Andean Four Cornered Hats Ancient Volumes

This lavishly illustrated book documents the most distinguished works from the Metropolitan Museum's extensive collection of domestic, ecclesiastical, and presentation silver from the Colonial and Federal periods. Detailed discussions provide a stylistic and socio-historical context for each piece, offering a wealth of new information to both specialist and non-specialist readers. Every object is documented with new photography that captures details, marks, and heraldic engraving. Finally, accompanying essays discuss issues of patronage and provenance, design and craft, and patterns of ownership and collecting, providing windows onto the past that help bring these pieces to life. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

"This unique volume illustrates and discusses in detail more than 160 extraordinary fine and decorative art works of the colonial Andes, including examples of the intricate Inca weavings and metalwork that preceded the colonial era as well as a few of the remarkably inventive forms this art took after independence from Spain. An international array of scholars and experts examines the cultural context, aesthetic preoccupations, and diverse themes of art from the viceregal period, particularly the florid patternings and the fanciful beasts and hybrid creatures that have come to characterize colonial Andean art."--Jacket.

The meanings of ritualized head treatments among ancient Mesoamerican and Andean peoples is the subject of this book, the first overarching coverage of an important subject. Heads are sources of power that protect, impersonate, emulate sacred forces, distinguish, or acquire identity within the native world. The essays in this book examine these themes in a wide array of indigenous head treatments, including facial cosmetics and hair arrangements, permanent cranial vault and facial modifications, dental decorations, posthumous head processing, and head hunting. They offer new insights into native understandings of beauty, power, age, gender, and ethnicity. The contributors are experts from such diverse fields as skeletal biology, archaeology, aesthetics, forensics, taphonomy, and art history.

From May 31st to June 4th, 2016, the 7th International European conference on pre-Columbian textiles was held in Copenhagen. This volume unites seven original articles on pre-Columbian textiles from Mexico, which compare information on 20th century finds first described by Alba Guadelupe Mastache with that from previously unpublished finds and recently discovered contexts. A unique chapter presents the technical analysis and replication of a pre-Columbian tunic recovered in a cave site in Arizona, at the northern margins of the Mesoamerican interaction sphere. Thirteen articles on archaeological textiles from the central Andes include analysis of both textile assemblages preserved in museum collections and those recovered during recent fieldwork in archaeological sites of the Andean desert coast. These include textile assemblages representing the Initial and Formative Periods, Paracas and Nasca contexts, the Middle Horizon, diverse late Intermediate Period assemblages and emblematic Inca garments.

The edited volume discusses the role of textile heritage in relation to the dynamics of nation building, cultural identity, politics, economy and the globalization of markets. It was sparked by a research project investigating the role of textiles, textile design and contemporary fashion in the post-Soviet societies of Central Asia and also includes perspectives on similar developments in Algeria and Peru in order to question dichotomous narrations of modernity relations between textile cultures and heritage building, cultural property, and the concept of cultural heritage. Thus, this book intends to stimulate the ongoing debate about textile culture as national heritage or as means of nation branding.

The Ethnological Museum in Berlin, Germany, houses Europe's largest collection of PreColumbian textiles--around 9000 well-preserved examples. Lena Bjerregaard, editor and compiler of this volume, was the conservator for these materials from 2000 to 2014, and she worked with many international researchers to analyze and publicize the collection. This book includes seven of their essays about the museum's holdings - by Bea Hoffmann, Ann Peters, Susan Bergh, Lena Bjerregaard, Jane Feltham, Katalin Nagy, and Gary Urton. The book's second part is a 177-page catalogue, arranged by periods and styles, of 273 selected items that represent the collection as fully as possible, with more than 380 photographs. Styles or cultures include Paracas, Nasca, Lambayeque/Sican, Ychsma, Chavin, Siguas, Tiwanaku, Wari, Chimu, Central Coast, Chancay, South Coast, Inca, and Colonial. Items include tunics, clothing, tapestry, hats, belts, headbands, samplers, borders, and khipus. Materials include camelid fibers, feathers, hair, cotton, reed, straw, and other plant fibers.