Anders Van Haden

Anders Van Haden was well-known for his roles in many German versions of Hollywood films in the late 1800s and early 1900s. In Anders Van Haden, author Terris. C. Howard, Van Hadens grandson, shares a pictorial biographical history of this bit character actor in Hollywood who started his acting career on stage and silent films in New York state. Born William A. Howard in 1876, Van Haden immigrated to the United States around 1898. This memoir presents a chronological look at the known facts of his stage and silent film career. Based on detailed research, Anders Van Haden includes a host of photographs as well as programs, reviews, movie stills, and candid cast poses accompanied by pertinent facts and history. This historical look at one actors life offers insight into not only Van Hadens career, but the world of the silent film industry.

The pioneers of the motion picture industry were a group of uncommonly talented men, women, and children. Many of their films have now vanished or disintegrated, and the only evidence of them is in the memories of their creators. The twelve men and women featured in this collection of interviews share their memories of the early days of filmmaking, from the technicalities of lighting and production, to celebrities they encountered. The interviewees include Douglas Fairbanks, Jr., Virginia Cherrill, child star "Baby Peggy," director Andrew Stone, and original "Our Gang" member Jean Darling. Their stories of what it was like to make a movie in the silent era are illuminating glimpses into an era that fades with every passing year. Each interview is accompanied by a comprehensive filmography, and dozens of photographs of these celebrities and their associates are also included.

Buster Crabbe's chief claim to fame, aside from his Olympic gold medal (for the 400-meter freestyle event in 1932), rests in the trio of movie serials in which he played the popular science-fiction hero Flash Gordon. Crabbe was the only actor to play the roles of Tarzan (in one movie), Flash Gordon, and Buck Rogers, the top three pulp action heroes of the 1930s. Crabbe carved out a career that would also include more than 100 B-movies and program Westerns, a television adventure series, and a successful physical fitness enterprise. All of this and more is detailed in this book, which includes a complete filmography providing cast and crew information for each of his 103 feature films and serials.

This history and critique of classic scary films “honors Universal’s horror legacy. . . . an excellent resource for film students and monster movie fanatics” (Library Journal). In 1931 Universal Studios released Dracula starring Bela Lugosi. This box office success was followed by a string of films featuring macabre characters and chilling atmospherics, including Frankenstein, The Mummy, and The Invisible Man. With each new film, Universal established its place in the Hollywood firmament as the leading producer of horror films, a status it enjoyed for more than twenty years. In The Monster Movies of Universal Studios, James L. Neibaur examines the key films produced by the studio from the early 1930s through the mid-1950s. In each entry, Neibaur recounts the movie’s production, provides critical commentary, considers the film’s commercial reception, and offers an overall assessment of the movie’s significance. Neibaur also examines the impact these films had on popular culture, an influence that resonates in the cinema of fear today. From the world premiere of Dracula to the 1956 release of The Creature Walks among Us, Universal excelled at scaring viewers of all ages—and even elicited a few chuckles along the way by pitting their iconic creatures against the comedic pair of Abbott and Costello. The Monster Movies of Universal Studios captures the thrills of these films, making this book a treat for fans of the golden age of horror cinema. “Studio stills and trade ads for several of the films add a suitably scary touch to this treat for fans and scholars alike. ― Booklist “An impressive work of film scholarship.” ― Cinema Retro

From the Slick horror of Alien, Scream and The Ring and the cult classics Dracula, Frankenstein and The Mummy to the slasher icons Jason, Freddy and Leatherface, horror just won’t stay dead. The genre has earned its place in the moviegoing psyche, with many of the key films spawning numerous copycats. But what are the 20 most influential horror films of all time? And what made them so important? James Marriott give an incisive account of the definitive works (and the most influential directors) of the genre over the last 80 years – from silent Expressionist classics to Japanese wraiths. The book reveals the inspiration behind each film and examines the choice of director, cast, soundtrack and marketing. Marriott analyzes the critical reception of each film and examines the subsequent impact on the industry and the public worldwide.

The endurance of the Frankenstein narrative as a modern cinematic myth is undeniable. Its flexibility has produced classic and contemporary horror film-most notably the Universal films of the thirties-but it has also resulted in unusual hybrids, such as musical horror-comedy (The Rocky Horror Picture Show), hyperbolic parody (Flesh for Frankenstein), and science fiction (the Alien and Terminator series). This sourcebook provides a complete guide to all of the story's filmic incarnations-including essential information such as cast, creative personnel, and plot summaries-and also guides the reader to relevant primary texts such as scripts, posters, production histories, and newspaper clippings. Utilizing an approach that is both popular and scholarly, and including spotlight essays that deal with contemporary academic approaches to the subject, The Frankenstein Film Sourcebook reveals the depth of the cinematic range of interpretations of a classic modern myth. Comprehensive in its scope, The Frankenstein Film Sourcebook provides an alphabetical guide to two hundred films that incorporate the Frankenstein narrative. It also delves into both primary and secondary perspectives and includes discussions of aspects of the films, such as their depiction of women, which is relevant to current scholarly critiques.

Oscar-winning actor, translator of Bertolt Brecht's Galileo, and director of the iconoclastic The Night of the Hunter, Charles Laughton's name alone commanded box office and theatre acclaim. This book is the first to offer an intimate examination of his 54 films produced in Britain and Hollywood from 1928 to 1962. Each has technical credits and cast lists, as well as publicity taglines, a plot synopsis, selected dialogue, Oscars won or nominated, and production commentaries. Also provided are listings of Laughton's miscellaneous shorts and feature films, abandoned film projects, amateur and professional stage appearances, select radio broadcasts, television broadcasts, and audio recordings. Appendices detail the studios, performers and cinematographers of the Laughton films.

Widely acclaimed as a horror movie actress, Fay Wray is best remembered for her performances in King Kong and four other classic 1930s film thrillers, Doctor X, The Most Dangerous Game, Mystery of the Wax Museum and The Vampire Bat. Yet Wray appeared in 77 feature films between 1925 and 1958, playing leading roles in 67. Many of her films, including her entire silent film output, have been lost or are available only on a limited basis. This heavily illustrated filmography at last makes obvious her sizeable contribution to the film industry. After an overview of her professional acting career, the filmography is divided into three sections. The first introduces Wray’s early silent feature film appearances; the second covers her “leading lady” period in popular horror thrillers and other films in the sound era; and the third covers her latter-day supporting roles. Appendices document her work in film shorts and her television appearances. Commentary throughout includes first-person interviews with Fay Wray.