Any Last Words

A lighthearted look at the stories behind legendary last words—from heartwarming tales of final moments to hilarious last laughs. Last words are never easy—since, let’s face it, they’re mostly spoken by people in the worst health of their lives. But even if they aren’t eloquent, they can offer a glimpse into the speaker’s true self. Some are clever, others are loving, heartbreaking, or occasionally shocking. In Any Last Words?, Joseph Hayden explores the last words of more than two hundred actors, athletes, writers, musicians, politicians, intellectuals, criminals, and more. What was the last thing Bogart said to Bacall? What did Marie Antoinette say to her executioner? What were the final thoughts of great thinkers like Charles Darwin and Marie Curie? Or baseball legends like Babe Ruth and Mickey Mantle? Joseph Hayden reveals all these stories and much more in a book that you’ll wish would never end.

The New York Times bestseller everyone is talking about. If you could read my mind, you wouldn't be smiling. Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off. Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she'd be truly crazy to leave the protection of the most popular girls in school. So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam's weekly visits to her psychiatrist. Caroline introduces Sam to Poet's Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more "normal" than she ever has as part of the popular crowd ... until she finds a new reason to question her sanity and all she holds dear.

Last Words: The Final Journals of William S. Burroughs is the most intimate book ever written by William S. Burroughs, author of Naked Lunch and one of the most celebrated literary outlaws of our time. Laid out as diary entries of the last nine months of Burroughs's life, Last Words spans the realms of cultural criticism, personal memoir, and fiction. Classic Burroughs concerns -- literature, U.S. drug policy, the state of humanity, his love for his cats -- permeate the book. Most significantly, Last Words contains some of the most personal work Burroughs has ever written, a final reckoning with his life and regrets, and his reflections on the deaths of his friends Allen Ginsberg and Timothy Leary. It is a poignant portrait of the man, his life, and his creative process -- one that never quit, not even in the shadow of death.

Private investigator Mark Novak is still mourning the death of his wife, and it's affecting his work. With his future on the line, Mark is sent to check out a case in the Midwest town of Garrison, home to a famous but perilous cave system. A girl has died in the caves, and the man who brought her out is still believed by many to be her killer. He begs Novak to uncover what really happened. But Garrison is the kind of place where cold cases stay cold. Mark tries to delve into the town's secrets, but in the end, he will have to match his wits against the man who knows the caverns better than anyone. A man who seems to have lost his mind. A man who seems to know Mark Novak all too well.

This collection of 700 quotes includes the last words of commoners, atheists, poets, and politicians along with noted Christians and martyrs. Ready reference source for the pastor or public speaker.

Some beg for forgiveness. Others claim innocence. At least three cheer for their favorite football teams. Death waits for us all, but only those sentenced to death know the day and the hour—and only they can be sure that their last words will be recorded for posterity. Last Words of the Executed presents an oral history of American capital punishment, as heard from the gallows, the chair, and the gurney. The product of seven years of extensive research by journalist Robert K. Elder, the book explores the cultural value of these final statements and asks what we can learn from them. We hear from both the famous—such as Nathan Hale, Joe Hill, Ted Bundy, and John Brown—and the forgotten, and their words give us unprecedented glimpses into their lives, their crimes, and the world they inhabited. Organized by era and method of execution, these final statements range from heartfelt to horrific. Some are calls for peace or cries against injustice; others are accepting, confessional, or consoling; still others are venomous, rage-fueled diatribes. Even the chills evoked by some of these last words are brought on in part by the shared humanity we can’t ignore, their reminder that we all come to the same end, regardless of how we arrive there. Last Words of the Executed is not a political book. Rather, Elder simply asks readers to listen closely to these voices that echo history. The result is a riveting, moving testament from the darkest corners of society.

Nine months after Danny disappeared, his closest friends, Ellie, Rae, and Deenie, deal with their loss very differently but will have to share secrets about the night he disappeared to uncover the truth. Chapters alternate between past and present.

An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.