Anointment Of Dionisio

Throughout Italy's history, prophetic voices-poets, painters, philosophers-have bolstered the struggle for social and political emancipation. These voices denounced the vices of compatriots and urged them toward redemption. They gave meaning to suffering, helping to prevent moral surrender; they provided support, with pathos and anger, which set into motion the moral imagination, culminating in redemption and freedom. While the fascist regime attempted to enlist Mazzini and the prophets of the Risorgimento in support of its ideology, the most perceptive anti-fascist intellectual and political leaders composed eloquent prophetic pages to sustain the resistance against the totalitarian regime. By the end of the 1960s, no prophet of social emancipation has been able to move the consciences of the Italians. In this Italian story, then, is our story, the world's story, inspiration for social and political emancipation everywhere.

During the Counter-Reformation, inquisition manual authors working in Italian lands adapted the Catholic Church's traditional tactics of inquisitorial procedure, which had been formulated in the medieval period, to the prosecution of philo-Protestants. Through a comparison of the texts of four such authors to contemporary inquisition processes, Jane K. Wickersham situates the Roman inquisition's prosecution of philo-Protestants within the larger framework of the complex religious upheavals of the sixteenth century. Identifying the critical role played by ritual practice in discovering and prosecuting heretical subjects, Wickersham uncovers two core reasons for its use: first, as a practical means of prosecuting a variety of philo-Protestant beliefs, and second, as an approach firmly grounded within the Catholic Church's history of prosecuting heresy. Finally, Rituals of Prosecution provides an in-depth examination of the inquisitorial processes of urban residents from humble socio-economic backgrounds, providing new insight into how the prosecution of ordinary people was conducted in the early modern era.

Saint Birgitta of Sweden (d. 1373), one of the most famous visionary women of the late Middle Ages, lived in Rome for the last 23 years of her life. Much of her extensive literary work was penned there. Her Celestial Revelations circulated widely from the late 14th century to the 17th century, copied in Italian scriptoria, translated into vernacular, and printed in several Latin and Italian editions. In the same centuries, an extraordinary number of women writers across the peninsula were publishing their work. What echoes might we find of the foreign widow’s prophetic voice in their texts? This volume offers innovative investigations, written by an interdisciplinary group of experts, of the profound impact of Birgitta of Sweden in Renaissance Italy. Contributors include: Brian Richardson, Jane Tylus, Isabella Gagliardi, Clara Stella, Marco Faini, Jessica Goethals, Anna Wainwright, Eleonora Cappuccilli, Eleonora Carinci, Virginia Cox, Unn Falkeid, and Silvia Nocentini.

Leading scholars from Italy and the United States offer a fresh and nuanced image of the religious reform movements on the Italian peninsula in the sixteenth and seventeenth centuries. United in their conviction that religious ideas can only be fully understood in relation to the particular social, cultural, and political contexts in which they develop, these scholars explore a wide range of protagonists from popes, bishops, and inquisitors to humanists and merchants, to artists, jewelers, and nuns. What emerges is a story of negotiations, mediations, compromises, and of shifting boundaries between heresy and orthodoxy. This book is essential reading for all students of the history of Christianity in early modern Europe.

The idea that the Renaissance witnessed the emergence of the modern individual remains a powerful myth. In this important new book Martin examines the Renaissance self with attention to both social history and literary theory and offers a new typology of Renaissance selfhood which was at once collective, performative and porous. At the same time, he stresses the layered qualities of the Renaissance self and the salient role of interiority and notions of inwardness in the shaping of identity. Myths of Renaissance Individualism , in short, will interest students not only of history but also of art history, literature, music, philosophy, psychology and religion.

A Companion to Vittoria Colonna offers a wide-ranging, interdisciplinary vision of this important writer of the Italian renaissance, whose influence extended far beyond her own century.

Early modern Venice was an exceptional city. Located at the intersection of trade routes and cultural borders, it teemed with visitors, traders, refugees and intellectuals. It is perhaps unsurprising, then, that such a city should foster groups and individuals of unorthodox beliefs, whose views and life styles would bring them into conflict with the secular and religious authorities. Drawing on a vast store of primary sources - particularly those of the Inquisition - this book recreates the social fabric of Venice between 1640 and 1740. It brings back to life a wealth of minor figures who inhabited the city, and fostered ideas of dissent, unbelief and atheism in the teeth of the Counter-Reformation. The book vividly paints a scene filled with craftsmen, friars and priests, booksellers, apothecaries and barbers, bustling about the city spaces of sociability, between coffee-houses and workshops, apothecaries' and barbers' shops, from the pulpit and drawing rooms, or simply publicly speaking about their ideas. To give depth to the cases identified, the author overlays a number of contextual themes, such as the survival of Protestant (or crypto-Protestant) doctrines, the political situation at any given time, and the networks of dissenting groups that flourished within the city, such as the 'free metaphysicists' who gathered in the premises of the hatter Bortolo Zorzi. In so doing this rich and thought provoking book provides a systematic overview of how Venetian ecclesiastical institutions dealt with the sheer diffusion of heterodox and atheistical ideas at different social levels. It will be of interest not only to scholars of Venice, but all those with an interest in the intellectual, cultural and religious history of early-modern Europe.