Are Pirates Polite

Pirates may fight and plunder booty. But when they do so, they are polite! "Pirates are unrulyand pirates love to fight,but pirates still say 'please' and 'thanks''cause pirates are polite."Are Pirates Polite?shows pirates' rowdy activitiesandteaches manners lessons. These pirates remember to say "please" and "thank you." If pirates can be polite, surely young readers can, too!Fun, rhyming text by Corinne Demas and Artemis Roehrig pairs pirates' questionable activities with their lead-by-example lessons in manners. David Catrow's humorous, zany illustrations depict the swashbuckling nature of the pirates. Follow along as pirates have fun on a pirate ship, divide up their treasure, and teach manners. Aargh!

A rhyming tale of pirates who go to school accompanied by their parrots, learn arithmetic and letters, and want to hear sea stories at storytime.

Barnacle Garrick is bold and saucy and selfish. And for a pirate captain, that’s good, very good. And his crew are all scurvy sea dogs—selfish down to the last fleabitten scuttle-butt. And that’s good too. But Augusta Garrick is shy, polite, and selfless. For a pirate, that’s bad, very bad. Despite her father’s horrible example, the sea pup can’t stop helping out. It just might take one terrible storm, a ripped sail, a missing peg leg and a panicked crew before Augusta can prove that being selfless is a bold and saucy move after all. And that’s good, very good indeed. A rollicking tale peppered with pirate talk, Kari-Lynn Winters’ Bad Pirate is a story about being true to yourself, even if it means you must go against the pack. Dean Griffiths’ artwork glows with rich colours, fine detail and spot-on doggie characters. A scurvy delight. For landlubbers, the endpaper design includes a glossary of pirate and sailing terms.

"Pirates have green teeth when they have any teeth at all. I know about pirates, because one day, when I was at the beach building a sand castle and minding my own business, a pirate ship sailed into view."So proclaims Jeremy Jacob, a boy who joins Captain Braid Beard and his crew in this witty look at the finer points of pirate life by the Caldecott Honor winning illustrator David Shannon and the storyteller Melinda Long. Jeremy learns how to say scurvy dog, sing sea chanteys, and throw food . . . but he also learns that there are no books or good night kisses on board: Pirates don t tuck. A swashbuckling adventure with fantastically silly, richly textured illustrations that suit the story to a T. "

A young boy learns the cost of his scallywag ways. Everyone knows pirates are ruthless, swashbuckling adventurers with no time for manners. Everyone, that is, except Mom. When she sends Pirate Billy Nelson to the brig, otherwise known as his room, he goes on an imaginary journey where he discovers being polite is more valuable than all the loot he could plunder.

Gus the Pirate is always grumpy, but can the wise Pirate Queen convince him to change his ways? There is one grumpy pirate.They call him Grumpy Gus. He grunts and gripes and grouses,and always makes a fuss.Gus the Pirate complains about everything -- ARRRRRGH! Gus grumbles about his lumpy bed and his itchy clothes. He complains about the yucky food and doing his chores on the pirate ship. Even sailing toward buried treasure can't make Gus happy! Finally, the other pirates have had enough! They ask the Pirate Queen to help.So the Pirate Queen gives Grumpy Gus a pet parrot -- but the parrot is grumpy, too! After Gus spends the day with a parrot who's just as grumbly and grouchy as he is, Gus realizes his bad attitude might be a little hard to deal with. Can Gus turn his frown upside down before the other pirates make him walk the plank?All kids can relate to feeling grumpy like Gus, and this swashbuckling pirate adventure teaches kids the importance of trying to have a positive attitude!

Jump aboard the pirate ship! A little boy with a big imagination learns to be polite in this humorous rhyming story. Sometimes it's hard to know how to be well behaved - and why! Join little children with big imaginations as they learn that saying please, making friends, sharing and being kind are both easy and fun. Written in humorous rhyme, these books teach appropriate good manners with a 'before' and 'after' scenario by setting positive examples. The stories take place in familiar settings and include children that play popular make-believe characters of pirate, princess, cowboy and ballerina (two boys and two girls). The Marvellous Manners series includes: The Friendliest Ballerina, 978160992268; Cowboys Can be Kind, 9781609922696; The Pirate Who Said Please, 9781609922665; Princesses Love to Share, 9781609922672

A study of the depiction and development of masculine figures in eighteenth-century British literature. Erin Mackie explores the shared histories of the modern polite English gentleman and other less respectable but no less celebrated eighteenth-century masculine types: the rake, the highwayman, and the pirate. Mackie traces the emergence of these character types to the seventeenth and early eighteenth centuries, when traditional aristocratic authority was increasingly challenged. She argues that the development of the modern polite gentleman as a male archetype can only be fully comprehended when considered alongside figures of fallen nobility, which, although criminal, were also glamorous enough to reinforce the same ideological order. In Evelina’s Lord Orville, Clarissa’s Lovelace, Rookwood’s Dick Turpin, and Caleb Williams's Falkland, Mackie reads the story of the ideal gentleman alongside that of the outlaw, revealing the parallel lives of these seemingly contradictory characters. Synthesizing the histories of masculinity, manners, and radicalism, Rakes, Highwaymen, and Pirates offers a fresh perspective on the eighteenth-century aristocratic male. “In this well-researched study, Mackie makes a strong case for the inclusion of alternative, criminal masculinities in understanding the development of the modern English gentleman and patriarchy in the eighteenth century. Situated at the nexus of gender theory and literary studies, her book adds to the study of modern and late modern cultural norms of gender and sexuality through discourse analysis of literary and nonliterary texts.” —Srividhya Swaminathan, Journal of British Studies “The topic is lively, the writing clear, and the argument persuasive. Bringing together histories of criminality, of gender, and of manners cuts across the period in a new way that promises to produce lively debate.” —James Thompson, University of North Carolina at Chapel Hill “The central concern of this book is the transformation of the “British gentleman” from the so-called Glorious Revolution through reformulations of patriarchy as exhibited in taste, sensibility, and virtue in the 18th century and beyond.” —Choice