And We Walked Away

And We Walked Away revolves around the friendship of three friends in college, with a love story blooming in their hearts. It connects to the kind of boys who are in love and keep trying to convince the same girl in different ways for a long time, not moving on in life. Also, it talks about the kind of girls who don’t believe in love but also, don’t want to take advantage of a boy's feelings. The girls who are not conservative but don’t want to pursue love. Abhimanyu, a well-known author returns to his engineering college in Bangalore after a decade and notices a lot of changes in the college over this period. It reminds him of how he met his ladylove, Naina on the first day of college and fell in love with her at the first sight. Abhimanyu, being an impulsive, stubborn and impatient guy decides to propose her in a rush. She doesn’t believe in love and has her own reasons for it. Abhimanyu with the help of his friends Aarush and Dev proposes and tries to convince Naina many times in unusual ways but he fails miserably. However, a trick helps to melt her heart, but destiny has a different plan.

Estranged from her abusive parents as a teenager, Taraneh Pourani overcame poverty, isolation and self-hatred to build a happy home with her loving husband and children. Triggered by her young sons’ annual visit with their grandparents, Taraneh becomes psychologically distressed. She begins to doubt her memories and question her decision to remain distanced from her aging parents. A journey into Taraneh’s family history reveals three generations of unaddressed mental illness and unresolved childhood trauma. Due to poverty in early twentieth-century Iran, Taraneh’s grandmother, Batoul, is married at the age of nine and sent to live with her husband’s family. Ashamed and traumatized, Batoul raises her children to expect hardships and to endure them in secret. The seeds of dysfunction are planted in Mojegan, Taraneh’s mother. Mojegan is a nurse in Tehran in the 1960s when she marries the charming, but alcoholic and impulsive, Reza. She stands by Reza throughout their marriage, even after he abruptly kicks out their teenage daughter, Taraneh. A powerful and beautiful debut novel by Kimia Eslah, The Daughter Who Walked Away explores the lives of three Iranian women, across three generations, as they struggle to love and be loved unconditionally.

In a trance-like state, Albert walks-from Bordeaux to Poitiers, from Chaumont to Macon, and farther afield to Turkey, Austria, Russia-all over Europe. When he walks, he is called a vagrant, a mad man. He is chased out of towns and villages, ridiculed and imprisoned. When the reverie of his walking ends, he's left wondering where he is, with no memory of how he got there. His past exists only in fleeting images. Loosely based on the case history of Albert Dadas, a psychiatric patient in the hospital of St. André in Bordeaux in the nineteenth century, The Man Who Walked Away imagines Albert's wanderings and the anguish that caused him to seek treatment with a doctor who would create a diagnosis for him, a narrative for his pain. In a time when mental health diagnosis is still as much art as science, Maud Casey takes us back to its tentative beginnings and offers us an intimate relationship between one doctor and his patient as, together, they attempt to reassemble a lost life. Through Albert she gives us a portrait of a man untethered from place and time who, in spite of himself, kept setting out, again and again, in search of wonder and astonishment.

From the author of Happiness for Beginners comes the instant New York Times bestseller (May 2018), an unforgettable love story about finding joy even in the darkest of circumstances. Margaret Jacobsen is just about to step into the bright future she’s worked for so hard and so long: a new dream job, a fiancé she adores, and the promise of a picture-perfect life just around the corner. Then, suddenly, on what should have been one of the happiest days of her life, everything she worked for is taken away in a brief, tumultuous moment. In the hospital and forced to face the possibility that nothing will ever be the same again, Maggie must confront the unthinkable. First there is her fiancé, Chip, who wallows in self-pity while simultaneously expecting to be forgiven. Then, there's her sister Kit, who shows up after pulling a three-year vanishing act. Finally, there's Ian, her physical therapist, the one the nurses said was too tough for her. Ian, who won't let her give in to her pity, and who sees her like no one has seen her before. Sometimes the last thing you want is the one thing you need. Sometimes we all need someone to catch us when we fall. And sometimes love can find us in the least likely place we would ever expect. How to Walk Away is Katherine Center at her very best—a masterpiece of a novel that is both hopeful and hilarious; truthful and wise; tender and brave. Praise for How to Walk Away: "A heartbreak of a novel that celebrates resilience and strength." —Jill Santopolo, bestselling author of The Light We Lost "If you just read one book this year, read How to Walk Away." —Nina George, New York Times bestselling author of The Little Paris Bookshop "Warm, witty, and wonderfully observed." —Emily Giffin, New York Times bestselling author of First Comes Love "Sympathetic and refreshing!" —Elinor Lipman, bestselling author of The Family Man "I can't think of a blurb good enough for this novel...poignant, funny, heartbreaking." —Jenny Lawson, bestselling author of Furiously Happy

Frank feels lonely when everyone walks away. It's the same as always. But once home, he makes a special jam then invites the others. Maybe they'll come over.

“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Ones Who Walk Away from Omelas" is a short story originally published in the collection The Wind's Twelve Quarters.

“We met for a reason”, is an intriguing story of a guy named Karan who met three different women at various phases of his life. It moves with how he went on a roller coaster ride of emotions while dealing with these pretty nymphs and his own idea of life, where relationships are beyond the emotional tie ups, have zero expectations and absolutely no commitment. Karan was fortunate enough to experience the real flavours of love in the form of warm affection, spicy sex and sour betrayal. His idea of romantic relationship is something which starts with a friendship, progresses with fingerlicious food at a restaurant, gets intense in a pub, gets sealed with a lip lock and later dissolves into a one-night stand. However, destiny had a different plan where he ended up falling in love with a girl, whom he thought to be, just another pawn in his journey of self-satisfaction. Sometimes even a short-lived relationship or an incident creates a huge impact on a person’s mind and may change the direction of his life. Life goes through a drastic change for Karan due to an incident and he realizes the importance of relationships.

'Like a darker, grimier version of Mick Herron's Slough House novels, this is a highly promising debut.' Mail on Sunday 'Mesmerising'. The Financial Times A senior civil servant dies in suspicious circumstances. A sensitive file in his possession and evidence of contact with a human rights lawyer lead the authorities to believe he is a whistle-blower. This needs a police officer used to operating in the murky world between policing and intelligence. DS Mark (Max) Lomax is a former Special Demonstration Squad officer – a Special Branch unit dedicated to infiltrating political and extremist groups, a world he thinks he has left far behind. Following a botched stakeout of a north London gangster, he finds himself on enforced leave and is called back into his old world of half-truths and conflicting agendas. As he digs into the death of the civil servant, Max is obstructed at every turn, forcing him to turn to the people he once betrayed for help. With political reputations on the line, the case becomes less about uncovering the truth, than burying it for good.