Animosity At Bay

In this groundbreaking book, Raghavan uses previously untapped archival sources to weave together new stories about the experiences of post-partition state-making in South Asia. Through meticulous research, it challenges the existing wisdom about the preponderance of animosity and the rhetoric of war. The book shows how amity and a spirit of cordiality governed relations between the states of India and Pakistan in the first five years after partition. Arguing that a hitherto overlooked set of considerations have to be integrated more closely into the analysis of bilateral dialogue, this book analyses the developments leading to the No War correspondence between Nehru and Liaquat Ali Khan, the signing of a 'Minorities' Pact between the two prime ministers, and the early stages of the Indus Waters negotiations, as well as exploring the calculations of Indian and Pakistani delegates at a series of interdominion conferences held in the years after partition. This book will be of interest to specialists in histories of diplomatic practice as well as a general audience in search of narratives of peace in the South Asia region.

Though largely invisible in histories of the First World War, over??550,000 men in the ranks of the Indian army were non-combatants. From the porters, stevedores and construction workers in the Coolie Corps to those who maintained supply lines and removed the wounded from the battlefield, Radhika Singha recovers the story of this unacknowledged service. The labor regimes built on the backs of these 'coolies' sustained the military infrastructure of empire; their deployment in interregional arenas bent to the demands of global war. Viewed as racially subordinate and subject to 'non-martial' caste designations, they fought back against their status, using the warring powers' need for manpower as leverage to challenge traditional service hierarchies and wage differentials. The Coolie's Great War views that global conflict through the lens of Indian labor, constructing a distinct geography of the war--from tribal settlements and colonial jails, beyond India's frontiers, to the battlefronts of France and Mesopotamia.

Many studies focus on film in Africa. Few, however, study cinema as a leisure activity: one that has influenced several generations and opened up spaces to dream, discuss or contest. Movie theatres offered a break from the daily routine, as places of escape and of education. Cinema was also potentially subversive, offering an alternative to colonial discourse. Tropical Dream Palaces seeks to trace this history in a West African context: of broadening horizons on the one hand, and of censorship and control on the other. It fills a historiographic void, following cinema's arrival in the region in the early twentieth century up until the Independence era, and also looking further afield to Central Africa and its different models. Goerg addresses questions of film distribution in colonial times; of screening venues, their implantation, spread and different categories; while also focusing on audiences, their gender or age; the acquisition of a film culture; and the impact of screening foreign images. Her book draws on extremely varied sources to paint a broad picture of this cinematographic landscape: archives, the accounts of African and European spectators or administrators, novels, autobiographies, the local press, interviews and iconography.

A novel about the murder of a Russian man in Cuba.

FIRST IN THE STUNNING TRILOGY Eclipse Bay has grown and flourished amongst the sharp cliffs and hidden coves of the rugged Oregon coast. But this small town is also filled with secrets as treacherous as the landscape and rivalries as fierce as an ocean storm. Their grandfathers hated each other. Their fathers hated each other. But they don’t hate each other. Not at all.... Hannah Harte remembers the long-ago night on the beach that revealed Rafe as more than just “that disreputable Madison boy.” And Rafe remembers the heroic gesture that proved Hannah’s fierce spirit was stronger than any feud—and saved him from near-certain imprisonment. Now—reunited by a surprising inheritance after years of living their separate lives—Rafe and Hannah return to Eclipse Bay, and the hostilities that still divide, and bind, their families. And they are discovering something that is at once delightful and deeply disturbing....

New York Times bestselling author RaeAnne Thayne brings you back to Haven Point—a place made for second chances… McKenzie Shaw would do anything for her hometown of Haven Point. It may be small, but it’s never let her down…unlike gorgeous, infuriating Ben Kilpatrick. He was her childhood hero until he closed his family’s factory, leaving the town’s economy in shambles. Now his tech firm is considering opening a local facility. For Haven Point’s sake, McKenzie has to grit her teeth and play nice. What could a town filled with painful memories ever offer Ben? Yet seeing the town through the eyes of McKenzie—its fiery young mayor—he suddenly has his answer. If only he can resolve the animosity crackling between them, Ben may have found the place where he can build ties and find healing…a place where love arrives when it’s least expected. Don't miss Thayne's next release, The Path to Sunshine Cove: three love stories in one with the emotional pull of Debbie Macomber, Barbara Delinsky and Susan Wiggs!

Young. Wealthy. Elite. Ruthless. The boys of Clermont Bay ruled over this town as if it was their kingdom.And Beck Clermont controlled them all.He was arrogant and conceited, and from the moment I met him, he had made up his mind about me.Dangerously handsome and wickedly cruel, he had no intention of letting me spend my senior year under the radar.The secrets of old money ran deep, and even though I barely knew them, the sins of my family had put a target on my back.He was a hurricane, and I was unprepared for the storm.His touch fatal. His impact irreparable.There was no negotiation.He stole my heart. Without warning, without permission.He was the enemy, but that didn't stop me from falling for The Touch of a Villain.This book is part of a series and is not a standalone.

Dead Men Tell No Tales Mystery Bookshop owner Ellery Page and Police Chief Jack Carson are diving for the legendary pirate galleon Blood Red Rose when they discover an old-fashioned diver's suit, water-damaged and encrusted with barnacles. Further examination reveals the 20th Century suit contains a 21st Century body. Who was the mysterious diver? No one seems to be missing from the quaint and cozy town of Pirate’s Cove. Was he really diving for pirate's gold? And if not, what exactly did he do to earn that bullet hole in his skull?