Architecture York

You live in York UK, you’re thinking of paying a visit, or you just like buildings? Then this new work from John Brooke Fieldhouse is a must have! It’s a guide book. But it’s completely different, it’s not what you’d expect from the city of Vikings, Romans, the medieval, the Civil War, the Georgians, and the Victorians. It’s about the twentieth century and later – right up to 2018. Its buildings – public and private - how they’re designed, engineered, lit, heated, ventilated...and not just buildings, there are 130 plus items, including bridges, a flood barrier, details like windows, seating, handrails, landscaping, paving, all the things we touch when we move through a city, the things that make us feel good or bad. It’s 260 pages, 360 colour photographs, fifteen pages of indexes and an introduction, consisting of unsentimental and unvarnished answers by the author to over 30 questions on the book and York. Answering questions and always asking more. It’s not just the past, it’s all about the present and the future. We spend most of our lives in buildings, they are art, science, psychology and politics so it’s essential we all have our own view about them.

You live in York UK, you’re thinking of paying a visit, or you just like buildings? Then this new work from John Brooke Fieldhouse is a must have! It’s a guide book. But it’s completely different, it’s not what you’d expect from the city of Vikings, Romans, the medieval, the Civil War, the Georgians, and the Victorians.

A magnificent photographic compilation of New York City’s best new architecture, this book features projects by leading firms working today. From Bjarke Ingels Group’s VIA West 57 to SHoP Architects’ Barclays Center, and from Diller Scofidio + Renfro’s High Line to SOM’s One World Trade Center, New York City has been home to some of this century’s most exciting new architecture. Profiling more than fifty projects that are shaping the city’s streets and skylines, this book features color photographs of each building and a brief, informative text about its significance. Renzo Piano Building Workshop, Ateliers Jean Nouvel, Foster + Partners, Selldorf Architects, Gehry Partners, and Adjaye Associates are just some of the firms that have recently completed projects in New York City. Visitors to the city as well as its denizens will find this book an exhilarating guide, while fans of architecture will gain an even greater appreciation of the city’s unprecedented development in the past fifteen years by the world’s best architects.

In the sixties, architecture fell in love with concrete. Architecture has since shifted its fondness to glass and steel, and concrete buildings have fallen out of favor and into disrepair. But they represent an exciting era of faith in architecture and technical innovation that has yet to be documented.Concrete Torontoacts as a guidebook to the city's extensive concrete heritage. Architects, journalists, professors, concrete experts, and even the original architects use a wealth of new and archival photos, drawings, interviews, articles, and case studies to celebrate Toronto's concrete past.

The first detailed study of "Neo-Antique" architecture applies an archaeological lens to the study of New York City's structures Since the city's inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers' and Sailors' Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century. Contextualizing New York's Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city's new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences--intellectually, conceptually, and chronologically--among the reception of these different architectural traditions. This fundamentally interdisciplinary project draws upon all available evidence and archival materials--such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines--to provide a lively multi-dimensional analysis that examines not only the city's ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances--whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City's skyline throughout its history.