Anatomical Oddities

Every part of the human body has a name - and story. But how familiar are you with your arachnoid mater or your Haversian canals? Anatomical Oddities is an artistic and linguistic adventure, taking the reader on a journey to discover the hidden landscape of the human body: its crypts and caverns, gorges, islets and mountains. Along the way, we dip into the history of our relationship with the human body and the discoveries that paved the way for modern anatomy and medicine. Quirky, bizarre and beautiful, these pages feature original artworks from Professor Alice Roberts. The intricate details of the human body, the stories of people who unearthed its secrets, and the meanings of the words we use to describe it are laid bare.

With a foreword by James Randi Paranormal investigator Joe Nickell has spent more than thirty years solving the world's most perplexing mysteries. This new casebook reveals the secrets of the Winchester Mystery House, the giant Nazca drawings of Peru, the Shroud of Turin, the "Mothman" enigma, the Amityville Horror house, the vicious goatsucking El Chupacabras, and numerous other "unexplainable" paranormal phenomena. Nickell has traveled far and wide to solve cases, which include a weeping icon in Russia, the elusive Bigfoot-like "yowie" in Australia, the reputed power of a headless saint in Spain, and an "alien hybrid" in Germany. He has gone undercover—often in disguise—to reveal the tricks of those who pretend to talk to the dead, accompanied a Cajun guide into a Louisiana swamp in search of a fabled monster, and gained an audience with a voodoo queen. Superstar psychic medium John Edward, pet psychic Sonya Fitzpatrick, evangelist and healer Benny Hinn, and many other well-known figures have found themselves under Nickell's careful scrutiny. The Mystery Chronicles examines more than three dozen intriguing mysteries. Nickell uses a hands-on approach and the scientific method to steer between the extremes of mystery mongering and debunking. His investigative skills have won him both acclaim and controversy during his long career as one of the world's foremost paranormal investigators.

Up the close and down the stair, Up and down with Burke and Hare. Burke's the butcher, Hare's the thief, Knox the man who buys the beef. —anonymous children's song On Halloween night 1828, in the West Port district of Edinburgh, Scotland, a woman sometimes known as Madgy Docherty was last seen in the company of William Burke and William Hare. Days later, police discovered her remains in the surgery of the prominent anatomist Dr. Robert Knox. Docherty was the final victim of the most atrocious murder spree of the century, outflanking even Jack the Ripper's. Together with their accomplices, Burke and Hare would be accused of killing sixteen people over the course of twelve months in order to sell the corpses as "subjects" for dissection. The ensuing criminal investigation into the "Anatomy Murders" raised troubling questions about the common practices by which medical men obtained cadavers, the lives of the poor in Edinburgh's back alleys, and the ability of the police to protect the public from cold-blooded murder. Famous among true crime aficionados, Burke and Hare were the first serial killers to capture media attention, yet The Anatomy Murders is the first book to situate their story against the social and cultural forces that were bringing early nineteenth-century Britain into modernity. In Lisa Rosner's deft treatment, each of the murder victims, from the beautiful, doomed Mary Paterson to the unfortunate "Daft Jamie," opens a window on a different aspect of this world in transition. Tapping into a wealth of unpublished materials, Rosner meticulously portrays the aspirations of doctors and anatomists, the makeshift existence of the so-called dangerous classes, the rudimentary police apparatus, and the half-fiction, half-journalism of the popular press. The Anatomy Murders resurrects a tale of murder and medicine in a city whose grand Georgian squares and crescents stood beside a maze of slums, a place in which a dead body was far more valuable than a living laborer.

Whether you’re a born-and-raised New Jerseyan, a recent transplant, or just passing through, New Jersey Curiosities will have you laughing out loud as Peter Genovese takes you on a rollicking tour of the strangest sides of theGarden State. Learn the proper way to cook a garbage can turkey, get the skinny on the real birthplace of baseball, and hear the story of Waving Willie, New Jersey’s friendliestroadside character. Meet the undisputed Weenie Queen of Garfield; a Hickory Dickory Dock clock–covering car artist; and a gas station-turned-restaurant-owning undertaker. Feel the thrill of victory and the agony of defeat at the New Jersey Cockroach Derby, and relive the OK Corral shoot-out and shoot cap guns at bad guys in Wild West City.

Alan G Morris critically examines the history of evolutionary anthropology in South Africa, uncovering the stories and implicit racial biases of physical anthropology scientists and researchers, and how they influenced perceptions of the peoples of southern Africa, both ancient and modern

A SUNDAY TIMES BESTSELLER ‘Tender, fascinating … Lucid and illuminating’ Robert Macfarlane Funerary rituals show us what people thought about mortality; how they felt about loss; what they believed came next. From Roman cremations and graveside feasts, to deviant burials with heads rearranged, from richly furnished Anglo Saxon graves to the first Christian burial grounds in Wales, Buried provides an alternative history of the first millennium in Britain. As she did with her pre-history of Britain in Ancestors, Professor Alice Roberts combines archaeological finds with cutting-edge DNA research and written history to shed fresh light on how people lived: by examining the stories of the dead. PRE-ORDER CRYPT, THE FINAL BOOK IN ALICE ROBERTS' BRILLIANT TRILOGY – OUT FEBRUARY 2024.

Josephine Baker, the first Black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. Nicknamed the "Black Venus," "Black Pearl," and "Creole Goddess," Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker's film career brought hope to the Black press that a new cinema centered on Black glamour would come to fruition. In Josephine Baker's Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue. Francis contends that though Baker was an African American actress who lived and worked in France exclusively with a white film company, white costars, white writers, and white directors, she holds monumental significance for African American cinema as the first truly global Black woman film star. Francis also examines the double-talk between Baker and her characters in Le Pompier de Folies Bergère, La Sirène des Tropiques, Zou Zou, Princesse Tam Tam, and The French Way, whose narratives seem to undermine the very stardom they offered. In doing so, Francis artfully illuminates the most resonant links between emergent African American cinephilia, the diverse opinions of Baker in the popular press, and African Americans' broader aspirations for progress toward racial equality. Examining an unexplored aspect of Baker's career, Josephine Baker's Cinematic Prism deepens the ongoing conversation about race, gender, and performance in the African diaspora.