Ancient Egyptian Biographies

(Auto-)biography is a genre of ancient Egyptian written discourse that was central to high culture from its earliest periods. Belonging to the nonroyal elites, these texts present aspects of individual lives and experience, sometimes as narratives of key events, sometimes as characterizations of personal qualities. Egyptian (auto-) biographies offer a unique opportunity to examine the ways in which individuals fashioned distinctive selves for display and the significance of the physical, religious, and social contexts they selected. The present volume brings together specialists from a range of relevant periods, approaches, and interests. The studies collected here examine Egyptian (auto-)biographies from a variety of complementary perspectives: (1) anthropological and contrastive perspectives; (2) the original Old Kingdom settings; (3) text format and language; (4) social dimensions; and (5) religious experience.

In this compelling guide and sourcebook, renowned author and scholar Michael Rice introduces us to the inhabitants of ancient Egypt, allowing us to encounter their world through their own eyes. Here are the great and the famous, from Cleopatra to Tutankhamun, but here also are the grave-robber Amenwah, Nakht the gardener and Sebaster the hairdresser. The whole arena of Egyptian life is expressed in these pages. Not only are there nearly a thousand biographies, there is also a chapter on 'Encountering Ancient Egyptians', sections on kingship and on religion, a chronology, a glossary and maps. A combination of erudite scholarship and a clear and accessible style, this volume opens up the world of the ancient Egyptians to all those with an interest in the subject in a way that has never been done before.

From the Valley of the Kings to Las Vegas, Egypt looms large in the Western imagination. So why are we intrigued by pyramids and practices of mummification? Is it because the ancient Egyptians fetishized material objects? And what do Egyptian remains tell us about biography, embodiment, memory, materiality, the self, and, indeed, ourselves? This book considers how excavated objects reveal ancient Egyptians' experiences of their material world. It also explores existential questions that not only preoccupied ancient Egyptians, but continue to fascinate people today. What is the essence of persons and things? How might we understand the situated experiences of material life? How might objects successfully mediate between worlds? Meskell ultimately moves forward through time and examines the consumption of Egyptian material objects in the contemporary world, including Las Vegas. Meskell provides an elegant analysis of the aesthetics of ancient Egyptian material culture and insights into its mysteries, including our own ongoing fascination.

Egypt looms large in the Western imagination. Whether it is our attraction to pharaonic art, the pyramids or practices of mummification, Egypts unique understanding of materiality speaks to us across space and time. Is it because the ancient Egyptians fetishized material objects that we find their culture captivating today? And what exactly do Egyptian remains tell us about biography, embodiment, memory, materiality, and the self? Object Worlds in Ancient Egypt takes New Kingdom Egypt (1539-1070 BC) as its starting point and considers how excavated objects reveal the complex ways that ancient Egyptians experienced their material world. From life to death, the material world instantiated, reflected and influenced social life and existence for ancient Egyptians. Thus, in Meskells unique approach to the materiality and sensuousness of subjects and objects, we uncover the philosophical, spiritual and human meanings embedded in these cultural artefacts. Meskells book explores the fundamental existential questions that not only preoccupied ancient Egyptians, but continue to fascinate people today. What is the essence of persons and things? How might we understand the situated experiences of material life, the constitution of the object world and its shaping of human experience? How might objects successfully mediate between worlds? In the final analysis, Meskell moves forward through time and examines the consumption and appreciation of these Egyptian material objects in the contemporary world. Materiality is our physical engagement with the world, our medium for inserting ourselves into the fabric of that world and our way of constituting and shaping culture in an embodied and external sense. From that perspective it is very much the domain of anthropology and archaeology.Drawing on a wide range of objects, artefacts, and artwork, from Valley of the Kings through to Las Vegas, Meskell provides an elegant analysis of the aesthetics of ancient Egyptian material culture

Annotation Important historical and cultural figures, as well as some less well-known individuals in Egypt's long history are incorporated in this scholarly work of reference.

I. The Priesthood and Related Offices: -- 1. The high priests of Amun -- 2. Other priesthood and temple staff in Thebes -- 3. The Abydos priesthood -- 4. The priesthood of Onuris -- II. Artists -- III. Civil Officials -- IV. The Military -- V. Administering Nubia -- VI. Texts from Deir el-Medina.