Ancient Greek Myth In Modern Greek Poetry

Originally published in 1996, this volume contains essays by scholars, critics and translators and includes themes such as the myth in the Cretan Renaissance and the use of ancient myth by 19th and 20th Century poets. Some essays deal with individual mythical figures such as Odysseus, Orpheus, Prometheus and Aphrodite, while others deal with the problematic issue of the use of myth by Greek women poets. The discussion is completed by comparing attitudes to the ancient Greeks as embodied in English and modern Greek poetry.

Argues that the meaning of Greek myths can only be studied according to their artistic forms of expression. Using myths such as those of Persephone, Bellerophon, Helen and Teiresias, Claude Calame surveys Greek mythology as a category inseparable from the literature in which so much of it is found.

Greek Mythology is the body of myths and teachings that belong to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. It was a part of the religion in ancient Greece. The Greeks were polytheistic in their religious beliefs. Polytheistic means they believed in and worshiped many different gods. Modern scholars refer to and study the myths in an attempt to shed light on the religious and political institutions of Ancient Greece and its civilization, and to gain understanding of the nature of myth-making itself. In Greek Mythology, the gods often represented different forms of nature. Their religion/mythology had no formal structure with the exception of various festivals held in honor of the gods. There was no sacred book or code of conduct to live by. The most powerful Greek gods were known as the Olympians. The Greeks believed the Olympians lived on the highest mountain in Greece, Mount Olympus. The Olympian gods included: Zeus, Hera, Apollo, Aphrodite, Ares, Artemis, Athena, Demeter, Hades, Hermes, Hephaestus, Poseidon and Hestia or later she was replaced in some lists by Dionysus. Greek Mythology is explicitly embodied in a large collection of narratives, and implicitly in Greek representational arts, such as vase-paintings and votive gifts. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a wide variety of gods, goddesses, heroes, heroines and mythological creatures. These accounts initially were disseminated in an oral-poetic tradition; today the Greek myths are known primarily from Greek literature. The oldest known Greek literary sources, Homer's epic poems Iliad and Odyssey, focus on the Trojan War and its aftermath. Scroll to the top of the page and click Add To Cart to read more about this extraordinary chapter of history.

In exploring the significance of Homer for the poetry of modern Greece - benign shade or looming shadow? - Dr Ricks is tackling a theme that has implications for the study of poetic influence in general. In this 1989 book, he takes the work of Sikelianos, Cavafy and Seferis and subjects a selection of poems to a careful scrutiny. These poems are not imitations of Homer but fresh engagements with Homeric themes, and comparison of the modern versions with the original is found to be illuminating for the poets' methods of composition. Dr Ricks does not lose sight of the larger significance of his subject, and modern poets from outside Greece - Eliot and Pound, in particular - find their way into the discussion. All Greek is translated and the reader has no need to be a specialist in modern or in ancient Greek to find this study absorbing and instructive.

"Robert Lamberton's Introduction is an excellent, concise exposition of current scholarly debate: his notes are informative and helpful. . . . Those who want a translation that captures something of the spirit of an ancient Greek poetic voice and its cultural milieu and transmits it in an appealing, lively, and accessible style will now turn to Lombardo." --M. A. Katz, Wesleyan University, in CHOICE

Gregory Nagy here provides a far-reaching assessment of the relationship between myth and ritual in ancient Greek society. Nagy illuminates in particular the forces of interaction and change that transformed the Indo-European linguistic and cultural heritage into distinctly Greek social institutions between the eighth and the fifth centuries B.C. Included in the volume are thirteen of Nagy's major essays—all extensively revised for book publication—on various aspects of the Hellenization of Indo-European poetics, myth and ritual, and social ideology. The primary aim of this book is to examine the Greek language as a reflection of society, with special attention to its function as a vehicle for transmitting mythology and poetics. Nagy's emphasis on the language of the Greeks, and on its comparison with the testimony of related Indo-European languages such as Latin, Indic, and Hittite, reflects his long-standing interest in Indo-European linguistics. The individual chapters examine the development of Hellenic poetics in the traditions of Homer and Hesiod; the Hellenization of Indo-European myths and rituals, including myths of the afterlife, rituals of fire, and symbols in the Greek lyric; and the Hellenization of Indo-European social ideology, with reference to such cultural institutions as the concept of the city-state. A path-breaking application of the principles of social anthropology, comparative mythology, historical linguistics, and oral poetry theory to the study of classics, Greek Mythology and Poetics will be an invaluable resource for classicists and other scholars of linguistics and literary theory.

Today's poets provide a new spin on Greek myths.

Greek poet Hesiod took many lines of thought and knowledge - myth, fable, personal experience, practical understanding - and wove them into one great whole. He did as much with the origins of the Greek gods in the Theogony, and then did the same in creating his manual of moral and practical advice, Works and Days. Here, Stephanie Nelson’s translation of Works and Days is paired with Richard S. Caldwell’s take on the Theogony. Along with introductory essays, these comprehensible versions of Hesiod’s two best-known poems make it easy for readers to see why Hesiod’s writings continue to resound through the ages.