Arsenic And Old Lace

An easy going drama critic discovers that his kind and gentle aunts have a bizarre habit of poisoning gentlemen callers and burying them in the cellar.

For centuries, arsenic's image as a poison has been inextricably tied to images of foul play. In King of Poisons, John Parascandola examines the surprising history of this deadly element. From Gustave Flaubert to Dorothy Sayers, arsenic has long held a place in the literary realm as an instrument of murder and suicide. It was delightfully used as a source of comedy in the famous play Arsenic and Old Lace. But as Parascandola shows, arsenic has had a number of surprising real-world applications. It was frequently found in such common items as wallpaper, paint, cosmetics, and even candy, and its use in medical treatments was widespread. American ambassador Clare Boothe Luce suffered from exposure to arsenical paint in her study, and Napoleon's death has long been speculated to be the result of accidental or intentional poisoning. But arsenic poisoning is still a public menace. In the neighborhood surrounding American University in Washington, D.C., the army has undertaken a massive cleanup of artillery shells and bottles containing chemical warfare agents such as arsenical lewisite after a number of workmen and residents became ill. Arsenic contamination of the water supply in Bangladesh and in West Bengal, India, is a major public health problem today as well. From murder to crime fiction, from industrial toxin to chemical warfare, arsenic remains a powerful force in modern life.

The Puzzle Lady embarks on another adventure involving one classic movie and featuring new puzzles by Will Shortz When an elderly boarder at a Bakerhaven bed-and-breakfast drops dead during afternoon tea, there's nothing particularly suspicious about it—except for the Sudoku in his jacket pocket. But when a second body turns up in the window seat and an autopsy shows both men were poisoned with elderberry wine, the Puzzle Lady suspects she's dealing with a cold-blooded killer who for some reason is copying the Cary Grant movie Arsenic and Old Lace, in which two old ladies who run a boarding house poison elderly widowers and bury them in the basement. More murders, more puzzles, and a grave dug in the cellar seem to cement the theory. Ordinarily, Cora would eat a case like this for breakfast, but for once she can't figure it out. And she's not sure if the clues don't add up, or if the much-married Puzzle Lady is just distracted by being involved in her first romantic entanglement in years. Arsenic and Old Puzzles is filled with laughs, mayhem, and fun new puzzles by Will Shortz. Mystery and puzzle fans will find much to enjoy in this latest treat from Parnell Hall.

In this mystery in the New York Times bestselling series, librarian Charlie Harris and his cat Diesel have to battle a killer when a set of Civil War diaries inspires murder... Lucinda Beckwith Long, the mayor of Athena, Mississippi, has donated a set of Civil War-era diaries to the archives of Athena College. She would like librarian Charlie Harris to preserve and substantiate them as a part of the Long family legacy—something that could benefit her son, Beck, as he prepares to campaign for the state senate. Beck’s biggest rival would like to get a look at the diaries in an attempt to expose the Long family’s past sins. Meanwhile, a history professor is also determined to get her hands on the books in a last-ditch bid for tenure. But their interest suddenly turns deadly, leaving Charlie with a catalog of questions to answer. Together with his Maine Coon cat Diesel, Charlie must discover why the diaries were worth killing for before he too reaches his final chapter. INCLUDES A BONUS SHORT STORY

Nancy Drew has entered a contest to solve an old mystery—the disappearance of a Flemish nobleman, a pair of lace cuffs, and a priceless treasure. In a thrilling story shadowed by a romance of the past, Nancy and her friends work to solve a mystery over one hundred years in the making.

Arsenic is rightly infamous as the poison of choice for Victorian murderers. Yet the great majority of fatalities from arsenic in the nineteenth century came not from intentional poisoning, but from accident. Kept in many homes for the purpose of poisoning rats, the white powder was easily mistaken for sugar or flour and often incorporated into the family dinner. It was also widely present in green dyes, used to tint everything from candles and candies to curtains, wallpaper, and clothing (it was arsenic in old lace that was the danger). Whether at home amidst arsenical curtains and wallpapers, at work manufacturing these products, or at play swirling about the papered, curtained ballroom in arsenical gowns and gloves, no one was beyond the poison's reach. Drawing on the medical, legal, and popular literature of the time, The Arsenic Century paints a vivid picture of its wide-ranging and insidious presence in Victorian daily life, weaving together the history of its emergence as a nearly inescapable household hazard with the sordid story of its frequent employment as a tool of murder and suicide. And ultimately, as the final chapter suggests, arsenic in Victorian Britain was very much the pilot episode for a series of environmental poisoning dramas that grew ever more common during the twentieth century and still has no end in sight.

Death was everywhere. They all stared at me, bumping into one another and slowly coming forward. Sixteen-year-old Zharie Young is absolutely certain her mother morphed into a zombie before her untimely death, but she can't seem to figure out why. Why her mother died, why her aunt doesn't want her around, why all her dreams seem suddenly, hopelessly out of reach. And why, ever since that day, she's been seeing zombies everywhere. Then Bo moves into her apartment building—tall, skateboard in hand, freckles like stars, and an undeniable charm. Z wants nothing to do with him, but when he transforms into a half zombie right before her eyes, something feels different. He contradicts everything she thought she knew about monsters, and she can't help but wonder if getting to know him might unlock the answers to her mother's death. As Zharie sifts through what's real and what's magic, she discovers a new truth about the world: Love can literally change you—for good or for dead. In this surrealist journey of grief, fear, and hope, Britney S. Lewis's debut novel explores love, zombies, and everything in between in an intoxicating amalgam of the real and the fantastic.

Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films. The necktie murders in Alfred Hitchcock's Frenzy; Chicago's Jazz Age crime of passion; the fatal hookup in Looking for Mr. Goodbar; the high school horrors committed by the costumed slasher in Scream. These and other cinematic crimes have become part of pop-culture history. And each found inspiration in true events that provided the raw material for our greatest blockbusters, indie art films, black comedies, Hollywood classics, and grindhouse horrors. So what's the reality behind Psycho, Badlands, The Hills Have Eyes, A Place in the Sun, Arsenic and Old Lace, and Dirty Harry? How did such tabloid-ready killers as Bonnie and Clyde, body snatchers Burke and Hare, Texas sniper Charles Whitman Jr., nurse-slayer Richard Speck, and Leopold and Loeb exert their power on the public imagination and become the stuff of movie lore? In this collection of revelatory essays, true-crime historian Harold Schechter takes a fascinating trip down the crossroads of fact and fiction to reveal the sensational real-life stories that are more shocking, taboo, and fantastic than even the most imaginative screenwriter can dream up.