Andrew The Seeker

-In this wordless graphic novel, Andrew sets out on a game of hide-and-seek with a friendly forest monster. Andrew is so focused--and the monster is so tricky--that Andrew cannot find it even when it is hiding in plain sight---

When Andrew spots a friendly forest monster outside his window, he knows it's time to play. Get ready to follow along with Andrew as he starts the strangest round of hide-and-seek you've ever seen! Can he track down the tricky creature? Find out in this wild, word-free graphic novel.

The Seeker family moves to a new town in hopes of getting a fresh start. The twins, Astro and Astra, attend a new school and meet a pair of fighting siblings. With a missing gold necklace and vanishing homework at stake, the Seeker siblings need to decide whether or not they are going to help. The first book in The Seeker Siblings series. It's a cozy mystery that anyone can enjoy.

Researching Thoreau’s life, a grad student finds danger, dark secrets, and something haunting Walden Pond in this supernatural thriller. When graduate student Aine Cahill uncovers a journal proving that her aunt Bonnie was an intimate companion of Thoreau’s during his supposedly solitary sojourn at Walden Pond, she knows that she has found the perfect subject for her dissertation. She decides to travel to Walden Pond herself to hunker down and work on her writing, but it quickly becomes clear that all is not as it seems in Thoreau’s woodland retreat. The further Aine delves into Bonnie’s diary the more she finds herself wondering about her family’s sinister legacy and even her own sanity—is there really a young girl lurking in the woods? As tragedy strikes a nearby town and suspicion falls on Aine, she scrambles to find the truth behind Thoreau’s paradise.

Play hide-and-seek with Instagram’s favorite border collie, hiding in every page of this New York Times best-selling book of beautiful landscape photography. Momo and his best buddy Andrew Knapp travel all over—through fields, down country roads, across cities, and into yards, neighborhoods, and spaces of all sorts. The result is a book of spectacular photography that’s also a game for kids or adults of all ages. Perfect for fans of coffee table books, a must-have for kids on a long car trip, and a great dog lover gift.

Unpacking John 1 was conceived at my kitchen table. I had just finished an intense study the previous morning. Feeling somewhat aimless that morning, I said to myself, “It’s been a while since I studied one of the gospels. Guess I’ll read John.” Two-and-a-half years later I finished John 1. The first chapter of John’s gospel starts in the beginning and concludes with a picture of heaven opening. That struck me as significant. As I explored what was contained between the beginning and the end, I was stunned to count seventeen themes in just that one chapter. Unpacking John 1 is a topical study of the seventeen themes I discovered that morning while eating breakfast. As I wrote, I envisioned three primary audiences: people who were curious about the Bible and wanted an overview of some of its important themes; people who were interested in studying John 1; and pastors and teachers preparing to teach about John’s gospel, or any of the themes found in John 1. What sets this book apart from other studies of John 1 is that the scriptures themselves become the commentary for the topics. Each theme is a chapter: “Creation and the Word”; “Life, Light, and Darkness”; “John the Baptist and His Message”; “Children of God”; “Glory”; “The One and Only”; “Grace”; “Truth”; “Lamb of God”; “Baptism”; “The Holy Spirit”; “Following the Rabbi”; “The Messiah”; “The Law and the Prophets”; “The Son of God”; “The King of Israel”; and “Open Heaven.”

Jesus called his core leaders with a simple, paradoxical phrase: "Come, follow me."

Andrew Marvell, Orphan of the Hurricane studies the poetry and polemics of one of the greatest of early modern writers, a poet of immense lyric talent and political importance. The book situates these writings and this writer within the patronage networks and political upheavals of mid seventeenth-century England. Derek Hirst and Steven Zwicker track Marvell's negotiations among personalities and events; explores his idealizations, attachments, and subversions, and speculate on the meaning of the narratives that he told of himself within his writings — what they call his 'imagined life'. Hirst and Zwicker draw the figure of an imagined life from the repeated traces Marvell left of lyric yearning and satiric anger, and suggest how these were rooted both in the body and in the imagination. The book sheds new light on some of Marvell's most familiar poems — 'Upon Appleton House', 'The Garden',' To His Coy Mistress', and 'Horatian Ode' — but at its centre is an extended reading of Marvell's 'The unfortunate Lover', his least familiar and surely most mysterious lyric, and his most sustained narrative of the self. By attending to the lyric, the polemical, and the parliamentary careers together, this book offers a reading, for the first time, of Marvell and his writings as an interpretable whole.