The Quoit Brooch Style And Anglo Saxon Settlement

The quoit brooch style, a decorative style of animal and geometric motifs, is unique to southern England in the 5th century AD, with the greatest concentration of such items occurring in Kent. The author defines the style through an analysis of its design organization, and, by comparing it with near-contemporary styles in England and on the continent, he identifies those features which make it unique.

The Anglo-Saxon period, stretching from the fifth to the late eleventh century, begins with the Roman retreat from the Western world and ends with the Norman takeover of England. Between these epochal events, many of the contours and patterns of English life that would endure for the next millennium were shaped. In this authoritative work, N. J. Higham and M. J. Ryan reexamine Anglo-Saxon England in the light of new research in disciplines as wide ranging as historical genetics, paleobotany, archaeology, literary studies, art history, and numismatics. The result is the definitive introduction to the Anglo-Saxon world, enhanced with a rich array of photographs, maps, genealogies, and other illustrations. The Anglo-Saxon period witnessed the birth of the English people, the establishment of Christianity, and the development of the English language. With an extraordinary cast of characters (Alfred the Great, the Venerable Bede, King Cnut), a long list of artistic and cultural achievements (Beowulf, the Sutton Hoo ship-burial finds, the Bayeux Tapestry), and multiple dramatic events (the Viking invasions, the Battle of Hastings), the Anglo-Saxon era lays legitimate claim to having been one of the most important in Western history.

A vivid and detailed reconstruction of the costume worn in England before the arrival of the Norman conquerers.

The dark ages of English history between the collapse of Roman rule in the early fifth century and the emergence of the Anglo-Saxon kingdoms in the seventh century are examined in this study, which draws attention to political and social factors linking Roman Britain to Anglo-Saxon England.

Examination and analysis of one of the most important artefacts of Anglo-Saxon society, the cruciform brooch, setting it in a wider context.

Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself.

Roman Britain is usually thought of as a land full of togas, towns and baths with Britons happily going about their Roman lives under the benign gaze of Rome. This is, to a great extent, a myth that developed after Roman control of Britain came to an end, in particular when the British Empire was at its height in the late nineteenth and early twentieth centuries. In fact, Britain was one of the least enthusiastic elements of the Roman Empire. The northern part of Britain was never conquered at all despite repeated attempts. Some Britons adopted Roman ways in order to advance themselves and become part of the new order, of just because they liked the new range of products available. However, many failed to acknowledge the Roman lifestyle at all, while many others were only outwardly Romanised, clinging to their own identities under the occupation. Britain never fully embraced the Empire and was itself never fully accepted by the rest of the Roman world. Even the Roman army in Britain became chronically rebellious and a source of instability that ultimately affected the whole Empire. As Roman power weakened, the Britons abandoned both Rome and almost all Roman culture, and the island became a land of warring kingdoms, as it had been before.

The Anglo-Saxon button brooch is a small disc brooch, about 2cm in diameter and decorated with a single human face mask, found mainly in southern England and occasionally in France; although many examples survive, its origins and development are not fully understood. This book offers a comprehensive study of its typology, genealogy and chronology. It investigates formal and structural design features, proposes a prototype- and statistics-based typology, and examines the physical, conceptual and geographical dimensions of the classification. Through an in-depth description of class-internal distinctions and class-external similarities, the author also explores the development of button brooches and reconstructs their genealogy or derivational history. He then situates the evolutionary trajectory of button brooches in a temporal framework, by linking them to other brooch types such as Jutlandic relief brooches and Saxon cast saucer brooches, and by taking account of associated grave goods as appropriate. A catalogue of the entire corpus of 209 button brooches and that of related objects is provided in the appendices; there are also over 200 plates and other illustrations, enabling the details to be carefully studied. SEIICHI SUZUKI is Professor of Old Germanic Studies, Kansai Gaidai University, Japan.