The Brotherhoods

The last great mob story, this definitive inside account is an historic, unprecedented portrait of two brotherhoods - the NYPD and the Mafia - and the two cops who allegedly belonged to both.

Sisters in the Brotherhoods is an oral-history-based study of women who have, against considerable odds, broken the gender barrier to blue-collar employment in various trades in New York City beginning in the 1970s. It is a story of the fight against deeply ingrained cultural assumptions about what constitutes women's work, the middle-class bias of feminism, the daily grinding sexism of male co-workers, and the institutionalised discrimination of employers and unions. It is also the story of some gutsy women who, seeking the material rewards and personal satisfactions of skilled manual labour, have struggled to make a place for themselves among New York City's construction workers, stationary engineers, firefighters, electronic technicians, plumbers, and transit workers. Each story contributes to an important unifying theme: the way women confronted the enormous sexism embedded in union culture and developed new organisational forms to support their struggles, including and especially the United Tradeswomen.

When the Empire attacks Paige's village and kidnaps her sister, she must do everything in her power to get her back. So she enlist's the help of the most unlikely band of allies and heads into the mountains of the Wild on the adventure of a lifetime.

The Freemasons have long fascinated outsiders. In this classic, controversial expose, Stephen Knight talks to the men on the inside - those who have broken their vow of secrecy to reveal the darker side of the 'brotherhood'. Fully updated with a new introduction by Martin Short."

This title was first published in 2000. The nineteenth century saw the emergence of numerous artistic brotherhoods - groups of artists bound together in communal production, sharing spiritual and aesthetic aims. Although it is widely acknowledged that this is an unique feature of the period, there has not previously been a separate study of the phenomenon. This collection of essays provides a thorough and wide-ranging exploration of the issue. Situating artistic brotherhoods within their historical context, it offers unique insights into the social, political, economic and cultural milieu of the nineteenth century. It focuses on the most celebrated and influential brotherhoods, while also bringing to light lesser-known or forgotten artists. The essays explore the artistic fraternity from a wide variety of perspectives, probing issues of gender, identity, professional practices and artistic formation in Europe and the United States. This book investigates the Nazarenes, the Pre-Raphaelites, the Russian Abramatsova, the Primitifs, the Nabis as well as other leading groups. The book contains a substantial introduction, which establishes the key questions and issues surrounding the phenomena of the artistic brotherhood, including their relation to the larger artistic community, their association with other social and political organizations of the period, and the ways in which mythologies have been built around them in subsequent histories and recollections of the period.

Now in a revised and updated edition, this vivid exploration of biker culture reveals the truth behind Australia's infamous motorcycle clubs through in-depth interviews, personal stories, and meticulous research. Included are the rules and rituals involved in becoming a club member, landmark incidents in biker folklore, and profiles of famous biker personalities. Unconstrained by the regulations that rule ordinary citizens, the notorious Gypsy Jokers are followed on their controversial New Year run in Western Australia. Written by an expert on biker culture, this book reveals the true picture of brotherhood among the clubs.