Annotations To Oscar Wilde The Portrait Of Mr W H

"In the second half of Bashford's book, he looks at Wilde's criticism as an expression of humanism."--BOOK JACKET.

There’s been a long-standing argument in literary circles, surrounding Shakespeare’s sonnets. The works are dedicated to ‘Mr W.H.’ and academics have debated as to who this elusive figure might be. Some have even gone as far as to suggest that the initials stand for ‘Willian Himself.’ ‘The Portrait of Mr W.H.’ sees Wilde give these sonnets a witty and wry autopsy, poring through them to find the identity of this shadowy dedicatee. However, this is a speculative fiction rather than an academic exercise, and Wilde creates a superb story in which a young actor might give a clue as to who Mr W.H. actually was. Ideal for fans of Shakespeare and Wilde, alike. Oscar Wilde (1854 – 1900) was an Irish novelist, poet, playwright, and wit. He was an advocate of the Aesthetic movement, which extolled the virtues of art for the sake of art. During his career, Wilde wrote nine plays, including ‘The Importance of Being Earnest,’ ‘Lady Windermere’s Fan,’ and ‘A Woman of No Importance,’ many of which are still performed today. His only novel, ‘The Picture of Dorian Gray’ was adapted for the silver screen, in the film, ‘Dorian Gray,’ starring Ben Barnes and Colin Firth. In addition, Wilde wrote 43 poems, and seven essays. His life was the subject of a film, starring Stephen Fry.

Professor Kohl's aim is to gain fresh insight into his literary and critical œuvre of Oscar Wilde. He analyses each of his works on the basis of a textually oriented interpretation, taking equal account of the biographical and intellectual contexts through the use of contradictions that Wilde show as individualism and convention.

In Oscar Wilde's Chatterton, Joseph Bristow and Rebecca N. Mitchell explore Wilde's fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wilde's substantial “Chatterton” notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume, which covers the whole span of Wilde's career, reveals that his research on Chatterton informs his deepest engagements with Romanticism, plagiarism, and forgery, especially in later works such as “The Portrait of Mr. W. H.,”The Picture of Dorian Gray, and The Importance of Being Earnest. Grounded in painstaking archival research that draws on previously undiscovered sources,Oscar Wilde's Chatterton explains why, in Wilde's personal canon of great writers (which included such figures as Charles Baudelaire, Gustave Flaubert, Théophile Gautier, and Dante Gabriel Rossetti), Chatterton stood as an equal in this most distinguished company.

An innovative new edition of nine classic short stories from one of the greatest writers of the Victorian era. “I cannot think other than in stories,” Oscar Wilde once confessed to his friend André Gide. In this new selection of his short fiction, Wilde’s gifts as a storyteller are on full display, accompanied by informative facing-page annotations from Wilde biographer and scholar Nicholas Frankel. A wide-ranging introduction brings readers into the world from which the author drew inspiration. Each story in the collection brims with Wilde’s trademark wit, style, and sharp social criticism. Many are reputed to have been written for children, although Wilde insisted this was not true and that his stories would appeal to all “those who have kept the childlike faculties of wonder and joy.” “Lord Arthur Savile’s Crime” stands alongside Wilde’s comic masterpiece The Importance of Being Earnest, while other stories—including “The Happy Prince,” the tale of a young ruler who had never known sorrow, and “The Nightingale and the Rose,” the story of a nightingale who sacrifices herself for true love—embrace the theme of tragic, forbidden love and are driven by an undercurrent of seriousness, even despair, at the repressive social and sexual values of Wilde’s day. Like his later writings, Wilde’s stories are a sweeping indictment of the society that would imprison him for his homosexuality in 1895, five years before his death at the age of forty-six. Published here in the form in which Victorian readers first encountered them, Wilde’s short stories contain much that appeals to modern readers of vastly different ages and temperaments. They are the perfect distillation of one of the Victorian era’s most remarkable writers.

Fairy tales, ghost stories, detective fiction and comedies of manners - the stories collected in this volume made Oscar Wilde's name as a writer of fiction, showing breathtaking dexterity in a wide range of literary styles. Victorian moral justice is comically inverted in 'Lord Arthur Savile's Crime' and 'The Canterville Ghost', and society's materialism comes under sharp, humorous criticism in 'The Model Millionaire', while 'The Happy Prince' and 'The Nightingale and the Rose' are hauntingly melancholic in their magical evocations of selfless love. These small masterpieces convey the brilliance of Wilde's vision, exploring complex moral issues through an elegant juxtaposition of wit and sentiment.