Arc Of Empire

Argues that America's wars in The Philippines, Japan, Korea and Vietnam were actually all part of a sustained U.S. bid for dominance in Asia.

Arc of Containment recasts the history of American empire in Southeast and East Asia from World War II through the end of American intervention in Vietnam. Setting aside the classic story of anxiety about falling dominoes, Wen-Qing Ngoei articulates a new regional history premised on strong security and sure containment guaranteed by Anglo-American cooperation. Ngoei argues that anticommunist nationalism in Southeast Asia intersected with preexisting local antipathy toward China and the Chinese diaspora to usher the region from European-dominated colonialism to US hegemony. Central to this revisionary strategic assessment is the place of British power and the effects of direct neocolonial military might and less overt cultural influences based in decades of colonial rule. Also essential to the analysis in Arc of Containment is the considerable influence of Southeast Asian actors upon Anglo-American imperial strategy throughout the post-war period. In Arc of Containment Ngoei shows how the pro-US trajectory of Southeast Asia after the Pacific War was, in fact, far more characteristic of the wider region's history than American policy failure in Vietnam. Indeed, by the early 1970s, five key anticommunist nations—Malaya, Singapore, Philippines, Thailand, and Indonesia—had quashed Chinese-influenced socialist movements at home and established, with U.S. support, a geostrategic arc of states that contained the Vietnamese revolution and encircled China. In the process, the Euro-American colonial order of Southeast Asia passed from an era of Anglo-American predominance into a condition of US hegemony. Arc of Containment demonstrates that American failure in Vietnam had less long-term consequences than widely believed because British pro-West nationalism had been firmly entrenched twenty-plus years earlier. In effect, Ngoei argues, the Cold War in Southeast Asia was but one violent chapter in the continuous history of western imperialism in the region in the twentieth century.

"The delicate arc of these poems intimates—rather than tells—a love story: celebration, fear of loss, storm, abandonment, an opening forth. Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna Warren This debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary. Antique Book The sky was crazed with swallows. We walked in the frozen grass of your new city, I was gauzed with sleep. Trees shook down their gaudy nests. The ceramic pots were caparisoned with snow. I was jealous of the river, how the light broke it, of the skein of windows where we saw ourselves. Where we walked, the ice cracked like an antique book, opening and closing. The leaves beneath it were the marbled pages. Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.

Since the late 1990s the annual Kateri Tekakwitha Interfaith Peace Conference in upstate New York has grown to become the region's premier peace conference. Bending the Arc provides a history of the conference and brings together the inspiring, personal stories from such well-known participants as Medea Benjamin, Blase Bonpane, Kathy Kelly, Bill Quigley, David Swanson, and Ann Wright, among others. Drawing from diverse philosophical and spiritual traditions, contributors share their experiences of working for peace and justice and discuss the obstacles to both. They address a wide range of contemporary problems, including the war on terror, killer drones, the invasions and occupations of Afghanistan and Iraq, mass surveillance, the human cost of war, political-economic impediments to peace, violent extremism, the role of women in peace-building, and the continued threat of nuclear weapons. With its stories of how peace activists found their calling and its exploration of why the world still needs peace activism, the book offers a vision rooted in human community and hope for the future.

Even though the cultural approach concerns itself with the local and the particular rather than with the abstract and universal, it is inherently comparative. Moreover, it also relocates each war in the historical and cultural experiences of Asian countries themselves rather than seeing the war as merely a conflict between the United States and Asian nations.

THE INSTANT NEW YORK TIMES, USA TODAY, AND WALL STREET JOURNAL BESTSELLER From New York Times bestselling author Jay Kristoff comes Empire of the Vampire, the first illustrated volume of an astonishing new dark fantasy saga. From holy cup comes holy light; The faithful hand sets world aright. And in the Seven Martyrs’ sight, Mere man shall end this endless night. It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness. Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order could not stem the tide once daylight failed us, and now, only Gabriel remains. Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope: The Holy Grail.

A young pilot risks everything to save his best friend—the man he trusts most and might even love—only to learn that his friend is secretly the heir to a brutal galactic empire. “An exciting space opera full of action and adventure that explores the bonds of loyalty and love, and what happens when they are stretched to their limits.”—Rebecca Roanhorse, Nebula and Hugo award–winning author of Trail of Lightning Ettian’s life was shattered when the merciless Umber Empire invaded his world. He’s spent seven years putting himself back together under its rule, joining an Umber military academy and becoming the best pilot in his class. Even better, he’s met Gal—his exasperating and infuriatingly enticing roommate who’s made the academy feel like a new home. But when dozens of classmates spring an assassination plot on Gal, a devastating secret comes to light: Gal is the heir to the Umber Empire. Ettian barely manages to save his best friend and flee the compromised academy unscathed, rattled that Gal stands to inherit the empire that broke him, and that there are still people willing to fight back against Umber rule. As they piece together a way to deliver Gal safely to his throne, Ettian finds himself torn in half by an impossible choice. Does he save the man who’s won his heart and trust that Gal’s goodness could transform the empire? Or does he throw his lot in with the brewing rebellion and fight to take back what’s rightfully theirs? Praise for Bonds of Brass “Skrutskie’s Bonds of Brass is a high-octane galactic adventure replete with heart, drama, and a keen edge of pain.”—Caitlin Starling, author of The Luminous Dead “Full of breathless action and dazzling characters, Bonds of Brass is space opera at its most exciting.”—Adam Christopher, author of Stranger Things: Darkness on the Edge of Town

This book takes a provocative long view of Byzantium, one that begins in the early Roman empire and extends all the way to the modern period, to argue that Byzantium was the most stable and enduring form of Greco-Roman society.