old plague. As the pandemic explodes from the Mediterranean basin and threatens to devour humankind, Nathan Lee gets a chance at redemption. He embarks on an Odyssean journey back to the United States to find his family. Skirting the edges of the world, Nathan Lee's path finally leads him to New Mexico, where the greatest minds of science have converged at Los Alamos to find a vaccine. There Nathan Lee meets Miranda Abbot, a nineteen-year-old prodigy. As the cure continues to elude them, Miranda launches a desperate final strategy: the use of human lab rats cloned from the year zero. Nathan Lee, the thief of bones, comes face-to-face with men made from the very relics he looted, one of whom claims to be Jesus Christ, but may also be Patient Zero. Combining the scientific precision of The Andromeda Strain with the intensity of classic adventure epics, Jeff Long takes readers on a riveting voyage through the rubble of earthquake-torn Jerusalem, the serenity of the high Himalayas, and the eerie sanctuary of Los Alamos. With Long's characteristic originality, Year Zero races against the apocalyptic clock, creating a maze of twists, astonishing atmosphere, and the clash of science and faith.

“Year Zero is a remarkable book, not because it breaks new ground, but in its combination of magnificence and modesty.” —Wall Street Journal A marvelous global history of the pivotal year 1945 as a new world emerged from the ruins of World War II Year Zero is a landmark reckoning with the great drama that ensued after war came to an end in 1945. One world had ended and a new, uncertain one was beginning. Regime change had come on a global scale: across Asia (including China, Korea, Indochina, and the Philippines, and of course Japan) and all of continental Europe. Out of the often vicious power struggles that ensued emerged the modern world as we know it. In human terms, the scale of transformation is almost impossible to imagine. Great cities around the world lay in ruins, their populations decimated, displaced, starving. Harsh revenge was meted out on a wide scale, and the ground was laid for much horror to come. At the same time, in the wake of unspeakable loss, the euphoria of the liberated was extraordinary, and the revelry unprecedented. The postwar years gave rise to the European welfare state, the United Nations, decolonization, Japanese pacifism, and the European Union. Social, cultural, and political “reeducation” was imposed on vanquished by victors on a scale that also had no historical precedent. Much that was done was ill advised, but in hindsight, as Ian Buruma shows us, these efforts were in fact relatively enlightened, humane, and effective. A poignant grace note throughout this history is Buruma’s own father’s story. Seized by the Nazis during the occupation of Holland, he spent much of the war in Berlin as a laborer, and by war’s end was literally hiding in the rubble of a flattened city, having barely managed to survive starvation rations, Allied bombing, and Soviet shock troops when the end came. His journey home and attempted reentry into “normalcy” stand in many ways for his generation’s experience. A work of enormous range and stirring human drama, conjuring both the Asian and European theaters with equal fluency, Year Zero is a book that Ian Buruma is perhaps uniquely positioned to write. It is surely his masterpiece.

Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.

Looks at the effect of new technologies and privacy, arguing that advances in technology can enhance privacy and security at the same time.

The Leaderless Revolution explains why our government institutions are inadequate to the task of solving major problems and offers a set of steps we can take to create lasting and workable solutions ourselves. In taking these steps, we can not only reclaim the control we have lost, but also a sense of meaning and community so elusive in the current circumstance. In a day and age when things feel bleak and beyond our control, this powerful and personal book will revive one's sense of hope that a better, more just and equitable order lies within our reach-if only we are willing to grasp it.

We are constantly being told that 1966, the very first iteration of Swinging London, was the time when the city was at its cultural, most fashionable height. And if not 1966, then it's the punk '70s or the Britpop '90s when London was meant to be most fun. Not so, argues GQ's Dylan Jones. Not only is London the greatest, most dynamic and diverse city in the world - it's never been better than it is now. Comparison may be the thief of joy, and it might be invidious to square London off against New York, Milan or Paris - which is heavier, a tonne of feathers or a tonne of gold? - but right now there is no other city in the world like it. It is already the greatest city of the twenty-first century, the one true global cultural megalopolis, the one true cocksure city-state, and we need to shout about it from the top of every tall building in town.