Ancient Jomon Of Japan

Publisher Description

The existing literature on Japanese prehistory is mostly focussed on describing material culture; this new study surveys the early artifacts and shows that they were either neglected in previous studies or reported of by unfounded and fantastic speculation. The author identifies prehistoric ideas concerning hunting and fishing, the cult of the dead, and the after-life. The cosmological implications of burial topography and stone-circles are as well examined as older written texts from other parts of the world aiding in elucidating the symbols recognized on these remains. This helps to link the Jo-mon materials to other remains of similar or older age from the ancient Near East, China, the Pacific, and ancient America and proves that prehistoric Japan was never really isolated from the rest of the world. Although the method developed in this study, which rejects speculation and bases itself entirely on archaeological remains, permits only the elucidation of a part of the rich spiritual culture of prehistoric Japan; it reveals an abundance of new information concerning the most important religious ideas of mankind: the constant renewal of life, and the belief that death is not the ultimate end.

Focusing on the ancient Jomon pottery of Japan, this book offers a comprehensive and illustrated overview of this early Japanese art, and its relation to the ancient pottery of other countries

An illustrated introduction to the prehistory of Japan, treated in its own right and not as a minor part of East Asia in general.

A fully-illustrated introduction to the archaeology of the Jomon period in Japan, this book explores the complex relationships between Jomon people and their rich natural environment. From the end of the last Ice Age 12,000 years ago to the appearance of rice agriculture around 400 BC, Jomon people subsisted by hunting, fishing and gathering; but abundant and predictable sources of wild food enabled Jomon people to live in large, relatively permanent settlements, and to develop an elaborate material culture. In this book Kobayashi and Kaner explore thematic issues in Jomon archaeology: the appearance of sedentism in the Japanese archipelago and the nature of Jomon settlements; the invention of pottery and the development and meaning of regional pottery styles; social and spiritual life; as well as the astronomical significance of causeway monuments and the conceptualisation of landscape in the Jomon period. These ideas are considered in the light of current work in the European Mesolithic and Neolithic, setting Jomon archaeology within a global context. The book draws extensively on new archaeological information from various parts of Japan, including the sites of Sannai Maruyama, Isedotai, Komankino among others. Extensive colour illustrations provide a vivid demonstration of Jomon ideology and creativity. Tatsuo Kobayashi is Professor of Archaeology at Kokugakuin University in Tokyo and Director of the Niigata Prefectural Museum of History. Simon Kraner is Assistant Director of the Sainsbury Institute for the Study of Japanese Arts and Cultures.

The first English translation and examination of secret Japanese writings dating from the paleolithic to classical eras • Examines four suppressed and secret texts to discover the deeper truths beneath Japanese mythology • Introduces evidence of ancient civilizations in Japan, the sacred geometry of primitive times, and claims of a non-Earthly origin of the Emperors • Explores how these texts convey the sacred spiritual science of Japan’s Golden Age with parallels in ancient India, Europe, and Egypt In Japan there are roughly two dozen secret manuscripts originally dating back to the paleolithic era, the age of heroes and gods, that have been handed down by the ruling families for centuries. Rejected by orthodox Japanese scholars and never before translated into English, these documents speak of primeval alphabets, lost languages, forgotten technologies, and the sacred spiritual science. Some even refer to UFOs, Atlantis, and Jesus coming to Japan. Translating directly from the original Japanese, Avery Morrow explores four of these manuscripts in full as well as reviewing the key stories of the other Golden Age chronicles. In the Kujiki manuscript Morrow uncovers the secret symbolism of a Buddhist saint and the origin of a modern prophecy of apocalypse. In the Hotsuma Tsutaye manuscript he reveals the exploits of a noble tribe who defeated a million-strong army without violence. In the Takenouchi Documents he shows us how the first Japanese emperor came from another world and ruled at a time when Atlantis and Mu still existed. And in the Katakamuna Documents the author unveils the sacred geometries of the universe from the symbolic songs of the 10,000-year-old Ashiya tribe. He also discusses the lost scripts known as the Kamiyo Moji and the magic spiritual science that underlies all of these texts, which enabled initiates to ascend to higher emotional states and increase their life force. Taking a spiritual approach à la Julius Evola to these “parahistorical” chronicles, Morrow shows how they access a higher order of knowledge and demonstrate direct parallels to many ancient texts of India, Europe, and Egypt.