Anselm Kiefer And The Philosophy Of Martin Heidegger

A study of the relationship between Anselm Kiefer and Martin Heidegger.

Lack begins with a discussion of Max Weber's analysis of the disenchantment of the world and proceeds to develop Heidegger's philosophy in a way that suggests a "re-enchantment" of the world that faces the modern condition squarely, without nostalgia.

This book grew from a series of lectures presented in 1983 in the context of the Summer Program in Phenomenology at The Pennsylvania State University. For these lectures I made use of notes and short essays which I had written between 1978 and 1982 during interdisciplinary seminars on Heidegger's later philosophy in general, and on his philosophy of language and art in particular. The participants in these seminars consisted of faculty members and graduate students concerned with the sciences, the arts, literature, literary criticism, art history, art education, and philosophy. On both occasions I made a special effort to introduce those who did not yet have a specialized knowledge of Heidegger's philosophy, to his later way of thinking. In this effort I was guided by the conviction that we, as a group, had to aim for accuracy, precision, clarity, faithfulness, and depth, while at the same time taking distance, comparing Heidegger's views with ideas of other philosophers and thinkers, and cultivat ing a proper sense of criticism. Over the years it has become clear to me that among professional philoso phers, literary critics, scholars concerned with art history and art education, and scientists from various disciplines, there are many who are particularly interested in "Heidegger's philosophy of art". I have also become convinced that many of these dedicated scholars often have difficulty in understanding Heidegger's lectures on art and art works. This is understandable.

It is frequently commented that Heidegger writes impenetrable texts that are difficult to read and comprehend, but he also, as Barbara Bolt demonstrates in this clear, original guide to his oeuvre, provides an "artists' guide to the world". 'Heidegger Reframed' grounds Heidegger's writings in the critical questions confronting contemporary visual artists and students of art. Barbara Bolt takes the most relevant of his texts, including his most famous work, 'Being and Time', and sets out ways of thinking about art in a post-medium, digital, technocratic and post-human age. She does so through the frame of works by international artists, including Sophie Calle, Anish Kapoor and Anselm Keifer. A glossary of terms completes this full and clear companion to Heidegger.

Lack begins with a discussion of Max Weber's analysis of the disenchantment of the world and proceeds to develop Heidegger's philosophy in a way that suggests a "re-enchantment" of the world that faces the modern condition squarely, without nostalgia.

These pro-Nazi speeches by the author Being and Time are collected here to demonstrate the truly dark and shameful turn taken by the eminent philosopher. “On the day of German Labor, on the day of the Community of the People, the Rector of Freiburg University, Dr. Martin Heidegger, made his official entry into the National Socialist Party.” And so begins one of the most controversial texts available today. Heidegger, a German Nationalist and proud Nazi, thoroughly examines the history, the philosophy, and the rise to power of the Nazi movement in Germany. Martin Heidegger’s distinguished Italian colleague, Professor Benedetto Croce, said of his German contemporary, “This man dishonors philosophy and that is an evil for politics too.” Croce’s severe rebuke was not singular at the time when Hitlerism was rampant over Europe. It is true that among the almost one thousand professional philosophers of Germany and Austria only very few actively opposed National Socialism. On the other hand, no one degraded his history profession in the way that Heidegger did, by becoming a spokesman for National socialism and attempting to mold his theories into one pattern with Hitlerism.

This book investigates the writings and works of the American Abstract Expressionist artist Barnett Newman in light of ideas articulated by one of Germany's most important and influential philosophers: Martin Heidegger. At the intersection of art history and philosophy, an int...

Here is the essential Heidegger, a most controversial figure. Following a cogent introduction by Manfred Stassen, this collection is divided into three sections: The Man - Politics and Ideology; The Method - Philosophy from Phenomenology to "Thanking"; and The Message - From "Being" to "Beyng." All but one of the translations is a classic rendition. Among the content: "The Jewish Contamination of German Spiritual Life" (1929); "Follow the Fnhrer!" (1934); "The Thinker as Poet" (1947); "The Task of Destructuring of the History of Ontology (1927); "My Way to Phenomenology" (1963); "Being-in-the-World as Being-with and Being a Self: The 'They' (1927); "Care as the Being of Da-sein" (1927); "àPoetically, Man Dwellsà" (1951); "The Question Concerning Technology" (1949); and much more.