Architecture On The Borderline

Architecture on the Borderline interrogates space and territory in a turbulent present where nation-state borders are porous to a few but impermeable to many. It asks how these uneven and conflicted social realities are embodied in the physical and material conditions imagined, produced or experienced through architecture and urbanism. Drawing on historical, global examples, this rich collection of essays illustrates how empires, nations and cities expand their frontiers and contest boundaries, but equally how borderline identities of people and places influence or expose these processes. Empirical chapters covering Central Asia, the Asia Pacific region, the American continent, Europe and the Middle East offer multiple critical insights into the ways in which our spatial imagination is contingent on ‘border-thinking’; on the ways of being and navigating frontiers, boundaries and margins, the three themes used to organise their content. The underlying premise of the book is that sensitisation to border conditions can alter our understanding of the static physical spaces that service political or cultural ideologies, and that the view from the periphery opens up new ways of understanding sovereignty. In exploring these various spaces and their transformative subjectivities, this book also reveals the unrelenting precarity of contesting and living on the margins, and related spaces and discourses that are neglected or suppressed.

"BorderLine”, the first publication in the "RIEAeuropa book series” series, highlights a particularly relevant site in Europe: The town and harbor of Kraljevica, just south of Rijeka, Croatia, where failing ship-building industry and pollution from a large oil-refinery threaten both the ecology and the prospects of tourism. Drawing on the results of a workshop, "BorderLine” presents essays and projects by leading thinkers and architects such as Lebbeus Woods, Gabriela Seifert (Formalhaut Architects), Manuel Delanda (cultural philosopher), Aleksandra Wagner (sociologist, psychoanalyst), Heinz Foerster (biophysicist), Ekkehard Rehfeld (architect). Architectural projects and conceptual proposals by Lebbeus Woods, Peter Cook, Will Alsop, Per Kartredt, Masihiko Yendo, Guy Lafranchi, etc. create within rapidly evolving European and global landscapes.

This book is positioned as a rst in a series of books on enterprise architecture needed for a Master of Enterprise Architecture program, and is targeted both at university students and practitioners with a drive to increase their understanding of these elds. As an introductory book, this book aims to explore the concept of enterprise architecture. At rst glance, writing such an introductory book might seem as a straight forward task of setting up a structure and lling in “the blanks. ” However, writing this book turned out to be a pleasant journey of discovery. Based on our past experiences, each of us had a clear understanding of enterprise architecture, based on several years of experience and insight in the eld. However, when we started writing this book, and each of us exposed our individual understandings, it became apparent that our understanding of the eld differed in several ways. This prompted several discussions leading to an abundance of new insights. Without exception, thesediscussionstookplaceina pleasantandopenatmosphere,fueledbyourshared driveforunderstandingandincreasedinsight. Wearenowevenmoreconvincedthan before, that the eld enterprise architecture is a true multi-disciplinary profession. In the resulting book, we would like to share our insights, while also hoping to continue our discussions, now also involving you as a reader. We also realise that the journey is still far from complete. While this introductory book provides an overview of the eld of enterprise architecture from the perspective of our insights, many aspects need further re nement.

Focusing on three secular institutional building types: libraries, museums, and cinemas, this book explores the intricate interplay between culture and architecture. It explores the cultural imperatives which have seen to the formation of these institutions, the development of their architecture, and their transformation over time. The relationship between culture and architecture is often perceived as a monologic relationship. Architecture is seen to embody, represent and/or reflect the values, the beliefs, and the aesthetic ideals of a culture. Ameri argues that this is at best a partial and restrictive view, and that if architecture is a cultural statement, it is a performative one. It does not merely represent culture, but constructs, reifies, and imposes culture as the unalterable shape of reality. Whereas the concept and the study of cultural performatives have had an important critical impact on the humanities, architecture as a cultural performative has not received the necessary scholarly attention and, in part, this book aims to fill this gap. Whereas building-type studies have been largely restricted to elucidating how best to design building-types based on historic and contemporary precedents, studies in the humanities that analytically and critically engage the secular institutions and their history as cultural performatives, typically cast a blind or perfunctory glance at the performative complicity of their architecture. This book aims to address the omissions in both these approaches. The library, the museum, and the movie-theater have been selected for close critical study because, this book argues, each has been instituted to house, ’domesticate,’ and restrain a specific form of representation. The aim has been to protect and promulgate the metaphysics of presence as Jacques Derrida expounds the concept. This book proposes that it is against the dangers of unconstrained cohabitation of reality and representation that the library, the m

This edited volume informs readers about changing norms and meanings of borders and underlines recent scenarios that shape these borders. It focuses mainly on the Mediterranean and Middle East regions through the following questions: What are the social, cultural, philosophical, political, economic and aesthetic reasons for spatial segregation within contemporary territories and cities? In the world of globalization and networks, what are the new limitations of space? What are the alienating differences between interior and exterior, private and public, urban and rural, local and global, and real and virtual? Are spatial definitions and divisions more likely to be weakened (if not totally erased) by effects of globalization and mobility, similar to the dissolution of borders between countries? Or are local practices and measures likely to become more apparent with emerging trends such as sustainability and identity? Authored by international scholars, all chapters are arranged under four main parts: Urban and Rural, Global and Local, Physical and Sensual, Real and Virtual. Hence, different concepts and definitions of borders along with varying methods and tools for questioning their essence in architectural and urban spaces will be introduced. For example, in the rural and urban context, environments, settlements-housing, landscape, transformation, conservation and development; in the global and local context, styles, identity, universal design, sustainability, globalization and networks, mobility and migration; in the physical and sensual context, design studies and methodologies, environmental psychology, aesthetic reasoning, sense of place and well-being, and in the real and virtual context, realities, tools and communities are the main themes of the chapters. This book will be an essential source for professionals, scholars, and students of architecture and urban design with a view to understanding multidisciplinary perspectives in designing borders as well as the dialectical relationship between borders and space.

Diagnostic Pathology of Ovarian Tumors offers a focus on the pathology of ovarian neoplasia with detailed clinically relevant information for practicing pathologists not found in other more general volumes of gynecologic pathology. This important work focuses almost entirely on strategies for accurate diagnosis and histologic subclassification, and the clinical correlates of these diagnosis. It provides evolving guidelines for detecting early ovarian cancer in prophylactic specimens; cutting-edge information on enhancing the reproducible and clinically meaningful subclassification of ovarian carcinoma as well as new proposals for ovarian carcinoma grading. Richly illustrated, containing abundant tables and figures as well as bulleted points of information, Diagnostic Pathology of Ovarian Tumors is the first text offering chapters written by practicing gynecologists on how clinical data can enhance pathologic diagnostic accuracy, how pathologists can efficiently convey their diagnostic opinions to gynecologists, and the way in which a given diagnosis triggers a cascade of clinical testing and therapy. Diagnostic Pathology of Ovarian Tumors will be of great value to practicing surgical pathologists, including gynecologic pathologists, pathology residents in training, as well as gynecologic and medical oncologists worldwide.