And The Champagne Still Flows

Biography of Mme. Marie Rappold, diva of the Metropolitan Opera, 1905 - 1920 by Joseph Roger Winterrath and Alice Thor Pianfetti, Ph.D. Also presented is the history of opera in New York.

The present book contains papers that have been selected from contributions to the First International Symposium on Turbulent Shear Flows which was held from the 18th to 20th April 1977 at The Pennsylvania State University, University Park, Pennsylvania, USA. Attend ees from close to 20 countries presented over 100 contributions at this meeting in which many aspects of the current activities in turbulence research were covered. Five topics received particular attention at the Symposium: Free Flows Wall Flows Recirculating Flows Developments in Reynolds Stress Closures New Directions in Modeling This is also reflected in the five chapters of this book with contributions from research workers from different countries. Each chapter covers the most valuable contributions of the conference to the particular chapter topic. Of course, there were many additional good con tributions to each subject at the meeting but the limitation imposed on the length of this volume required that a selection be made. The realization of the First International Symposium on Turbulent Shear Flows was p- sible by the general support of: U. S. Army Research Office U. S. Navy Research Office Continuing Education Center of The Pennsylvania State University The conference organization was carried out by the organizing committee consisting of: F. Durst, Universitat Karlsruhe, Karlsruhe, Fed. Rep. of Germany V. W. Goldschmidt, Purdue University, West Lafayette, Ind. , USA B. E. Launder, University of California, Davis, Calif. , USA F. W. Schmidt, Pennsylvania State University, University Park, Penna.

Reproduction of the original: The Flowing Bowl by Edward Spencer

The small volume of verse, Scarlet Flow, is a selected record of one decade of the author’s thoughts, which celebrates the value of beauty, perceived, whether in painful or more pleasant circumstances, of the past but also that in the moment, spontaneously; these two portions of our lives are seen to flow into each other, giving the wisdoms necessary for the sustenance of a healthy self. No perceptive experience is too small or grand, neither positive or too negative to be included into what becomes a cathartic record as much as a worded picture, illustrated, of the feast of life: the past is, because it was, and the moment is a celebratory journey in itself. Therefore, a memory of the childish pleasantry of playing marbles with brothers or catching back the residual beauty of a past relationship allows the flow of one’s life to become a record and a release toward a good peace.

Subversive Champagne re-examines the 1960s cult television series, The Avengers, through a close analysis of 25 filmed episodes. The book examines how The Avengers - during the classic Emma Peel era (1964-1967) - was continually shifting the boundaries of audience expectation, defying both genre classification and viewers' traditional desire for kitchen sink drama. Subversive Champagne centres on eighteen episodes from the monochrome Peel Season 4 - widely acknowledged as the artistic pinnacle of the series. It is in this era - caught between video-tape and colour film - that The Avengers was undergoing arguably its most profound stylistic and thematic transitions, from mild eccentricity to something genuinely experimental. The author extends his journey into the exhilarating but 'uneven' colour Season 5, adding chapters on seven more episodes, thus allowing us to explore the entire Emma Peel era. Entertaining froth or groundbreaking art? Rediscover the most iconic show in television history.