Arapaho Journeys

In what is now Colorado and Wyoming, the Northern Arapahos thrived for centuries, connected by strong spirituality and kinship and community structures that allowed them to survive in the rugged environment. By the mid-nineteenth century, however, as Anglo-Americans pushed west, Northern Arapaho life changed dramatically. Although forced to relocate to a reservation, the people endured and held on to their traditions. Today, tribal members preserve the integrity of a society that still fosters living ni'iihi', as they call it, "in a good way." Award-winning photographer Sara Wiles captures that life on film and in words in Arapaho Journeys, an inside look at thirty years of Northern Arapaho life on the Wind River Indian Reservation in central Wyoming. Through more than 100 images and 40 essays, Wiles creates a visual and verbal mosaic of contemporary Northern Arapaho culture. Depicted in the photographs are people Wiles met at Wind River while she was a social worker, anthropology student, and adopted member of an Arapaho family. Among others pictured are Josephine Redman, an older woman wrapped in a blanket, soft light illuminating its folds, and rancher-artist Eugene Ridgely, Sr., half smiling as he intently paints a drum. Interspersed among the portraits are images of races, basketball teams, and traditional games. Wiles's essays weave together tribal history, personal narratives, and traditional knowledge to describe modern-day reservation life and little-known aspects of Arapaho history and culture, including naming ceremonies and cultural revitalization efforts. This work broaches controversial topics, as well, including the 1864 Sand Creek Massacre of Cheyenne and Arapaho Indians. Arapaho Journeys documents not only reservation life but also Wiles's growth as a photographer and member of the Wind River community from 1975 through 2005. This book offers readers a journey, one that will enrich their understanding of Wiles's art—and of the Northern Arapahos' history, culture, and lived experience.

“The sun, the moon, the seasons, our Arapaho way of life,” writes foreworder Jordan Dresser. “When you look around, you see circles everywhere. And that includes the lens Sara Wiles uses to capture these intimate moments of our Arapaho journeys.” In The Arapaho Way, Wiles returns to Wyoming’s Wind River Indian Reservation, whose people she so gracefully portrayed in words and photographs in Arapaho Journeys (2011). She continues her journey of discovery here, photographing the lives of contemporary Northern Arapaho people and listening to their stories that map the many roads to being Arapaho. In more than 100 pictures, taken over the course of thirty-five years, and Wiles’s accompanying essays, the history of individuals and their culture unfold, revealing a continuity, as well as breaks in the circle. Mixing traditional ways with new ideas—Catholicism, ranching, cowboying, school learning, activism, quilting, beadwork, teaching, family life—the people of Wind River open a rich world to Wiles and her readers. These are people like Helen Cedartree, who artfully combines Arapaho ways with the teaching of the mission boarding schools she once attended; like the Underwood family, who live off the land as gardeners and farmers and value family and hard work above everything; and like Ryan Gambler and Fred Armajo, whose love of horses and ranching keep them close to home. And there are others who have ventured into the non-Indian world, people like James Large, who brings home tenets of Indian activism learned in Denver. There are also, inevitably, visions of violence and loss as The Arapaho Way depicts the full life of the Wind River Indian Reservation, from the traditional wisdom of the elder to the most forward-looking youth, from the outer reaches of an ancient culture to the last-minute challenges of an ever-changing world.

Many of these narratives, gathered in the late nineteenth and early twentieth centuries, were obtained or published only in English translation. Although this is the case with many Arapaho stories, extensive Arapaho-language texts exist that have never before been published—until now. Arapaho Stories, Songs, and Prayers gives new life to these manuscripts, celebrating Arapaho oral narrative traditions in all the richness of their original language.

This new version of the authoritative textbook in the field of visual sociology focuses on the key topics of documentary photography, visual ethnography, collaborative visual research, visual empiricism, the study of the visual symbol and teaching sociology visually. This updated and expanded edition includes nearly twice as many images and incorporates new in-depth case studies, drawing upon the author’s lifetime of pioneering research and teaching as well as the often neglected experiences of women and people of color. The book examines how documentary photography can be useful to sociologists, both because of the topics examined by documentarians and as an example of how seeing is socially constructed. Harper describes the exclusion of women through much of the history of documentary photography and the distinctiveness of the female eye in recent documentary, a phenomenon he calls "the gendered lens". The author examines how a visual approach allows sociologists to study conventional topics differently, while offering new perspectives, topics and insights. For example, photography shows us how perspective itself affects what we see and know, how abstractions such as "ideal types" can be represented visually, how social change can be studied visually and how the study of symbols can lead us to interpret public art, architecture and person-made landscapes. There is an extended study of how images can lead to cooperative research and learning; how images can serve as bridges of understanding, blurring the lines between researcher and researched. The important topic of reflexivity is examined by close study of Harper’s own research experiences. Finally, the author focusses on teaching, offering templates for full courses, assignments and projects, and guides for teachers imagining how to approach visual sociology as a new practice. This definitive yet accessible textbook will be indispensable to teachers, researchers and professionals with an interest in visual sociology, research methods, cultural theory and visual anthropology.

The history of indigenous peoples in North America is long and complex. Many scholarly accounts now rely on statistical data to reconstruct this past, but amid all the facts and figures, it is easy to lose sight of the human side of the story. How did Native people express their thoughts and feelings, and what sources of strength did they rely on to persevere through centuries of change? In this engaging narrative, acclaimed historian R. David Edmunds combines careful research with creative storytelling to give voice to indigenous individuals and families and to illustrate the impact of pivotal events on their lives. A nonfiction account accompanies each narrative to provide necessary historical and cultural context. Voices in the Drum features nine stories, each of which focuses on a fictional character who is a composite, or representation, of historical people. This series of portrayals takes the reader on an epic journey through time, beginning in the early 1400s with the Mound Builder cultures and ending with the modern-day urbanization of Native people. Along the way, we observe fictional characters interacting with real historical figures, such as Anthony Wayne, Tecumseh, and John Sutter, and taking part in actual events, such as the Battle of Fallen Timbers, the Trail of Tears, the California gold rush, and the forced removal of Native children to off-reservation boarding schools. The people portrayed in these pages belong to various tribes, including Potawatomis, Lakotas, Oneidas, and Cherokees. Their individual stories, ranging from humorous to tragic, give readers a palpable sense of how tribal peoples reacted to the disruptive changes forced on them by European colonizers and U.S. government policies. Both entertaining and insightful, the stories in this volume traverse a range of time periods, events, themes, and genres. As such, they reverberate like voices in the drum, inviting readers of all backgrounds to engage anew with the rich history and cultures of indigenous peoples.

Set in the early twentieth century, Long Journey Home is the story of one man's life, the American Indian John Buffalo, as told by his biographer, Scott McNaughten. John Buffalo is pushed to train for track and field events, with an eye toward the Olympics. His training introduces him to Jim Thorpe, 1912 winner of two gold medals in track and field who was later stripped of his medals. He meets Bill Picket, the black cowboy who invented steer wrestling and one of the creators of the world's largest Wild West show. Together, these athletes and showmen travel to Mexico, South America and Europe. Along the way to an Olympic gold medal, John Buffalo meets and interacts with a variety of early twentieth-century celebrities including Theordore Roosevelt, Tim McCoy, and even Jesse Owens, the Black-American gold medal winner snubbed by Hitler. Long Journey Home is beautifully woven historical fiction about a star athlete Amercian Indian. Sometimes heart-wrenching, sometimes hilarious, vetran Don Coldsmith delivers another breath-taking story. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Matej's Journey to America is a creative-nonfiction chronicle exploring the forces that drove our immigrant ancestors to new lands. After Adam and Eve's eviction from Eden, man slowly scattered with a great dispersion occurring about 2700 BC as the Lord confounded the tongues of presumptuous Babylonians building a tower to heaven. Among the afflicted was an Aryan slave named Chmelka who was growing hops (chmel in the new Slavic language) to flavor beer for his Semitic masters. As the Slavs fled northward toward unknown Czech lands, other tribes migrated in all directions. According to The Book of Mormon, the righteous Jared took a Semitic clan from Babel across the mountains, deserts and oceans to a New World . . . later named America. Another Semitic clan that passed through Babylon 850 years later included a young Abraham, destined to be the patriarch of Judaism, Christianity and Islam. He introduced the concept of a single God revered by all his religious descendants, but despite their many commonalties, each of these three great religions seem convinced it has the only correct formula for salvation, justifying incredible atrocities with God always on its side. The descendants of the first Chmelka struggled as great civilizations developed and fell through the turmoil and bloodshed of the Dark Ages. Marco Polo awakened Europe in the late 13th century to the riches of the Far East, giving rise to explorers like Christopher Columbus who stumbled onto the North American Continent in 1492. The Protestant Reformation began to divide the Holy Roman Empire at the time, adding to the bloodshed as Austria, Prussia and France fought for domination in Europe. Meanwhile, Spain, England and France were colonizing and competing for control in the New World that was becoming home to an increasing number of European emigrants looking for a better life. The American Colonies fought for independence and then began to absorb all lands from the Atlantic to the Pacific. Thomas Jefferson purchased the immense Louisiana Territory from Napoleon in 1803, after which mountain men opened the West to homesteaders, miners and ranchers. My great-great-grandfather Matej was born as the Rocky Mountain fur trade boomed in 1825, and grew up on a 13-acre farm in Moravia where the Chmelkas had been serfs since Charlemagne was crowned the first Holy Roman Emperor a millennium earlier. Matej became a Dragoon in the Austrian Imperial Army and helped put down a revolution in Prague in 1848 the year gold was discovered in California but war spread and life worsened for European peasants. Gold, homesteads and wild Texas longhorns free for the taking lured thousands of oppressed Europeans to America on steamships and railroads now making long-distance travel feasible. After Prussia defeated the Austrian Empire including Bohemia and Moravia and then France, Matej's family escaped its misery and immigrated to Nebraska in 1871. They found a difficult life with grasshoppers, drought, hail and fires destroying crops . . . spurring Matej's fourteen-year-old son to join a Texas cattle drive and then dodge Indians and gunfighters for fourteen years in the Wild West. New technologies in farm equipment, transportation and communications made America the envy of the world in 1902 when Matej died and was buried near the prairie church he helped build. Matej's Journey to America honors him and his fellow immigrants ordinary men and women generally lost in history for the legacies and opportunities they gave us in our great land of freedom.