Angels Angelology In The Middle Ages

Angels have made a remarkable comeback in the popular imagination; their real heyday, however, was the Middle Ages. This text offers a study of angels and angelology in the Middle Ages, seeking to discover how and why angels became so important in medieval society.

Recently angels have made a remarkable comeback in the popular imagination; their real heyday, however, was the Middle Ages. From the great shrines dedicated to Michael the Archangel at Mont-St-Michel and Monte Garano to the elaborate metaphysical speculations of the great thirteenth-century scholastics, angels dominated the physical, temporal, and intellectual landscape of the medieval West. This book offers a full-scale study of angels and angelology in the Middle Ages. Seeking to discover how and why angels became so important in medieval society, David Keck considers a wide range of fascinating questions such as: Why do angels appear on baptismal fonts? How and why did angels become normative for certain members of the church? How did they become a required course of study? Did popular beliefs about angels diverge from the angelologies of the theologians? Why did some heretics claim to derive their authority from heavenly spirits? Keck spreads his net wide in the attempt to catch traces of angels and angelic beliefs in as many portions of the medieval world as possible. Metaphysics and mystery plays, prayers and pilgrimages, Cathars and cathedrals-all these and many more disparate sources taken together reveal a society deeply engaged with angels on all its levels and in some unlikely ways.

The nature and properties of angels occupied a prominent place in medieval philosophical inquiry. Creatures of two worlds, angels provided ideal ground for exploring the nature of God and his creation, being perceived as 'models' according to which a whole range of questions were defined, from cosmological order, movement and place, to individuation, cognition, volition, and modes of language. This collection of essays is a significant scholarly contribution to angelology, centred on the function and significance of angels in medieval speculation and its history. The unifying theme is that of the role of angels in philosophical inquiry, where each contribution represents a case study in which the angelic model is seen to motivate developments in specific areas and periods of medieval philosophical thought.

This book examines the role of angels in medieval and Renaissance art and religion from Dante to the Counter-Reformation.

This study examines the place of angels in the religious culture of Anglo-Saxon England with particular attention to individual devotion.

This book studies medieval theories of angelology insofar as they made groundbreaking contributions to medieval philosophy. It centers on the period from Bonaventure to Ockham while also discussing some original positions by earlier thinkers.

From earliest times, angels have been seen as instruments of salvation and retribution, agents of revelation, and harbingers of hope. In effect, angels are situated at the intersections of diverse belief structures and philosophical systems. In this book, Meredith J. Gill examines the role of angels in medieval and Renaissance conceptions of heaven. She considers the character of Renaissance angelology as distinct from the medieval theological traditions that informed it and from which it emerged. Tracing the iconography of angels in text and in visual form, she also uncovers the philosophical underpinnings of medieval and Renaissance definitions of angels and their nature. From Dante through Pico della Mirandola, from the images of angels depicted by Fra Angelico to those painted by Raphael and his followers, angels, Gill argues, are the touchstones and markers of the era's intellectual self-understanding, and its classical revival, theological doctrines, and artistic imagination.

Explores the extensive landscape of angels in medieval Christian devotion and retrieves a very rich vein in the Christian spiritual tradition.