Aren T You Bojack Horseman

When the final episode of BoJack Horseman aired on Netflix in 2020, it was to massive critical and popular acclaim. Across six seasons, viewers followed the exploits of a washed-up sitcom actor and his wacky collection of friends, set against the fading glitz of Hollywood and played out through a distinct cast of both human and anthropomorphic characters. Before the series even concluded, it was clear that it would be the topic of research and discussion long beyond its relatively short run. This collection brings together essays about the ways this series handles complex and highly nuanced topics within three main themes: mental health, masculinity, and the perils of celebrity. With contributions from researchers across a broad range of fields, these essays offer a variety of perspectives on these themes, how they are represented within the show, and the ways that both characters and viewers engage with them.

Written with all the scathing dark humor that is a hallmark of BoJack Horseman, Raphael Bob-Waksberg delivers a fabulously off-beat collection of short stories about love—the best and worst thing in the universe. Featuring: • A young engaged couple forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices for their wedding. • A pair of lonely commuters who ride the subway in silence, forever, eternally failing to make that longed-for contact. • A struggling employee at a theme park of U.S. presidents who discovers that love can’t be genetically modified. And fifteen more tales of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability.

Netflix’s BoJack Horseman has quickly become one of the most critically acclaimed animated comedy series in recent memory. Set in an off-kilter, cynically spun rendering of modern-day Hollywood, the show follows washed-up horse actor BoJack Horseman (voiced by Will Arnett) as he attempts to turn his life around. BoJack Horseman: The Art Before the Horse is the official behind-the-scenes companion to this cult-hit series. Part oral history sourced from original interviews with the show’s cast and crew, part art book—including sketches, storyboards, and background art—this book will trace the series from conception to post-production. Beginning with the initial development of creator/ showrunner Raphael Bob-Waksberg and production designer Lisa Hanawalt’s inimitable aesthetic vision, The Art Before the Horse goes on to reveal all of the moving parts—direction, writing, casting, animation, and music—that come together to form this uniquely bleak, emotionally potent, very funny show. Also Available: BoJack Horseman 2019 Wall Calendar (ISBN: 978-1-4197-3177-8)

Five thousand years on and the Minotaur, or M as he is known to his colleagues, is working as a line chef at Grub's Rib in the American Deep South. He has been reduced from a monster with an appetite for human flesh to a broken creature with very human needs.

"The filthy, funny early work from the Tuca & Bertie creator, and Bojack Horseman production designer Before the critically acclaimed animated shows, the bestselling graphic novel Coyote Doggirl, or the humor collections Hot Dog Taste Test and My Dirty Dumb Eyes, cartoonist Lisa Hanawalt was a comic-book-industry sensation with her Ignatz Award-winning minicomic series I Want You. Hanawalt’s outlandish humor and ingenious formalism are evident in the comics collected here. Her love of anthropomorphism and scatology are on full display, all lovingly and grotesquely drawn by Hanawalt in obsessive, unnerving detail. The stars here are She-Moose, who we join sex-toy shopping, and He-Horse, who we learn mid-flight suffers from ornithophobia. The true star of I Want You may just be Hanawalt’s hilarious command of the graphic listicle. “Top Causes of Freeway Accidents” is a prescient pre-BoJack display of Hanawalt’s love for all things equine. “Things We Are Sorry We Did Last Night” includes the murder of all Hanawalt's Google doppelgängers. Whether she’s discussing the daily commute or masturbation, she packs each comic in I Want You with punchy cultural observations and sharp-witted reflections on typically taboo subjects. A master humorist, Hanawalt strikes the perfect balance between drawing the gorgeous and the repugnant, the fantastical and the lifelike, the bizarre and the hilarious—creating a deeply human experience that everyone can relate to."

Sharply observant, laugh-out-loud funny comics from The Believer cartoonist and New York Times illustrator My Dirty Dumb Eyes is the highly anticipated debut collection from award-winning cartoonist Lisa Hanawalt. In a few short years, Hanawalt has made a name for herself: her intricately detailed, absurdly funny comics have appeared in venues as wide and varied as The Hairpin, VanityFair.com, Lucky Peach, Saveur, The New York Times, and The Believer. My Dirty Dumb Eyes intermingles drawings, paintings, single-panel gag jokes, funny lists, and anthropomorphized animals, all in the service of satirical, startlingly observant commentary on pop culture, contemporary society, and human idiosyncrasies. Her wild sense of humor contrasts strikingly with the carefully rendered lines and flawless draftsmanship that are Hanawalt trademarks. Whether she’s revealing the secret lives of celebrity chefs or explaining that what dogs really want is a tennis-ball bride, My Dirty Dumb Eyes will have readers rolling in the aisles, as Hanawalt’s insights into human (and animal) behavior startle and delight time and again.

Coyote is a dreamer and a drama queen, brazen and brave, faithful yet fiercely independent. She beats her own drum and sews her own crop tops. A gifted equestrian, she’s half dog, half coyote, and all power. With the help of her trusty steed, Red, there’s not much that’s too big for her to bite off, chew up, and spit out right into your face, if you deserve it. But when Coyote and Red find themselves on the run from a trio of vengeful bad dogs, get clobbered by arrows, and are tragically separated, our protagonist is left fighting for her life and longing for her displaced best friend. Taken in by a wolf clan, Coyote may be wounded, but it’s not long before she’s back on the open road to track down Red and tackle the dogs who wronged her. An homage to and a lampoon of Westerns like Butch Cassidy and the Sundance Kid, Lisa Hanawalt’s Coyote Doggirl is a self-aware, playful subversion of tropes. As our fallible hero attempts to understand the culture of the wolves, we see a journey in understanding and misunderstanding, adopting and co-opting. Uncomfortable at times but nonetheless rewarding and empowering, the story of these flawed, anthropomorphized characters is nothing if not relentlessly hilarious and heartbreakingly human. Told in Hanawalt’s technicolor absurdist style, Coyote Doggirl is not just a send-up of the Western genre but a deeply personal story told by an enormously talented cartoonist.

Sixth-grader Emmy tries to find her place in a new school and to figure out how she can create her own kind of music using a computer.