Antique Lace

Lace, like silver or porcelain, can be classified by type and its date and place of origin often can be identified. But in the absence of marks giving maker or date, lace must be judged on its technical features and style. This new edition gathers fascinating and useful information in an easy to read and well-organised text covering needlepoint laces, embroideries, lace knitting and tatting, and bobbin laces made in Europe from the 16th century forward, including 19th century revivals. Each type is described and illustrated with hundreds of photographs and line drawings to show the technical characteristics and particular regard to the way one lace compares with another. A glossary, notes on cleaning, care, and conservation, and a price guide make this an essential reference for lace makers, designers, and lace collectors alike.

The title of this book embodies the authors attitude toward the collection that she presents, using vivid photographs to guide the reader through centuries of lacemaking and embroidery. The author has traveled throughout Europe carefully researching the origin and history of the pieces presented. Information is separated into eight chapters: Lace Trim, Bridal Hankies, Fashion, Society Embroidery, Appenzell-work, Bed Linens, Table Linens, and Miscellaneous Lace and/or Embroidered Pieces. Each chapter includes an overview, detailed descriptions, and photographs, including details that are excellent references for identifying various styles of lace and embroidery. The price range associated with each will help the reader understand the effect age, condition, and workmanship have on value. This book will appeal to beginners and experienced collectors alike.

Contains designs drawn from the handmade needle and bobbin laces of the 16th to the 18th centuries made in Italy, France, England, Flanders and Belgium.

Lace Narratives: A monograph, 2005 – 2015 documents Cecilia Heffer’s innovative lace-making practice over a decade, including major exhibitions and commissions. This publication examines ways that Cecilia’s research practice responds to changing ideas and technologies as a means to extend our perception of textiles. It presents an in-depth reflection on studio practice in a discursive spirit, responding to the question: What has the studio enquiry revealed that could not have been revealed through other modes of research? The publication is composed of a digital edition of the book, along with a seven-minute video documenting Cecilia creating the lace-work Drawn Threads. A print-on-demand version of the book in either hard cover or paperback is available for purchase.