Archaeologies Of African American Life In The Upper Mid Atlantic

A 2018 CHOICE Outstanding Academic Title New scholarship provides insights into the archaeology and cultural history of African American life from a collection of sites in the Mid-Atlantic This groundbreaking volume explores the archaeology of African American life and cultures in the Upper Mid-Atlantic region, using sites dating from the eighteenth through the twentieth centuries. Sites in Delaware, Pennsylvania, New Jersey, and New York are all examined, highlighting the potential for historical archaeology to illuminate the often overlooked contributions and experiences of the region’s free and enslaved African American settlers. Archaeologies of African American Life in the Upper Mid-Atlantic brings together cutting-edge scholarship from both emerging and established scholars. Analyzing the research through sophisticated theoretical lenses and employing up-to-date methodologies, the essays reveal the diverse ways in which African Americans reacted to and resisted the challenges posed by life in a borderland between the North and South through the transition from slavery to freedom. In addition to extensive archival research, contributors synthesize the material finds of archaeological work in slave quarter sites, tenant farms, communities, and graveyards. Editors Michael J. Gall and Richard F. Veit have gathered new and nuanced perspectives on the important role free and enslaved African Americans played in the region’s cultural history. This collection provides scholars of the Mid-Atlantic and Northeast regions, African American studies, material culture studies, religious studies, slavery, the African diaspora, and historical archaeologists with a well-balanced array of rural archaeological sites that represent cultural traditions and developments among African Americans in the region. Collectively, these sites illustrate African Americans’ formation of fluid cultural and racial identities, communities, religious traditions, and modes of navigating complex cultural landscapes in the region under harsh and disenfranchising circumstances.

Investigating what life was like for African Americans north of the Mason-Dixon Line during the eighteenth and nineteenth centuries, James Delle presents the first overview of archaeological research on the topic in this book, debunking the notion that the “free” states of the Northeast truly offered freedom and safety for African Americans. Excavations at cities including New York and Philadelphia reveal that slavery was a crucial part of the expansion of urban life as late as the 1840s. Slaves cleared forests, loaded and unloaded ships, and manufactured charcoal to fuel iron furnaces. The case studies in this book also show that enslaved African-descended people frequently staffed suburban manor houses and agricultural plantations. Moreover, for free blacks, racist laws such as the Fugitive Slave Act of 1850 limited the experience of freedom in the region. Delle explains how members of the African diaspora created rural communities of their own and worked in active resistance against the institution of slavery, assisting slaves seeking refuge and at times engaging in violent conflicts. The book concludes with a discussion on the importance of commemorating these archaeological sites, as they reveal an important yet overlooked chapter in African American history. Delle shows that archaeology can challenge dominant historical narratives by recovering material artifacts that express the agency of their makers and users, many of whom were written out of the documentary record. Emphasizing that race-based slavery began in the Northeast and persisted there for nearly two centuries, this book corrects histories that have been whitewashed and forgotten. A volume in the series the American Experience in Archaeological Perspective, edited by Michael S. Nassaney

The role of historical archaeology in the study of African diaspora history and culture Exploring the archaeological study of enslavement and emancipation in the United States, this book discusses significant findings, the attitudes and approaches of past researchers, and the development of the field. Living Ceramics, Storied Ground highlights the ways historical archaeology can contribute to the study of African diaspora history and culture, as much of the daily life of enslaved people was not captured through written records but is evidenced in the materials and objects left behind. Including debates about cultural survivals in the 1920s, efforts to find “Africanisms” at Kingsley plantation in the 1960s, and the realization—as late as the 1970s—that colonoware pottery was created by enslaved people, Charles Orser looks at the influential and often mistaken ideas of prominent anthropologists, archaeologists, and historians. Extending to the present, Orser describes how archaeology better recognizes and appreciates the variety and richness of African American culture during slavery, due in large part to the Black archaeologists, past and present, who have worked to counter racism in the field. While acknowledging the colonial legacy of archaeology, Charles Orser outlines the ways the discipline has benefitted by adopting antiracist principles and partnerships with descendant communities. This book points to the contributions of excavators and researchers whose roles have been overlooked and anticipates exciting future work in African American archaeology. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

The moral mission archaeology set in motion by black activists in the 1960s and 1970s sought to tell the story of Americans, particularly African Americans, forgotten by the written record. Today, the archaeological study of African-American life is no longer simply an effort to capture unrecorded aspects of black history or to exhume the heritage of a neglected community. Archaeologists now recognize that one cannot fully comprehend the European colonial experience in the Americas without understanding its African counterpart. This collection of essays reflects and extends the broad spectrum of scholarship arising from this expanded definition of African-American archaeology, treating such issues as the analysis and representation of cultural identity, race, gender, and class; cultural interaction and change; relations of power and domination; and the sociopolitics of archaeological practice. "I, Too, Am America" expands African-American archaeology into an inclusive historical vision and identifies promising areas for future study.

Based on ten years of collaborative, community-based research, this book examines race and racism in a mixed-heritage Native American and African American community on Long Island’s north shore. Through excavations of the Silas Tobias and Jacob and Hannah Hart houses in the village of Setauket, Christopher Matthews explores how the families who lived here struggled to survive and preserve their culture despite consistent efforts to marginalize and displace them over the course of more than 200 years. He discusses these forgotten people and the artifacts of their daily lives within the larger context of race, labor, and industrialization from the early nineteenth to the mid-twentieth century.  A Struggle for Heritage draws on extensive archaeological, archival, and oral historical research and sets a remarkable standard for projects that engage a descendant community left out of the dominant narrative. Matthews demonstrates how archaeology can be an activist voice for a vulnerable population’s civil rights as he brings attention to the continuous, gradual, and effective economic assault on people of color living in a traditional neighborhood amid gentrification. Providing examples of multiple approaches to documenting hidden histories and silenced pasts, this study is a model for public and professional efforts to include and support the preservation of historic communities of color. A volume in the series Cultural Heritage Studies, edited by Paul A. Shackel  Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

“Seldom-told tales of the ‘lively and unusual cast of historic figures’ who helped shape the Florida Keys from the 1820s through the 1960s.”—Keys News The Florida Keys have witnessed all kinds of historical events, from the dramatic and the outrageous to the tragic and the comic. In the nineteenth century, uncompromising individuals fought duels and plotted political upsets. During the Civil War, a company of “Key West Avengers” escaped their Union-occupied city to join the Confederacy by sailing through the Bahamas. In the early twentieth century, black Bahamians founded a town of their own, while railway engineers went up against the U.S. Navy in a bid to complete the Overseas Railroad. When Prohibition came to the Keys, one defiant woman established a rum-running empire that dominated South Florida. Join Laura Albritton and Jerry Wilkinson as they delve into tales of treasure hunters, developers, exotic dancers, determined preservationists and more, from the colorful history of these islands. Includes photos

In 1866, Alexander Dunlop, a free black living in Williamsburg Virginia, did three unusual things. He had an audience with the President of the United States, testified in front of the Joint Congressional Committee on Reconstruction, and he purchased a tombstone for his wife, Lucy Ann Dunlop. Purchases of this sort were rarities among Virginia’s free black community—and this particular gravestone is made more significant by Dunlop’s choice of words, his political advocacy, and the racialized rhetoric of the period. Carved by a pair of Richmond-based carvers, who like many other Southern monument makers, contributed to celebrating and mythologizing the “Lost Cause” in the wake of the Civil War, Lucy Ann’s tombstone is a powerful statement of Dunlop’s belief in the worth of all men and his hopes for the future. Buried in 1925 by the white members of a church congregation, and again in the 1960s by the Colonial Williamsburg Foundation, the tombstone was excavated in 2003. Analysis, conservation, and long-term interpretation were undertaken by the Foundation in partnership with the community of the First Baptist Church, a historically black church within which Alexander Dunlop was a leader. “Stories in Stone: Memorialization, the Creation of History and the Role of Preservation” examines the story of the tombstone through a blend of object biography and micro-historical approaches and contrasts it with other memory projects, like the remembrance of the Civil War dead. Data from a regional survey of nineteenth-century cemeteries, historical accounts, literary sources, and the visual arts are woven together to explore the agentive relationships between monuments, their commissioners, their creators and their viewers and the ways in which memory is created and contested and how this impacts the history we learn and preserve.

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.