Architecture And Art Of Southern India

George Michell provides a pioneering and richly illustrated introduction to the architecture, sculpture and painting of Southern India under the Vijayanagara empire and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testimonies to the history and ideology behind their evolution. The author evaluates the legacy of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a previously neglected area of art history, the author presents an original and much-needed reassessment.

George Michell considers the artistic heritage of the architecture, sculpture and painting of the Vijayanagara empire and the successor states. The period, encompassing some four hundred years, was endowed with an abundance of religious and royal monuments, which remain as testimonies to the history and ideology behind their evolution. In a previously neglected area of art history, the author presents an original and much needed reassessment, evaluating buildings, sculptures and paintings, illustrated by many previously unpublished photographs.

George Michell considers the artistic heritage of the architecture, sculpture and painting of the Vijayanagara empire and the successor states. The period, encompassing some four hundred years, was endowed with an abundance of religious and royal monuments, which remain as testimonies to the history and ideology behind their evolution. In a previously neglected area of art history, the author presents an original and much needed reassessment, evaluating buildings, sculptures and paintings, illustrated by many previously unpublished photographs.

A new titles in the BLUE GUIDE series covers the increasingly popular tourist destination of Southern India, starting with Bombay. Divided into chapters that focus on the main towns and sites, with ideas for additional excursions off the beaten track, this is one of the most comprehensive guidebooks available to the area. 90 maps and plans. 30 drawings.

This book reinterprets the Muslim architecture and urban planning of South India, looking beyond the Deccan to the regions of Tamil Nadu and Kerala - the historic coasts of Coromandel and Malabar. For the first time a detailed survey of the Muslim monuments of the historic ports and towns demonstrates a rich and diverse architectural tradition entirely independent from the better known architecture of North India and the Deccan sultanates. The book, extensively illustrated with photographs and architectural drawings, widens the horizons of our understanding of Muslim India and will no doubt pave new paths for future studies in the field.

This book investigates how the material culture of South Indian courts was perceived by those who lived there in the pre-colonial period. Howes peels away the standard categories used to study Indian palace space, such as public/private and male/female, and replaces them with indigenous descriptions of space found in court poetry, vastu shastra and painted representations of courtly life. Set against the historical background of the events which led to the formation of the Ramnad Kingdom, the Kingdom's material circumstances are examined, beginning with the innermost region of the palace and moving out to the Kingdom via the palace compound itself and the walled town which surrounded it. An important study for both art historians and South India specialists. The volume is richly illustrated in colour.