Architectural Surfaces

The latest addition to the acclaimed Surfaces series catalogs hundreds of different architectural elements and materials.

A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design. The autonomy of the surface, the "free facade," presumes a distinction between the structural and nonstructural elements of the building, between the frame and the cladding. Once the skin of the building became independent of its structure, it could just as well hang like a curtain, or like clothing. The focus of the relationship between structure and skin is the architectural surface. In tracing the handling of this surface, the authors examine both contemporary buildings and those of the recent past. Architects discussed include Albert Kahn, Ludwig Mies van der Rohe, Alison and Peter Smithson, Alejandro de la Sota, Robert Venturi, Jacques Herzog, and Pierre de Meuron. The properties of a building's surface—whether it is made of concrete, metal, glass, or other materials—are not merely superficial; they construct the spatial effects by which architecture communicates. Through its surfaces a building declares both its autonomy and its participation in its surroundings.

Departing from the simple question Why do we heat and cool buildings with air?, this book focuses on the technique of thermally active surfaces. This technique uses water in building surfaces to heat and cool bodies - a method that is at once more efficient, comfortable, and healthy. This technique thus imbues the fabric of the building with a more poignant role: its structure is also its primary heating and cooling system. In doing so, this approach triggers a cascading set of possibilities for how well buildings are built, how well they perform, and how long they will last: pointing the way toward multiple forms of sustainability. The first section of the book contrasts the parallel histories of thermally active surfaces and air conditioning. These histories explain the material, social, marketing, and technical unfolding of building technology in the twentieth century as a means to explain why we build the way we do and why that will change in the new century. The next section of the book covers the physiological and thermodynamic basis of thermally active surfaces. This section is designed for engineers and architects to grasp the logic and advantages of this technique. This section also includes a chapter on the de-fragmentation of buildings and design practice that is inherent in building with thermally active surfaces. The final section covers a series of contemporary case studies that demonstrate the efficacy of this technique. The project list currently includes Kunsthaus in Bregenz by Peter Zumthor, Zollverein School of Management in Essen, Germany by SANAA, and Linked Hybrid in Beijing by Steven Holl, amongst others.

For millennia, people of all cultures have decorated the surfaces of their domestic, religious, and public buildings. Earthen architecture in particular has been, and continues to be, a common ground for surface decoration such as paintings, sculpted bas-relief, and ornamental plasterwork. This volume explores the complex issues associated with preserving these surfaces. Case studies from Asia, Europe, Africa, the Middle East, and the Americas are presented. The publication is the result of a colloquium held in 2004 at Mesa Verde National Park, Colorado, co-organized by the Getty Conservation Institute (GCI) and the National Park Service (NPS). The meeting brought together fifty-five conservators, cultural resource managers, materials scientists, engineers, architects, archaeologists, anthropologists, and artists from eleven countries. Divided into four themes--Archaeological Sites, Museum Practice, Historic Buildings, and Living Traditions--the papers examine the conservation of decorated surfaces on earthen architecture within these different contexts.

This book constitutes selected papers of the 19th International Conference on Computer-Aided Architectural Design Futures, CAAD Futures 2021, held in Los Angeles, CA, USA, in July 2021. The 33 revised full papers presented were carefully reviewed and selected from 97 submissions. The papers are organized in topical sections on ​past futures and present futures: research and pedagogy; past futures and present futures: aesthetics and ethics of space; architectural automations and augmentations: design; architectural automations and augmentations: fabrication; architectural automations and augmentations: environment; architectural automations and augmentations: spatial computing.

Architectural Metal Surfaces demonstrates techniques for achieving a variety of surface effects through the application of texture, color treatments, and lighting effects. * Presents more than 150 illustrations. * Helps develop realistic expectations and accurate specifications and details. * Describes the durability and maintenance requirements of various finishes.