Army Of Roses

Army of Roses When Yasser Arafat in January 2002 called on Palestinian women--his "army of roses"--to join in the struggle against Israeli occupation, even he was surprised by their swift and devastating response. Later that same day, Wafa Idris would become the first female suicide bomber of the Intifada. Tragically, she wasn't the last. In Army of Roses, Pulitzer Prize-nominated author Barbara Victor profiles Wafa Idris and the other young women who have followed her violent lead toward a martyr's Paradise paved with personal desperation and deadly political maneuvering. In this astonishing exposé of the political and cultural forces now pressing Palestinian women into martyrdom, investigative journalist Victor identifies what she calls "a new level of cynicism" that has destroyed normal, everyday existence in the Middle East, along with the possibility for lasting peace. Tracing the roots of the women's resistance movement back to so-called personal initiative attacks and a brief period of empowerment in the 1980s before religious leaders clamped down, Victor shows how the current generation of Palestinian women has been courted and cajoled into committing these self-destructive and murderous acts. By presenting the intimate personal histories of the first five female bombers who have succeeded in blowing themselves up, as well as the troubling stories of some of those who've tried and failed, the author reveals not only the crushing poverty and religious zealotry that one might suspect as motivating factors in their fall, but also a startling emotional component to their death wishes: their broken dreams and blighted inner lives. Victor shows, without dismissing or diminishing the horror of their actions, how far a person can be pushed when she is convinced she has nothing to lose. Barbara Victor has covered the Middle East for CBS Television and U.S. News and World Report. She was a contributing editor to Elle USA, Femme magazine, Madame Figaro, and Elle France, and is the author of A Voice of Reason, a biography of Palestinian spokeswoman Hanan Ashrawi that was nominated for a Pulitzer Prize; Getting Away with Murder, which called for a change in laws concerning domestic violence; and The Lady, a biography of Burmese Nobel Peace Prize Laureate Aung San Suu Kyi. A frequent lecturer on women's issues as well as on the Middle East, Victor divides her time between New York and Paris.

THE INSPIRATION BEHIND THE BBC DRAMA THE CRIMSON FIELD 'On the face of it,' writes Lyn Macdonald, 'no one could have been less equipped for the job than these gently nurtured girls who walked straight out of Edwardian drawing rooms into the manifest horrors of the First World War ...' Yet the volunteer nurses rose magnificently to the occasion. In leaking tents and draughty huts they fought another war, a war against agony and death, as men lay suffering from the pain of unimaginable wounds or diseases we can now cure almost instantly. It was here that young doctors frantically forged new medical techniques - of blood transfusion, dentistry, psychiatry and plastic surgery - in the attempt to save soldiers shattered in body or spirit. And it was here that women achieved a quiet but permanent revolution, by proving beyond question they could do anything. All this is superbly captured in The Roses of No Man's Land, a panorama of hardship, disillusion and despair, yet also of endurance and supreme courage. 'Lyn Macdonald writes splendidly and touchingly of the work of the nurses and doctors who fought their humanitarian battle on the Western Front' Sunday Telegraph Over the past twenty years Lyn Macdonald has established a popular reputation as an author and historian of the First World War. Her books are based on the accounts of eyewitnesses and survivors, told in their own words, and cast a unique light on the First World War. Most are published by Penguin.

The notion of a special intimacy between 'the feminine and the sacred' has received significant attention since the publication of Julia Kristeva and Cathérine Clément's famous ecumenical 'conversation' of the same name which focussed on the relationship between meaning and the body at whose interface the feminine is positioned. Brought to the wider public as the 'sacred feminine', it has also made its mark on popular culture. Taking up the debate and moving beyond anthropology or theology, writers from varied ethnic, geo-cultural and religious perspectives here join with secular cultural analysts to explore the sacred and the feminine in art, architecture, literature, art history, music, philosophy, theology, critical theory and cultural studies. The book addresses key issues in feminist questions of creativity, the imaginary and the sacred as 'otherness', exploring the ways in which visual practices have explored this rich, contested and highly charged territory.

The author makes use of a variety of documentary sources to present a vivid picture of the experience of the medieval soldiers who fought in the Wars of the Roses. Includes new evidence gleaned from the recently discovered mass grave close to the battlefield at Towton in North Yorkshire. Bandw illustrations. Distributed by Books International. Annotation copyrighted by Book News, Inc., Portland, OR

"From #1 internationally bestselling author Lucinda Riley, an epic story of family secrets, love, and betrayal set in Imperial India, a magnificent English country house in the 1920s, and that same house today"--

"You have no weapons, striapach." "I am the weapon, tuilí." It is 400 B.C. The mist clears, and three triremes glide into the calm waters of the bay in Southern Ériu. On a grass-topped dune, a young girl dances gleefully at the Goddess's gift. The warrior princesses, Brighid and Danu, leap over the vessels' sides into the cold waters and look north towards their ancestral home—the fort of Ráth Na Conall. The clash of weapons is not a good omen. From his throne in Caher Conri, the depraved Uallachán rages at the sight of the red shield embellished with a swooping black raven and the memories it provokes. He swears vengeance on the daughters of his old adversary. Draighean, a demi-goddess of the mystical Aes Sídhe, stands alone on the mountain peak. She bites full maroon lips, unhappy at her mission. Yet, does she have a choice? Evil must be confronted and defeated. Uallachán's idea of peace is to crush all dissent, but is he no more than a puppet of the powerful kings of the Connachta? The twins know they must defeat the invasion and stop the enslavement of their people. Still, even with the help of Draighean, the odds are daunting. The Dog Roses contains scenes of sex and violence and uses language appropriate to the period in which it is set, i.e., 400 B.C. It is not recommended for those under 14 without parental consent.