Art And Architecture In Naples 1266 1713

Often overshadowed by the cities of Florence and Rome inart-historical literature, this volume argues for the importance ofNaples as an artistic and cultural centre, demonstrating thebreadth and wealth of artistic experience within the city. Generously illustrated with some illustrations specificallycommissioned for this book Questions the traditional definitions of 'cultural centres'which have led to the neglect of Naples as a centre of artisticimportance A significant addition to the English-language scholarship onart in Naples

This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

This volume represents a long overdue reassessment of the Neapolitan painter Paolo de Matteis, an artist largely overlooked in English language scholarly publications, but one who merits our attention for the quality of his work and the originality of its iconography, as well as for his remarkable ability to respond creatively to his patrons? aesthetic ideals and agendas. Following a meticulous examination of the ways in which posterity?s impression of de Matteis has been conditioned by a biased biographical and literary tradition, Livio Pestilli devotes rich, detailed analyses to the artist?s most significant paintings and drawings. More than just a novel approach to de Matteis and the Neapolitan Baroque, however, the book makes a significant contribution to the study and understanding of early eighteenth-century European art and cultural history in general, not only in Naples but in other major European centers, including Paris, Vienna, Genoa, and Rome.

This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.

In 1343 a seventeen-year-old girl named Johanna (1326–1382) ascended the Neapolitan throne, becoming the ruling monarch of one of medieval Europe’s most important polities. For nearly forty years, she held her throne and the avid attention of her contemporaries. Their varied responses to her reign created a reputation that made Johanna the most notorious woman in Europe during her lifetime. In From She-Wolf to Martyr, Elizabeth Casteen examines Johanna’s evolving, problematic reputation and uses it as a lens through which to analyze often-contradictory late-medieval conceptions of rulership, authority, and femininity. When Johanna inherited the Neapolitan throne from her grandfather, many questioned both her right to and her suitability for her throne. After the murder of her first husband, Johanna quickly became infamous as a she-wolf—a violent, predatory, sexually licentious woman. Yet, she also eventually gained fame as a wise, pious, and able queen. Contemporaries—including Francesco Petrarch, Giovanni Boccaccio, Birgitta of Sweden, and Catherine of Siena—were fascinated by Johanna. Drawing on a wide range of textual and visual sources, Casteen reconstructs the fourteenth-century conversation about Johanna and tracks the role she played in her time’s cultural imaginary. She argues that despite Johanna’s modern reputation for indolence and incompetence, she crafted a new model of female sovereignty that many of her contemporaries accepted and even lauded.

A trans-cultural collection of studies on early modern imagery of the phenomena of pain and suffering and viewers’ potential responses. Authors variously consider pain and suffering as somatic, emotional, and psychological experiences.