Architecture In Italy 1400 To 1600
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Architecture in Italy
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 432 |
Release | : 1972 |
Genre | : Electronic Book |
ISBN | : OCLC:472540023 |
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Architecture in Italy 1400 1500
Author | : Karl Heinrich Heydenreich,Ludwig Heinrich Heydenreich,Paul Davies |
Publsiher | : Yale University Press |
Total Pages | : 198 |
Release | : 1996-01-01 |
Genre | : Architecture |
ISBN | : 9780300064674 |
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Brunelleschi - Ghiberti and Donatello - Alberti - Florence 1450-1480 - Urbino - Venice - Lombardy - Leonardo da Vinci.
Architecture in Italy 1400 to 1600
Author | : Ludwig Heinrich Heydenreich,Wolfgang Lotz |
Publsiher | : [Harmondsworth, Eng. ; Baltimore] : Penguin Books |
Total Pages | : 698 |
Release | : 1974 |
Genre | : Architecture |
ISBN | : UOM:39015014417128 |
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In 15th-century Florence, Brunelleschi's buildings and Alberti's treatise first established the principles of Italian Renaissance architecture in practice and theory. This survey ranges from Brunelleschi's dome for the Florence Cathedral to the works of Bramante and Leonardo in the Quattrocento.
Architecture in Italy 1500 1600
Author | : Wolfgang Lotz |
Publsiher | : Yale University Press |
Total Pages | : 222 |
Release | : 1995-01-01 |
Genre | : Architecture |
ISBN | : 9780300064698 |
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This classic work presents a stimulating survey of the most exciting and innovative period in the history of architecture. Lotz also goes beyond the more familiar locations, architects and buildings to conquer less well-known territories, exploring Piedmont and Vitozzi and ending with a study of bizzarrie.
The Italian Renaissance Interior 1400 1600
Author | : Peter Thornton |
Publsiher | : ABRAMS |
Total Pages | : 436 |
Release | : 1991 |
Genre | : Architecture |
ISBN | : UOM:39015024956172 |
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Italian Art 1500 1600
Author | : Robert Klein,Henri Zerner |
Publsiher | : Northwestern University Press |
Total Pages | : 220 |
Release | : 1989 |
Genre | : Art |
ISBN | : 0810108526 |
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Art and the cultured public - Documents on art and artists - Mid-century Venetian art criticism - Vasari - Art theory in the second half of the century - The Counter-Reformation - Artists, amateurs and collectors - On beauty.
Art and Architecture in Italy 1600 1750
Author | : Rudolf Wittkower,Joseph Connors,Jennifer Montagu |
Publsiher | : Yale University Press |
Total Pages | : 212 |
Release | : 1999-01-01 |
Genre | : Art |
ISBN | : 0300079419 |
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This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition-now published in three volumes-will also include color illustrations for the first time.
Shopping in the Renaissance
Author | : Evelyn S. Welch,Professor of Renaissance Studies Evelyn Welch,Lecturer Evelyn Welch |
Publsiher | : Yale University Press |
Total Pages | : 428 |
Release | : 2005-01-01 |
Genre | : History |
ISBN | : 0300107528 |
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Shopping was as important in the Renaissance as it is in the 21st century. This book breaks new ground in the area of Renaissance material culture, focussing on the marketplace in its various aspects, ranging from middle-class to courtly consumption and from the provision of foodstuffs to the acquisition of antiquities and holy relics. It asks how men and women of different social classes went out into the streets, squares and shops to buy the goods they needed and wanted on a daily or on a once-in-a-lifetime basis during the Renaissance period. Drawing on a detailed mixture of archival, literary and visual sources, she exposes the fears, anxieties and social possibilities of the Renaissance marketplace. Thereafter, Welch looks at the impact these attitudes had on the developing urban spaces of Renaissance cities, before turning to more transient forms of sales such as fairs, auctions and lotteries. In the third section, she examines the consumers themselves, asking how the mental, verbal and visual images of the market shaped the business of buying and selling. Finally, the book explores two seemingly very different types of commodities - antiquities and indulgences, both of which posed dramatic challenges to contemporary notions of market value and to the concept of commodification itself.