Animal Heads

Inside this colourful book there are 10 trophy animals to choose from. The projects vary in level of complexity and there is a comprehensive techniques section to help you learn all the necessary skills.

Just like people, animals use features on their heads to eat, see, hear, and so much more. Animals also use their heads to hunt, keep cool, and even chase other animals away! Full-color illustrations and a music help readers discover how animals have adapted their heads for different uses. Animal Heads is aligned with the Next Generation Science Standards. This hardcover book comes with CD and online music access.

Describes the different types of head and neck that different animals have, and explains how the creatures use them in various ways to see, hear, and smell, find food, and escape from their enemies, depending on their way of life.

The study of Old Norse Religion is a truly multidisciplinary and international field of research. The rituals, myths and narratives of pre-Christian Scandinavia are investigated and interpreted by archaeologists, historians, art historians, historians of religion as well as scholars of literature, onomastics and Scandinavian studies. For obvious reasons, these studies belong to the main curricula in Scandinavia but are also carried out at many other universities in Europe, the United States and Australia a fact that is evident to any reader of this book. In order to bring this broad and varied field of research together, an international conference on Old Norse religion was held in Lund in June 2004. About two hundred delegates from more than fifteen countries took part. The intention was to gather researchers to encourage and improve scholarly exchange and dialogue, and Old Norse religion in long-term perspectives presents a selection of the proceedings from that conference. The 75 contributions elucidate topics such as worldview and cosmology, ritual and religious practice, myth and memory as well as the reception and present-day use of Old Norse religion. The main editors of this volume have directed the multidisciplinary research project Roads to Midgard since 2000. The project is based at Lund University and funded by the Bank of Sweden Tercentenary Foundation.

The natural history museum is a place where the line between "high" and "low" culture effectively vanishes--where our awe of nature, our taste for the bizarre, and our thirst for knowledge all blend happily together. But as Stephen Asma shows in Stuffed Animals and Pickled Heads, there is more going on in these great institutions than just smart fun. Asma takes us on a wide-ranging tour of natural history museums in New York and Chicago, London and Paris, interviewing curators, scientists, and exhibit designers, and providing a wealth of fascinating observations. We learn how the first museums were little more than high-toned side shows, with such garish exhibits as the pickled head of Peter the Great's lover. In contrast, today's museums are hot-beds of serious science, funding major research in such fields as anthropology and archaeology. "Rich in detail, lucid explanation, telling anecdotes, and fascinating characters.... Asma has rendered a fascinating and credible account of how natural history museums are conceived and presented. It's the kind of book that will not only engage a wide and diverse readership, but it should, best of all, send them flocking to see how we look at nature and ourselves in those fabulous legacies of the curiosity cabinet."--The Boston Herald.

The quoit brooch style, a decorative style of animal and geometric motifs, is unique to southern England in the 5th century AD, with the greatest concentration of such items occurring in Kent. The author defines the style through an analysis of its design organization, and, by comparing it with near-contemporary styles in England and on the continent, he identifies those features which make it unique.

This volume catalogues more than six hundred bronze and iron objects in the Department of Ancient Near Eastern Art of The Metropolitan Museum of Art. Each is illustrated and discussed in terms of its formal and stylistic aspects, cultural background, function, and chronology. Bibliographic citations present comparative material relevant to each object. - Book jacket.

With contributions spanning from the Neolithic Age to the Iron Age, this book offers important insights into the religions and ritual practices in ancient Egyptian and Near Eastern communities through the lenses of their material remains. The book begins with a theoretical introduction to the concept of material religion and features editor introductions to each of its six parts, which tackle the following themes: the human body; religious architecture; the written word; sacred images; the spirituality of animals; and the sacred role of the landscape. Illustrated with over 100 images, chapters provide insight into every element of religion and materiality, from the largest building to the smallest amulet. This is a benchmark work for further studies on material religion in the ancient Near East and Egypt.