Appalachia In The Making

Appalachia first entered the American consciousness as a distinct region in the decades following the Civil War. The place and its people have long been seen as backwards and 'other' because of their perceived geographical, social, and economic isolation. These essays, by fourteen eminent historians and social scientists, illuminate important dimensions of early social life in diverse sections of the Appalachian mountains. The contributors seek to place the study of Appalachia within the context of comparative regional studies of the United States, maintaining that processes and patterns thought to make the region exceptional were not necessarily unique to the mountain South. The contributors are Mary K. Anglin, Alan Banks, Dwight B. Billings, Kathleen M. Blee, Wilma A. Dunaway, John R. Finger, John C. Inscoe, Ronald L. Lewis, Ralph Mann, Gordon B. McKinney, Mary Beth Pudup, Paul Salstrom, Altina L. Waller, and John Alexander Williams

Appalachia has long been stereotyped as a region of feuds, moonshine stills, mine wars, environmental destruction, joblessness, and hopelessness. Robert Schenkkan's 1992 Pulitzer-Prize winning play The Kentucky Cycle once again adopted these stereotypes, recasting the American myth as a story of repeated failure and poverty--the failure of the American spirit and the poverty of the American soul. Dismayed by national critics' lack of attention to the negative depictions of mountain people in the play, a group of Appalachian scholars rallied against the stereotypical representations of the region's people. In Back Talk from Appalachia, these writers talk back to the American mainstream, confronting head-on those who view their home region one-dimensionally. The essays, written by historians, literary scholars, sociologists, creative writers, and activists, provide a variety of responses. Some examine the sources of Appalachian mythology in nineteenth- and early twentieth-century literature. Others reveal personal experiences and examples of grassroots activism that confound and contradict accepted images of ""hillbillies."" The volume ends with a series of critiques aimed directly at The Kentucky Cycle and similar contemporary works that highlight the sociological, political, and cultural assumptions about Appalachia fueling today's false stereotypes.

While Hollywood deserves its reputation for much-maligned portrayals of southern highlanders on screen, the film industry also deserves credit for a long-standing tradition of more serious and meaningful depictions of Appalachia's people. Surveying some two dozen films and the literary and historical sources from which they were adapted, John C. Inscoe argues that in the American imagination Appalachia has long represented far more than deprived and depraved hillbillies. Rather, the films he highlights serve as effective conduits into the region's past, some grounded firmly in documented realities and life stories, others only loosely so. In either case, they deserve more credit than they have received for creating sympathetic and often complex characters who interact within families, households, and communities amidst a wide array of historical contingencies. They provide credible and informative narratives that respect the specifics of the times and places in which they are set. Having used many of these movies as teaching tools in college classrooms, Inscoe demonstrates the cumulative effect of analyzing them in terms of shared themes and topics to convey far more generous insights into Appalachia and its history than one would have expected to emerge from southern California's "dream factory."

Interweaving social, political, environmental, economic, and popular history, John Alexander Williams chronicles four and a half centuries of the Appalachian past. Along the way, he explores Appalachia's long-contested boundaries and the numerous, often contradictory images that have shaped perceptions of the region as both the essence of America and a place apart. Williams begins his story in the colonial era and describes the half-century of bloody warfare as migrants from Europe and their American-born offspring fought and eventually displaced Appalachia's Native American inhabitants. He depicts the evolution of a backwoods farm-and-forest society, its divided and unhappy fate during the Civil War, and the emergence of a new industrial order as railroads, towns, and extractive industries penetrated deeper and deeper into the mountains. Finally, he considers Appalachia's fate in the twentieth century, when it became the first American region to suffer widespread deindustrialization, and examines the partial renewal created by federal intervention and a small but significant wave of in-migration. Throughout the book, a wide range of Appalachian voices enlivens the analysis and reminds us of the importance of storytelling in the ways the people of Appalachia define themselves and their region.

Front cover -- Copyright -- Contents -- Introduction -- 1 Revisiting Appalachia, Revisiting Self -- 2 Carolina Chocolate Drops -- 3 Beyond a Wife's Perspective on Politics -- 4 Intersections of Appalachian Identity -- 5 Appalachia Beyond the Mountains -- 6 Digital Rhetorics of Appalachia and the Cultural Studies Classroom -- 7 Continuity and Change of English Consonants in Appalachia -- 8 Frackonomics -- 9 Revisiting Appalachian Icons in the Production and Consumption of Tourist Art -- 10 From the Coal Mine to the Prison Yard -- 11 Walking the Fence Line of The Crooked Road -- 12 "No One's Ever Talked to Us Before" -- 13 Strength in Numbers -- 14 When Collaboration Leads to Action -- 15 Participation and Transformation in Twenty-First-Century Appalachian Scholarship -- (Re)introduction -- Appendix -- Contributors -- Index.

Families, communities, and the nation itself were irretrievably altered by the Civil War and the subsequent societal transformations of the nineteenth century. The repercussions of the war incited a broad range of unique problems in Appalachia, including political dynamics, racial prejudices, and the regional economy. Andrew L. Slap's anthology Reconstructing Appalachia reveals life in Appalachia after the ravages of the Civil War, an unexplored area that has left a void in historical literature. Addressing a gap in the chronicles of our nation, this vital collection explores little-known aspects of history with a particular focus on the Reconstruction and post-Reconstruction periods. Acclaimed scholars John C. Inscoe, Gordon B. McKinney, and Ken Fones-Wolf are joined by up-and-comers like Mary Ella Engel, Anne E. Marshall, and Kyle Osborn in a unique volume of essays investigating postwar Appalachia with clarity and precision. Featuring a broad geographic focus, these compelling essays cover postwar events in Georgia, Kentucky, North Carolina, Tennessee, West Virginia, and Pennsylvania. This approach provides an intimate portrait of Appalachia as a diverse collection of communities where the values of place and family are of crucial importance. Highlighting a wide array of topics including racial reconciliation, tension between former Unionists and Confederates, the evolution of post–Civil War memory, and altered perceptions of race, gender, and economic status, Reconstructing Appalachia is a timely and essential study of a region rich in heritage and tradition.

“A significant contribution to the current understanding of southern Appalachia’s place within the South and the nation.” —The Journal of American History Among the most pervasive of stereotypes imposed upon southern highlanders is that they were white, opposed slavery, and supported the Union before and during the Civil War, but the historical record suggests far different realities. John C. Inscoe has spent much of his scholarly career exploring the social, economic and political significance of slavery and slaveholding in the mountain South and the complex nature of the region’s wartime loyalties. Drawing on the memories, memoirs, and other testimony of slaves and free blacks, slaveholders and abolitionists, guerrilla warriors, invading armies, and the highland civilians they encountered, Inscoe’s essays consider a multiplicity of perspectives and what is revealed about highlanders’ dual and overlapping identities as both a part of, and distinct from, the South as a whole. Devoting attention to how truths from these contemporary voices were exploited, distorted, reshaped, reinforced, or ignored by later generations, he considers novelists, journalists, filmmakers, dramatists, and even historians over the course of the late nineteenth and twentieth centuries and how their work has contributed much to either our understanding?or misunderstanding?of nineteenth century Appalachia and its place in the American imagination. “Each essay is a gem of historical and critical analysis that adds greatly to our understanding of the Appalachian past.” —Dwight Billings, coeditor of Appalachia in the Making: The Mountain South in the Nineteenth Century

Religion has long been a source of identity for many Southerners, and the Appalachian areas in particular have proven to be a virtual fortress protecting faith and culture. Yet, in a region popularly thought to be religiously homogeneous, congregations reflect a wide range of doctrinal differences over such issues as conversion, ministerial leadership, and the authority on which a church bases its core beliefs. Profiling the prominent Christian traditions in southern Appalachia, this book brings together contributions by twenty scholars who have long studied the religious practices found in the region's cities, small towns, and rural communities. These authors provide insights into not only the independent mountain churches that are strongly linked to local customs but also the mainline and other religious bodies that have a significant presence in Appalachia but are not strictly associated with it. The essays explore the nature of ministry within these various churches, show the impact of broader culture on religion in the region, and consider the question of whether previously isolated, tradition-based churches can retain their distinctiveness in a changing world. One group of chapters focuses on elements of mountain religion as seen in the beliefs and practices of mountain Holiness folk, serpent handlers, and various Baptist traditions. Later chapters review the history and activities of other denominations, including Southern Baptist, Presbyterian, Wesleyan/Holiness, Church of God, and Roman Catholic. Also considered are the economic history of the region, popular religiosity, and the role of church-affiliated colleges. Taken together, these essays offer a richly nuanced understanding of Christianity in Appalachia. The Editor: Bill J. Leonard is dean of the Divinity School at Wake Forest University. His other books include Out of One, Many: American Religion and American Pluralism and God's Last and Only Hope: The Fragmentation of the Southern Baptist Convention. The Contributors: Monica Kelly Appleby, Donald N. Bowdle, Mary Lee Daugherty, Melvin E. Dieter, Howard Dorgan, Anthony Dunnavant, Gary Farley, Samuel S. Hill, Loyal Jones, Helen Lewis, Charles H. Lippy, Bill J. Leonard, Deborah Vansau McCauley, Lou F. McNeil, Marcia Clark Myers, Bennett Poage, Ira Read, James Sessions, Barbara Ellen Smith, H. Davis Yeuell.