Ancient Greek Painting And Its Echoes In Later Art

In his introduction, Stelios Lydakis notes, "It would be impossible for an art historian to study the works of antiquity without extensive reference to their influence on the art of the centuries that followed." Lydakis provides a complete history of ancient Greek painting from the earliest examples in Crete, Thera, and Mycenae to those of the classical and Roman epochs. Through a multitude of examples, he shows how these ancient works shaped modern ones. The literary references he considers include the works of Lucian, Philostratos, Pausanias, and Pliny the Elder. The works of art reproduced include wall paintings from the Palace of Knossos, Thera, Pompeii, Herculaneum, and Oplontis; vases from the Mycenaean through the Classical periods; reliefs from the Parthenon; and mosaics from Pompeii and Delos. The book also features paintings made in later centuries by such artists as Mantegna, Titian, Dürer, Raphael, Rembrandt, and Rubens that were inspired by antique models.

Discusses the people, places and events found in over 2,000 years of Greek civilization.

This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.

What was Hellenistic art, and what were its contexts, aims, achievements, and impact? This textbook introduces students to these questions and offers a series of answers to them. Its twelve chapters and two 'focus' sections examine Hellenistic sculpture, painting, luxury arts, and architecture. Thematically organized, spanning the three centuries from Alexander to Augustus, and ranging geographically from Italy to India and the Black Sea to Nubia, the book examines key monuments of Hellenistic art in relation to the great political, social, cultural, and intellectual issues of the time. It is illustrated with 170 photographs (mostly in color, and many never before published) and contextualized through excerpts from Hellenistic literature and inscriptions. Helpful ancillary features include maps, appendices with background on Hellenistic artists and translations of key documents, a full glossary, a timeline, brief biographies of key figures, suggestions for further reading, and bibliographical references.

In her pursuit of metaphorical, transhistorical imagery, representing men as predators and women as their victims over the centuries, Cohen (Dartmouth) lays out a vast network of interpretive associations that have neither cultural nor chronological limits. Developing her analysis of three late-fourth-century BCE Macedonian monumental themes--the abduction of Helen, the lion hunt, and war--Cohen puts them into a context of large significance through her creation of an ingenious, erudite, and extended repertory of analogous images, accompanied by well-selected exempla. Her proposed network traces patterns established by anthropological perspectives of masculinity and its association with aggressive violence and by principles of feminist ideology, partly derived from Judith Butler. The book's introduction and many subsequent methodological digressions set out the conceptual lines of her approach, as do paradigmatic chapter headings, e.g., "War as Hunt: Hunt as War?" "Rape as Hunt: Hunt as Rape?" and "Rape as War: War as Rape?" Provocative indeed, her categories of enduring imagery challenge traditional views of ancient art in ways both beneficial and problematic, viz., her remark "Ovid, the premier Freudian thinker of the Roman World." Whether modern conceptions of sexuality and the struggles of contrasting genders pertain to antiquity remains as an acknowledged issue. Summing Up: Recommended. Graduate students through faculty/researchers. Graduate Students; Researchers/Faculty. Reviewed by R. Brilliant.

This book reveals how 'marginal' aspects of Graeco-Roman art play a fundamental role in shaping and interrogating ancient and modern visual culture.

This volume is a groundbreaking discussion of the role of digital media in research on ancient painting, and a deep reflection on the effectiveness of digital media in opening the field to new audiences. The study of classical art always oscillates between archaeology and classics, between the study of ancient texts and archaeological material. For this reason, it is often difficult to collect all the data, to have access to both types of information on an equal basis. The increasing development of digital collections and databases dedicated to both archaeological material and ancient texts is a direct response to this problem. The book’s central theme is the role of the digital humanities, especially digital collection,s such as the Digital Milliet, in the study of ancient Greek and Roman painting. Part 1 focuses on the transition between the original print version of the Recueil Milliet and its digital incarnation. Part 2 addresses the application of digital tools to the analysis of ancient art. Part 3 focuses on ancient wall painting. The book will be of interest to scholars working in art history, classics, archaeology, and digital humanities.