Apocalypse On The Set

The stories behind the other eight films, from The Adventures of Baron Munchausen and The Twilight Zone: The Movie to Apocalypse Now and The Crow, are just as astounding and gripping--this is a book film fans will devour. These bizarre, often hilarious cinematic endeavors confirm that truth is stranger than fiction, reality more volatile than narratives, and fate more improbable than plots.

There are many ways civilisation could end, even with wise, benevolent leaders like Kim Jong-un, Donald Trump and Vladimir Putin watching over us. Now, in this fun interactive story of global doom, YOU decide how humanity perishes. Will we be turned to grey goo by Elon Musk's nanobots? Driven collectively insane by Russia's most potent memes? Or smashed to atoms by someone sitting on the wrong button in North Korea? In this book, YOU will meet the leaders with the future of civilisation in their hands. And YOUR wits and judgement will decide how we all inevitably die. Or then again, maybe, just maybe, with a little positive thinking, YOU will find a way to keep us all safe long enough to expire of old age and global warming instead. Just don't get too hopeful. On every page of Choose Your Own Apocalypse with Kim Jong-un & Friends, the end of your choice is most definitely nigh.

A cinematic legend: The making of Francis Ford Coppola's epic about Vietnam and the folly of war, based on unprecedented access to Coppola's private archives

What can the rise of this century's most feared politician teach us about life, work and love? Rob Sears satirises the machinations that enabled Putin to dominate the Kremlin and undermine the United States of America as ways to help you take control of your mundane life. Would you like to ruin your enemies by sharing compromising material about that time they didn't wash their hands? Fancy hacking democracy at the parent-teacher association to ensure you're a shoo-in for social secretary? Or serving up a cold dish called revenge in a high street restaurant? Filled with stories of Putin's extraordinary and chilling actions, with mocking ideas and illustrations to help you emulate him on a small scale, Vladimir Putin: Life Coach is the ultimate parody guide to releasing the pseudo-elected, judo black belt, 5D chess-playing autocrat inside each and every one of us.

BONUS: This edition contains an excerpt from Mark Charan Newton's City of Ruin. Beneath a dying red sun sits the proud and ancient city of Villjamur, capital of a mighty empire where humans coexist with the birdlike garda race, the reptilian rumel who can live for hundreds of years, and the eerie banshees whose forlorn cries herald death. But now all life is threatened by an encroaching ice age. Throngs of refugees gather outside the city gates, while within, tragedy forces the Emperor’s elder daughter, Jamur Rika, to assume the throne. Joined by her younger sister, Jamur Eir, the new queen takes pity on the common people—and takes counsel from dashing teacher Randur Estevu, who is not what he seems. Meanwhile, a grisly murder draws rumel investigator Rumex Jeryd into a web of corruption—and an obscene conspiracy that imperils the lives of Rika and Eir and the future of Villjamur itself. But far north, where the drawn-out winter has already begun, an even greater danger appears, against which all the empire’s military and magical power may be useless—a threat from another world.

Hired in 1976 by Francis Ford Coppola as the still photographer for his masterpiece Apocalypse Now, Chas Gerretsen’s private archive of hundreds of photographs propels readers immediately into the chaos and drama surrounding one of the most important movies ever made. Gerretsen was a renowned freelance photographer working in Vietnam when he got the call from Coppola, who was looking for a combat photographer for a war movie. Given unprecedented access to the film’s stars, extras, crew, and legendary behind-the-scenes drama he spent six months in the Philippines, shooting thousands of images. Culled from that archive, these full-color photographs offer an intimate glimpse of the turmoil and excitement of a Hollywood spectacle rising out of the unpredictable climate of the Philippine rainforest. Capturing the star power of Marlon Brando, Martin Sheen, and Dennis Hopper, as well as the sprawling sets, he takes us into the beauty of the Southeast Asian jungle and shows us how its inhabitants were incorporated into the filming. Throughout the book, Gerretsen’s astute reflections of his experience on set are as fascinating as his photography. While Apocalypse Now remains one of the most critically acclaimed movies of all time, the making of the film is equally legendary. Nearly fifty years later, Gerretsen’s photographs remind us of Coppola’s artistic achievements and of a pivotal era in American cultural history.

In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. He scrapped much of the original script, a jingoistic narrative of U.S. Special Forces winning an unwinnable war. Harvey Keitel, originally cast in the lead role, was fired and replaced by Martin Sheen, who had a heart attack. An overweight Marlon Brando, paid a huge salary, did more philosophizing than acting. It rained almost every day and a hurricane wiped out the set. The Philippine government promised the use of helicopters but diverted them at the last minute to fight communist and Muslim separatists. Coppola filmed for four years with no ending in the script. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.

This volume brings together essays by specialists in different disciplines on the cultural expression of apocalypse, in particular in anglophone science fiction of the nineteenth and twentieth centuries. Approaching these works from historical, philosophical, linguistic and literary perspectives, the contributors examine the relationship between secular and spiritual apocalypse, connecting the fiction and films to their historical moment. Not surprisingly, war recurs throughout this material, as a critical turning-point, fulfilment of prophecy, or prelude to a new age. In particular the essays explore the issue of whether modern apocalypse is seen as an ending or a beginning, considered under its political, ethnic and gendered aspects. Among the writers covered are H. G. Wells, Olaf Stapledon and such contemporary figures as Michael Moorcock, J. G. Ballard and Storm Constantine.