The Odyssey

The Odyssey, translated by T. E. Lawrence, an epic 12,000-line poem composed over 2,700 years ago, is the first adventure story in Western literature. It describes the ten-year wanderings of Odysseus in his quest to return home after the Trojan War. Hounded by the sea-god Poseidon and championed by the goddess Athene, he encounters giants, sorceresses, and sea monsters before finally reaching his beloved Ithaca. There he must endure the taunts of the Suitors to his queen, Penelope, who have taken up residence in his palace. At once enchanting fairy tale and gripping drama, the Odyssey is eminently readable, not least for the rich complexity and magnetism of its hero. An inspiration to writers as diverse as Virgil, Swift, and Joyce, the Odyssey has proved enormously influential and continues to captivate readers of all ages.

A prose translation of the epic poem, recounting the story of Odysseus's journey home after the Trojan War.

Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.

The Odyssey is one of the oldest works of Western literature, dating back to classical antiquity. Homer’s epic poem belongs in a collection called the Epic Cycle, which includes the Iliad. It was originally written in ancient Greek, utilizing a dactylic hexameter rhyme scheme. Although this rhyme scheme sounds beautiful in its native language, in modern English it can sound awkward and, as Eric McMillan humorously describes it, resembles “pumpkins rolling on a barn floor.” William Cullen Bryant avoided this problem by composing his translation in blank verse, a rhyme scheme that sounds natural in English. This epic poem follows Ulysses, one of the Greek leaders that brought an end to the ten-year-long Trojan war. Longing for home, he travels across the Mediterranean Sea to return to his kingdom in Ithaca; unfortunately, our hero manages to anger Neptune, the god of the sea, making his trip home agonizingly slow and extremely dangerous. While Ulysses is trying to return home, his family in Ithaca is also in danger. Suitors have traveled to the home of Ulysses to marry his wife, Penelope, believing that her husband did not survive the war. These men are willing to kill anyone who stands in their way. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Gillian Cross's brilliant retelling and Neil Packer's glorious illustrations bring to life Homer's Iliad, one of the greatest stories ever told. The team behind The Odyssey (2012) now tell the story of the Trojan War. Cross's vivid adaptation begins with a beauty contest: the prize, a golden apple. In return for securing her victory, the goddess Aphrodite helps Prince Paris abduct Helen, wife to the king of Sparta. Enraged, the king and his Greek allies wage war on the Trojans. Nine years later, the fighting still rages on, but the Greeks are beginning to quarrel among themselves - Achilles and Agamemnon's petty argument has dire consequences for everyone caught in the crossfire. Neil Packer's pictures capture the beauty and remoteness of the setting, and bring a profound humanity to one of the finest literary achievements of Greek civilization.

'Tell me, Muse, of the man of many turns, who was driven far and wide after he had sacked the sacred city of Troy' Twenty years after setting out to fight in the Trojan War, Odysseus is yet to return home to Ithaca. His household is in disarray: a horde of over 100 disorderly and arrogant suitors are vying to claim Odysseus' wife Penelope, and his young son Telemachus is powerless to stop them. Meanwhile, Odysseus is driven beyond the limits of the known world, encountering countless divine and earthly challenges. But Odysseus is 'of many wiles' and his cunning and bravery eventually lead him home, to reclaim both his family and his kingdom. The Odyssey rivals the Iliad as the greatest poem of Western culture and is perhaps the most influential text of classical literature. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.

**FROM THE AUTHOR OF INSIDE THE WAVE, THE COSTA BOOK OF THE YEAR 2017** Counting the Stars is a captivating tale of forbidden love and bestselling author Helen Dunmore's tenth novel. In the heat of Rome's long summer, the poet Catullus and his older married lover, Clodia Metelli, meet in secret. Living at the heart of sophisticated, brittle and brutal Roman society at the time of Pompey, Crassus and Julius Caesar, Catullus is obsessed with Clodia, the Lesbia of his most passionate poems. He is jealous of her husband, of her maid, even of her pet sparrow. And Clodia? Catullus is 'her dear poet', but possibly not her only interest . . . Their Rome is a city of extremes. Tenants are packed into ramshackle apartment blocks while palatial villas house the magnificence of the families who control Rome. Armed street gangs clash in struggles for political power. Slaves are the eyes and ears of everything that goes on, while civilization and violence are equals, murder is the easy option and poison the weapon of choice. Catallus' relationship with Clodia is one of the most intense, passionate, tormented and candid in history. In love and in hate, their story exposes the beauty and terrors of Roman life in the late Republic. 'She reels you in . . . Dunmore has a gift for turning every genre she touches to gold' Telegraph `Dunmore at her most innovative and daring . . . a powerful and convincing study of fame and notoriety . . . captivating and compelling' Time Out 'Dunmore's strengths as a novelist have always included her skill in sensuous description and her ability to convey the promises and the dangers of erotic love. The Rome she has so vividly realised in Counting the Stars provides a new stage on which to display those strengths' Sunday Times Helen Dunmore is the author of twelve novels: Zennor in Darkness, which won the McKitterick Prize; Burning Bright; A Spell of Winter, which won the Orange Prize; Talking to the Dead; Your Blue-Eyed Boy; With Your Crooked Heart; The Siege, which was shortlisted for the 2001 Whitbread Novel of the Year Award and for the Orange Prize for Fiction 2002; Mourning Ruby; House of Orphans; Counting the Stars; The Betrayal, which was longlisted for the Man Booker Prize 2010, and The Greatcoat. She is also a poet, children's novelist and short-story writer.

A brilliant, exhilarating debut novel that retells The Odyssey during the 1965 Watts Riots—like nothing you’ve ever read before It’s August 1965 and Los Angeles is scorching. Americo Monk, a street-haunting aficionado of graffiti, is frantically trying to return home to the makeshift harbor community (assembled from old shipping containers) where he lives with his girlfriend, Karmann. But this is during the Watts Riots, and although his status as a chronicler of all things underground garners him free passage through the territories fiercely controlled by gangs, his trek is nevertheless diverted. Embarking on an exhilarating, dangerous, and at times paranormal journey, Monk crosses paths with a dizzying array of representatives from Los Angeles subcultures, including Chinese gangsters, graffiti bombers, witches, the Nation of Islam leader Elijah Muhammad, and others. Graffiti Palace is the story of a city transmogrified by the upsurge of its citizens, and Monk is our tour guide, cataloging and preserving the communities that, though surreptitious and unseen, nevertheless formed the backbone of 1960s Los Angeles. With an astounding generosity of imagery and imagination, Graffiti Palace heralds the birth of a major voice in fiction. A. G. Lombardo sees the writings on our walls, and with Graffiti Palace he has provided an allegorical paean to a city in revolt.