Appalachia On Our Mind

Appalachia on Our Mind is not a history of Appalachia. It is rather a history of the American idea of Appalachia. The author argues that the emergence of this idea has little to do with the realities of mountain life but was the result of a need to reconcile the "otherness" of Appalachia, as decribed by local-color writers, tourists, and home missionaries, with assumptions about the nature of America and American civilization. Between 1870 and 1900, it became clear that the existence of the "strange land and peculiar people" of the southern mountains challenged dominant notions about the basic homogeneity of the American people and the progress of the United States toward achiving a uniform national civilization. Some people attempted to explain Appalachian otherness as normal and natural -- no exception to the rule of progress. Others attempted the practical integration of Appalachia into America through philanthropic work. In the twentieth century, however, still other people began questioning their assumptions about the characteristics of American civilization itself, ultimately defining Appalachia as a region in a nation of regions and the mountaineers as a people in a nation of peoples. In his skillful examination of the "invention" of the idea of Appalachia and its impact on American thought and action during the early twentieth century, Mr. Shapiro analyzes the following: the "discovery" of Appalachia as a field for fiction by the local-color writers and as a field for benevolent work by the home missionaries of the northern Protestant churches; the emergence of the "problem" of Appalachia and attempts to solve it through explanation and social action; the articulation of a regionalist definition of Appalachia and the establishment of instituions that reinforced that definition; the impact of that regionalistic definition of Appalachia on the conduct of systematic benevolence, expecially in the context of the debate over child-labor restriction and the transformation of philanthropy into community work; and the attempt to discover the bases for an indigenous mountain culture in handicrafts, folksong, and folkdance.

In the American imagination, the word Appalachia designates more than a geographical region. It evokes fiddle tunes, patchwork quilts, split-rail fences, and all the other artifacts that decorate a cherished romantic region of the American mind. Da

"As a benchmark book should, this one will stimulate the imagination and industry of future researchers as well as wrapping up the results of the last two decades of research... Eller's greatest achievement results from his successful fusion of scholarly virtues with literary ones. The book is comprehensive, but not overlong. It is readable but not superficial. The reader who reads only one book in a lifetime on Appalachia cannot do better than to choose this one... No one will be able to ignore it except those who refuse to confront the uncomfortable truths about American society and culture that Appalachia's history conveys." -- John A. Williams, Appalachian Journal.

Appalachia first entered the American consciousness as a distinct region in the decades following the Civil War. The place and its people have long been seen as backwards and 'other' because of their perceived geographical, social, and economic isolation. These essays, by fourteen eminent historians and social scientists, illuminate important dimensions of early social life in diverse sections of the Appalachian mountains. The contributors seek to place the study of Appalachia within the context of comparative regional studies of the United States, maintaining that processes and patterns thought to make the region exceptional were not necessarily unique to the mountain South. The contributors are Mary K. Anglin, Alan Banks, Dwight B. Billings, Kathleen M. Blee, Wilma A. Dunaway, John R. Finger, John C. Inscoe, Ronald L. Lewis, Ralph Mann, Gordon B. McKinney, Mary Beth Pudup, Paul Salstrom, Altina L. Waller, and John Alexander Williams

Appalachia has long been stereotyped as a region of feuds, moonshine stills, mine wars, environmental destruction, joblessness, and hopelessness. Robert Schenkkan's 1992 Pulitzer-Prize winning play The Kentucky Cycle once again adopted these stereotypes, recasting the American myth as a story of repeated failure and poverty--the failure of the American spirit and the poverty of the American soul. Dismayed by national critics' lack of attention to the negative depictions of mountain people in the play, a group of Appalachian scholars rallied against the stereotypical representations of the region's people. In Back Talk from Appalachia, these writers talk back to the American mainstream, confronting head-on those who view their home region one-dimensionally. The essays, written by historians, literary scholars, sociologists, creative writers, and activists, provide a variety of responses. Some examine the sources of Appalachian mythology in nineteenth- and early twentieth-century literature. Others reveal personal experiences and examples of grassroots activism that confound and contradict accepted images of ""hillbillies."" The volume ends with a series of critiques aimed directly at The Kentucky Cycle and similar contemporary works that highlight the sociological, political, and cultural assumptions about Appalachia fueling today's false stereotypes.

The author uses theories on power, resistance and discipline developed by Michel Foucault to analyze the interactions of mountaineers and the authorities who have attempted to "modernize" them. The book shows how McCarthy manipulates Appalachian images while engaging in a form of archeology of Appalachian constructs. Initially the book explores the interplay of the dominance/resistance duality. Roads provided ways into the mountains for industry and ways out for the mountaineer, cotton mill villages and regional cities served as "disciplined" destinations for Appalachian out-migrants. McCarthy's character Lester Ballard (Child of God) represents the epitome of hillbilly delinquency. The author explains how the iconic image of the mountaineer--a notion cultivated by fiction writers, benevolent organizations, and academics--"othered" the mountain people as deviants. The book ends by considering the ways in which The Road returns to the rhetorical and geographical region of his early work, and how it fits into McCarthy's Appalachian oeuvre.

Richard Drake has skillfully woven together the various strands of the Appalachian experience into a sweeping whole. Touching upon folk traditions, health care, the environment, higher education, the role of blacks and women, and much more, Drake offers a compelling social history of a unique American region. The Appalachian region, extending from Alabama in the South up to the Allegheny highlands of Pennsylvania, has historically been characterized by its largely rural populations, rich natural resources that have fueled industry in other parts of the country, and the strong and wild, undeveloped land. The rugged geography of the region allowed Native American societies, especially the Cherokee, to flourish. Early white settlers tended to favor a self-sufficient approach to farming, contrary to the land grabbing and plantation building going on elsewhere in the South. The growth of a market economy and competition from other agricultural areas of the country sparked an economic decline of the region's rural population at least as early as 1830. The Civil War and the sometimes hostile legislation of Reconstruction made life even more difficult for rural Appalachians. Recent history of the region is marked by the corporate exploitation of resources. Regional oil, gas, and coal had attracted some industry even before the Civil War, but the postwar years saw an immense expansion of American industry, nearly all of which relied heavily on Appalachian fossil fuels, particularly coal. What was initially a boon to the region eventually brought financial disaster to many mountain people as unsafe working conditions and strip mining ravaged the land and its inhabitants. A History of Appalachia also examines pockets of urbanization in Appalachia. Chemical, textile, and other industries have encouraged the development of urban areas. At the same time, radio, television, and the internet provide residents direct links to cultures from all over the world. The author looks at the process of urbanization as it belies commonly held notions about the region's rural character.

Few places in the United States confound and fascinate Americans like Appalachia, yet no other area has been so markedly mischaracterized by the mass media. Stereotypes of hillbillies and rednecks repeatedly appear in representations of the region, but few, if any, of its many heroes, visionaries, or innovators are ever referenced. Make no mistake, they are legion: from Anne Royall, America's first female muckraker, to Sequoyah, a Cherokee mountaineer who invented the first syllabary in modern times, and international divas Nina Simone and Bessie Smith, as well as writers Cormac McCarthy, Edward Abbey, and Nobel Laureate Pearl S. Buck, Appalachia has contributed mightily to American culture — and politics. Not only did eastern Tennessee boast the country's first antislavery newspaper, Appalachians also established the first District of Washington as a bold counterpoint to British rule. With humor, intelligence, and clarity, Jeff Biggers reminds us how Appalachians have defined and shaped the United States we know today.