Anna At War

"Moving and utterly enthralling" - Lissa Evans As life for German Jews becomes increasingly perilous, Anna's parents put her on a train leaving for England. But the war follows her to Kent, and soon Anna finds herself caught up in a web of betrayal and secrecy. How can she prove whose side she's on when she can't tell anyone the truth? But actions speak louder than words, and Anna has a dangerous plan... A brilliant and moving wartime adventure from the author of Evie's Ghost. Cover illustration by Daniela Terrazzini. "Because I believed in Anna, her war came alive for me. Her struggle, her bravery, all those things were completely real and I read the book overnight, unable to put it down. Magnificent, brilliant, heartbreaking." - Fleur Hitchcock, author of Murder in Midwinter "A fast-paced adventure, whose elegant prose and cliffhanger chapters should keep even less confident readers gripped to the thrilling end." - Emily Bearn, Daily Telegaph "It's a tale of bravery and loss that Helen Peters ( Evie's Ghost) sets out with the light touch that only rigorous research allow... Peters tells Anna's story of escape with great humanity, and this novel is an excellent way to whet young appetites for classics such as When Hitler Stole Pink Rabbit by Judith Kerr and Carrie's War by Nina Bawden." - Alex O'Connell, The Times, Children's Book of the Week " Anna at War is a gripping, moving piece of historical fiction." - Imogen Russell Williams, Guardian "Helen Peters balances adventure and intrigue with this emotional coming-of-age story." - Emma Dunn and Sarah Mallon, Scotsman

It’s 1941, near the town of Southampton, Ontario, and five young sisters are reeling from an accident that killed their mother and severely injured their father. With help from their aunt, the sisters strive to keep the family farm operating as World War II rages on. But the Ross sisters are not just facing the challenges of caring for their father and managing financial pressures. As Anna, the eldest, begins to fall for a young English pilot training in Ontario, she faces unwanted advances from the jealous farmhand. Gossip, discrimination, and harassment brew around the young women as emotional and physical threats grow. Although each of the sisters is struggling with the hardships of wartime and grieving their mother, they try to support one another when confronted by rigid small-town mores and unforeseen perils. When women’s voices are not respected or believed, is the bond between sisters strong enough to withstand tragedy and war? Little Women meets #MeToo in this rich historical novel about adversity and resilience on the Canadian home front of World War II.

Anna and the Swallow Man is a stunning, literary, and wholly original debut novel that tells a new WW2 story. Kraków, 1939, is no place to grow up. There are a million marching soldiers and a thousand barking dogs. And Anna Lania is just seven years old when the Germans take her father and suddenly, she’s alone. Then she meets the Swallow Man. He is a mystery, strange and tall. And like Anna's missing father, he has a gift for languages: Polish, Russian, German, Yiddish, even Bird. When he summons a bright, beautiful swallow down to his hand to stop her from crying, Anna is entranced. Over the course of their travels together, Anna and the Swallow Man will dodge bombs, tame soldiers, and even, despite their better judgement, make a friend. But in a world gone mad, everything can prove dangerous . . .

Compelling period fiction for 9+ readers from the Waterstones Children's Prize shortlisted Helen Peters. Evie couldn't be angrier with her mother. She's only gone and got married again and has flown off on honeymoon, sending Evie to stay with a godmother she's never even met in an old, creaky house in the middle of nowhere. It is all monumentally unfair. But on the first night, Evie sees a strange, ghostly figure at the window. Spooked, she flees from the room, feeling oddly disembodied as she does so. Out in the corridor, it's 1814 and Evie finds herself dressed as a housemaid. She's certain she's gone back in time for a reason. A terrible injustice needs to be fixed. But there's a housekeeper barking orders, a bad-tempered master to avoid, and the chamber pots won't empty themselves. It's going to take all Evie's cunning to fix things in the past so that nothing will break apart in the future... Absorbing, brilliant storytelling from the author of The Secret Hen House Theatre, The Farm Beneath the Water, Anna at War and The Jasmine Green Series for younger readers.

They offered up the innocence of a generation . . . Evie is 18, straight out of school and excited by the prospect of a tour of Europe. Instead, she finds herself immersed in war; first in the Home Counties – where the young New Zealander is confronted not only by society’s restrictions and her family’s expectations, but by the burgeoning women’s rights movement – then as a VAD nurse tending injured soldiers in a local hospital. After personal tragedy changes the course of her life, Evie impulsively travels to Belgium, experiencing first-hand the shambolic horrors in a Casualty Clearing Station just 10 km behind the Front Lines. War, at first distant, becomes increasingly personal. When her health gives out, Evie returns to England and a new battle: that of meshing her hard won independence and experience with the still Edwardian attitudes of her family. From where can she find strength for love and the resilience to face the future? A heartbreaking and brilliantly poignant novel. 2016 Storylines Notable Junior Fiction Award

The Chechen War was supposed to be over in 1996 after the first Yeltsin campaign, but in the summer of 1999, the new Putin government decided, in their own words, to 'do the job properly'. Before all the bodies of those who had died in the first campaign had been located or identified, many more thousands would be slaughtered in another round of fighting. The first account to be written by a Russian woman, A Dirty War is an edgy and intense study of a conflict that shows no sign of being resolved. Exasperated by the Russian government's attempt to manipulate media coverage of the war, journalist Anna Politkovskaya undertook to go to Chechnya, to make regular reports and keep events in the public eye. In a series of despatches from July 1999 to January 2001 she vividly describes the atrocities and abuses of war, whether it be the corruption endemic in post-Communist Russia, in particular the government and the military, or the spurious arguments and abominable behaviour of the Chechen authorities. In these courageous reports, Politkovskaya excoriates male stupidity and brutality on both sides of the conflict and interviews the civilians whose homes and communities have been laid waste, leaving them nowhere to live, and nothing and no one to believe in.

Provides not only an unsparing and intimate history of some of the last decade's most vicious conflicts but also the most human elements that transcend the dehumanizing realities of war: the people, the compassion they scraped from catastrophe, and the food they ate. Making palpable the day-to-day life during conflicts and catastrophes, Badkhen describes not just the violence but also the beauty of events that take place even during wartime. Throughout Badkhen's stories, punctuated by recipes from the meals she shared with the people she encountered, emerges the most important lesson she has observed in conflict zones from Afghanistan to Chechnya: that war can kill our friends and decimate our towns, but it cannot destroy our inherent decency, generosity, and kindness--that which makes us human. --From publisher description.