Apocalyptic Ecology

The author of the book of Revelation struggled, as we do today, to live out a Christian faith in the context of an empire that trampled and destroyed the earth and its creatures. In this book, Micah D. Kiel will look at how and why Revelation was written, along with how it has been interpreted across the centuries, to come to an understanding of its potential contribution to a modern environmental ethic. While the book of Revelation is replete with images of destruction of the earth, Kiel shows readers, through Revelation’s ancient context, a message of hope that calls for the care of and respect for the environment.

As awareness of climate change grows, so do the number of cultural depictions of environmental disaster. Graphic novels have reliably produced dramatizations of such disasters. Many use themes of dystopian hopefulness, or the enjoyment readers experience from seeing society prevail in times of apocalypse. This book argues that these generally inspirational narratives contribute to a societal apathy for real-life environmental degradation. By examining the narratives and art of the environmental apocalypse in contemporary graphic novels, the author stands against dystopian hope, arguing that the ways in which we experience depictions of apocalypse shape how we respond to real crises.

As awareness of climate change grows, so do the number of cultural depictions of environmental disaster. Graphic novels have reliably produced dramatizations of such disasters. Many use themes of dystopian hopefulness, or the enjoyment readers experience from seeing society prevail in times of apocalypse. This book argues that these generally inspirational narratives contribute to a societal apathy for real-life environmental degradation. By examining the narratives and art of the environmental apocalypse in contemporary graphic novels, the author stands against dystopian hope, arguing that the ways in which we experience depictions of apocalypse shape how we respond to real crises.

Can early medieval monasteries serve as a model of sustainable development and environmental conservation in today’s world? Inspired by Pope Francis’s encyclical Laudato Sí and Benedictine communities around the world whose shared monastic values inform ecological practice, Monastic Ecological Wisdom uncovers the hidden story of early Christian and monastic care for the earth. In Monastic Ecological Wisdom, Samuel Torvend shows how it is possible that medieval monastic values and practices could assist in the careful conservation of what we claim is God’s first gift, God’s first gesture of grace: the earth and all that dwells with it. By reflecting on an ecological reading of New Testament texts, the Rule of St. Benedict, and early monastic engagement with the natural world as seen in the life of St. Benedict, such practices can serve thoughtful Christians today who care deeply about living in harmony with the earth and all who call it home.

In the summer of 1980, Dave Foreman, along with four conservationist colleagues, founded the millenarian movement Earth First!. A provocative counterculture that ultimately hoped for the fall of industrial civilization, the movement emerged in response to rapid commercial development of the American wilderness. “The earth should come first” was a doctrine that championed both biocentrism (an emphasis on maintaining the earth’s full complement of species) and biocentric equality (the belief that all species are equal). Martha Lee was successful in gaining extraordinary access to information about the movement, as well as interviews with its members. While following Earth First’s development and methods, she illustrates the inherent instability and the dangers associated with all millenarian movements. This book will be of interest to environmentalists and those interested in political science and sociology.

Explores ecological socialism's potential against capitalist environmental degradation Today the fate of the earth as a home for humanity is in question—and yet, contends John Bellamy Foster, the reunification of humanity and the earth remains possible if we are prepared to make revolutionary changes. As with his prior books, The Dialectics of Ecology is grounded in the contention that we are now faced with a concrete choice between ecological socialism and capitalist exterminism, and rooted in insights drawn from the classical historical materialist tradition. In this latest work, Foster explores the complex theoretical debates that have arisen historically with respect to the dialectics of nature and society. He then goes on to examine the current contradictions associated with the confrontation between capitalist extractivism and the financialization of nature, on the one hand, and the radical challenges to these represented by emergent visions of ecological civilization and planned degrowth, on the other. The product of contemporary ecosocialist debates, The Dialectics of Ecology builds on earlier works by Foster, including Marx’s Ecology and The Return of Nature, aimed at the development of a dialectical naturalism and the formation of a path to sustainable human development.

Climate change and the apocalypse are frequently associated in the popular imagination of the twenty-first century. This collection of essays brings together climatologists, theologians, historians, literary scholars, and philosophers to address and critically assess this association. The contributing authors are concerned, among other things, with the relation between cultural and scientific discourses on climate change; the role of apocalyptic images and narratives in representing environmental issues; and the tension between reality and fiction in apocalyptic representations of catastrophes. By focusing on how figures in fictional texts interact with their environment and deal with the consequences of climate change, this volume foregrounds the broader social and cultural function of apocalyptic narratives of climate change. By evoking a sense of collective human destiny in the face of the ultimate catastrophe, apocalyptic narratives have both cautionary and inspirational functions. Determining the extent to which such narratives square with scientific knowledge of climate change is one of the main aims of this book.

Monika Kaup pairs post-apocalyptic novels by Margaret Atwood, José Saramago, Octavia Butler and Cormac McCarthy with new realist theories from Bruno Latour, Humberto Maturana, Francisco Varela, Markus Gabriel, Jean-Luc Marion and Alphonso Lingis. She shows that, just as new realist theory can illuminate post-apocalyptic literature, post-apocalyptic literature can illuminate new theories of the real. Kaup showcases a context-based concept of the real. She argues that new realisms of complex and embedded wholes, actor-networks and ecologies - not the old realisms of isolated parts and things - represent the most promising escape from the impasses of constructivism and positivism.