And A Dog Called Fig

And A Dog called Fig is a study of how animals help writers deal with the challenges of the creative process, interspersing the authors own experience with stories of other famous writers and their dogs

An artist’s solitude is a sacred space, one to be kept apart from the chaos of the world. This isolation allows for uninterrupted reflection and the nurturing of sparks of inspiration into fires of creation. But into the artist’s quiet there can creep self-doubt and the possibility of falling too far inward. What an artist needs is a companion with emotional intelligence, innate curiosity, passion, energy and an enthusiasm for the world beyond, but also the capacity to sleep contentedly for many hours. What an artist needs, Helen Humphreys would say, is a dog. And a Dog Called Fig is a memoir of the writing life told through the dogs Humphreys has lived with and loved over a lifetime, culminating with the recent arrival and settling in of Fig, a Vizsla puppy. Interspersed are stories of other writers and their irreplaceable companions: Virginia Woolf and Grizzle, Gertrude Stein and Basket, Thomas Hardy and Wessex—the dog who walked the dining table at dinner parties, taking whatever he liked—and others. This is a book about companionship and loss and creativity that is filled with the beauty of a steadfast canine friend and the restorative powers of nature. Just as every work of art is different, every dog is different—with distinctive needs and lessons to offer. And if we let them guide us, they, like art, will show us many worlds we would otherwise miss.

And a Dog Called Fig is the story of one writer’s life with dogs (including a frisky new puppy), how they are uniquely ideal companions for building a creative life, and some delightful tales about dogs and their famous writers Into my writer's isolation will come a dog, to sit beside my chair or to lie on the couch while I work, to force me outside for a walk, and suddenly, although still lonely, this writer will have a companion. An artist’s solitude is a sacred space, one to be guarded from the chaos of the world, where the sparks of inspiration can be kindled into fires of creation. But within this quiet also lie loneliness, self-doubt, the danger of collapsing too far inward. An artist needs a familiar, a companion with emotional intelligence, innate curiosity, an enthusiasm for the world beyond, but also the capacity to rest contentedly for many hours. What an artist needs, Helen Humphreys would say, is a dog. And a Dog Called Fig is a memoir of the writing life told through the dogs Humphreys has lived with and loved over a lifetime, including Fig, her new Vizsla puppy. Interspersed are stories of other writers and their own irreplaceable companions: Virginia Woolf and Grizzle, Gertrude Stein and Basket, Thomas Hardy and Wessex—who walked the dining table at dinner parties, taking whatever he liked—and many more. A love song to the dogs who come into our lives and all that they bring—sorrow, mayhem, reflection, joy—this is a book about steadfast friendship and loss, creativity and craft, and the restorative powers of nature. Every work of art is different; so too is every dog, with distinctive needs and lessons. And if we let them guide us, they will show us many worlds we would otherwise miss. Includes Black-and-White Photographs

A lonely boy in a prairie town befriends a local outsider in 1947 and then witnesses a shocking murder. Based on a true story. Canwood, Saskatchewan, 1947. Leonard Flint, a lonely boy in a small farming town befriends the local outsider, a man known as Rabbit Foot Bill. Bill doesn’t talk much, but he allows Leonard to accompany him as he sets rabbit snares and to visit his small, secluded dwelling. Being with Bill is everything to young Leonard—an escape from school, bullies and a hard father. So his shock is absolute when he witnesses Bill commit a sudden violent act and loses him to prison. Fifteen years on, as a newly graduated doctor of psychiatry, Leonard arrives at the Weyburn Mental Hospital, both excited and intimidated by the massive institution known for its experimental LSD trials. To Leonard’s great surprise, at the Weyburn he is reunited with Bill and soon becomes fixated on discovering what happened on that fateful day in 1947. Based on a true story, this page-turning novel from a master stylist examines the frailty and resilience of the human mind.

A bestselling modern classic—both poignant and funny—narrated by a fifteen year old autistic savant obsessed with Sherlock Holmes, this dazzling novel weaves together an old-fashioned mystery, a contemporary coming-of-age story, and a fascinating excursion into a mind incapable of processing emotions. Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. At fifteen, Christopher’s carefully constructed world falls apart when he finds his neighbour’s dog Wellington impaled on a garden fork, and he is initially blamed for the killing. Christopher decides that he will track down the real killer, and turns to his favourite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents’ marriage. As Christopher tries to deal with the crisis within his own family, the narrative draws readers into the workings of Christopher’s mind. And herein lies the key to the brilliance of Mark Haddon’s choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotions. The effect is dazzling, making for one of the freshest debut in years: a comedy, a tearjerker, a mystery story, a novel of exceptional literary merit that is great fun to read.

The author of the bestseller The Lost Garden returns with a luminous novel of intertwining stories that meet in a haunting, moving climax. Each evening at dusk, six people gather at the edge of the woods, calling their dogs to come back to them, dogs that have turned wild and vanished from their lives. Drawn together by need, the group forms its own small community—until violence strikes unexpectedly. Humphreys’ graceful writing, her superb eye for detail, her sensitivity and intelligence combine to produce an unforgettable story about the wild in all of us.

After being given two magical figs that make his dreams come true, Monsieur Bibot sees his plans for future wealth upset by his long-suffering dog.

Award-winning and beloved author Helen Humphreys discovers her local herbarium and realizes we need to look for beauty in whatever nature we have left — no matter how diminished Award-winning poet and novelist Helen Humphreys returns to her series of nature meditations in this gorgeously written and illustrated book that takes a deep look at the forgotten world of herbariums and the people who amassed collections of plant specimens in the 19th and 20th centuries. From Emily Dickinson’s and Henry David Thoreau’s collections to the amateur naturalists whose names are forgotten but whose collections still grace our world, herbariums are the records of the often-humble plants that are still with us and those that are lost. Over the course of a year, Humphreys considers life and loss and the importance of finding solace in nature. Illustrated throughout with images of herbarium specimens, Humphreys’s own botanical drawings, and archival photographs, this will be the perfect gift for Humphreys’s many fans, nature enthusiasts, and for all who loved Birds Art Life.