Archi

This book presents a controlled evaluation of three widely practised syntactic theories on the basis of the extremely complex agreement system of Archi, an endangered Nakh-Daghestanian language. Even straightforward agreement examples are puzzling for syntacticians because agreement involves both redundancy and arbitrariness. Agreement is a significant source of syntactic complexity, exacerbated by the great diversity of its morphological expression. Imagine how the discipline of linguistics would be if expert practitioners of different theories met in a collaborative setting to tackle such challenging agreement data - to test the limits of their models and examine how the predictions of their theories differ given the same linguistic facts. Following an overview of the essentials of Archi grammar and an introduction to the remarkable agreement phenomena found in this language, three distinct accounts of the Archi data examine the tractability and predictive power of major syntactic theories: Head-driven Phrase Structure Grammar, Lexical Functional Grammar, and Minimalism. The final chapter compares the problems encountered and the solutions proposed in the different syntactic analyses and outlines the implications of the challenges that the Archi agreement system poses for linguistic theory.

This informative and engaging book uses a variety of inventive infographics to take an unusual look at architecture in a way that would not be possible with words and images alone. Through a variety of different infographics it compares, for example, the range of materials and colours used by different architects, the relative locations of their buildings, who influenced who, and which architects are the most discussed. It also approaches architecture from more unconventional angles with spreads that show the kinds of architecture favoured by dictators, the networks of love affairs that architects got entangled in; the defining facial features of famous architects and so on. Irreverent and entertaining, this book will appeal to all those with an interest in architecture or infographics.

This innovative book is the first to provide a fun, interactive way to learn about architecture. Filled with an array of beautiful and elegant drawings, it poses all manner of architectural challenges for the user: from designing your own skyscraper, to drawing an island house or creating a Constructivist monument, plus many others more. Aimed at anyone who loves drawing buildings, it encourages the user to imagine their own creative solutions by sketching, drawing and painting in the pages of the book. In so doing, they will learn about a whole range of significant architectural issues, such as the importance of site and materials, how to furnish a space, how to read plans, how to create sustainable cities and so on. The book also includes numerous examples of works and ideas by major architects to draw inspiration from and will appeal to everyone from children to students to architects.

The prolific architect, designer and Domus editor reinvented the look of everyday life from the spoon to the cathedral With more than 100 buildings and scores of design objects to his name, Italian architect and designer Gio Ponti revolutionized postwar architecture and opened up prospects for new ways of life. Gio Ponti: Archi-Designer covers Ponti's entire career from 1921 to 1978, highlighting the many aspects of his work: from mechanical production to handicraft, from architecture to industrial design, from furniture to lighting, from the creation of magazines to his forays into the fields of glass, ceramics and goldsmithing. His work exemplified a certain tendency identified by his fellow architect Ernesto Rogers in 1952, an interest in designing dal cucchiaio alla città ("from the spoon to the town")--giving equal attention and applying the same innovative design thinking to small spoon and skyscraper alike. Featuring more than 500 pieces, this book traces Ponti's multidisciplinary journeys through architecture, furniture and design in his work for private homes and public buildings, including universities and cathedrals. Regarded as one of the most influential architects and designers of the 20th century, Giovanni "Gio" Ponti (1891-1979) established his architectural firm in 1921 and was extraordinarily prolific from that point on, working as an architect, industrial designer, artist, furniture designer, teacher and writer. In 1928 he founded the magazine Domus, which he would direct for most of his life, helping to spread his vision of a revitalized modern aesthetics in Italian industrial production, architecture, interior design and the decorative arts.