Art And Climate Change

Global awareness of climate change is increasing, and the scientific evidence is incontrovertible: an environmental crisis is upon us. Art and Climate Change presents an overview of ecologically conscious contemporary art that addresses the climate emergency, as artists across the world call for an active, collective engagement with the planet, and illuminate some of the structures that threaten humanitys survival. Across five chapters, curators Maja and Reuben Fowkes examine artworks that respond to the Anthropocene and its detrimental impact on our world, from scenes of nature decimated by ongoing extinction events and landscapes turned to waste by extraction, to art from marginalized communities most affected by the injustice of climate change. What guides the artists gathered together here is an ardent concern for the living, breathing subject of the Earth and all fellow terrestrials caught up in this fast-moving climate drama.

An overview of ecologically conscious contemporary art that responds to today’s environmental crisis, from species extinction to climate change. Art and Climate Change collects a wide range of artistic responses to our current ecological emergency. When the future of life on Earth is threatened, creative production for its own sake is not enough. Through contemporary artworks, artists are calling for an active, collective engagement with the planet in order to illuminate some of the structures that threaten biological survival. Exploring the meeting point of decolonial reparation and ecological restoration, artists are remaking history by drawing on the latest ecological theories, scientific achievements, and indigenous worldviews to engage with the climate crisis. Across five chapters, authors Maja and Reuben Fowkes examine these artworks that respond to the Anthropocene and its detrimental impact on the planet’s climate, from scenes of nature decimated by ongoing extinction events and landscapes turned to waste by extraction, to art coming out of the communities most affected by the environmental injustice of climate change. Featuring a broad range of media, including painting, photography, conceptual, installation, and performance, this text also dives into eco-conscious art practices that have created a new kind of artistic community by stressing a common mission for creators all over the world. In this art history, the authors emphasize the importance of caring for and listening to marginalized and indigenous communities while addressing climate uncertainty, deforestation, toxicity, and species extinction. By proposing scenarios for sustainable futures, today’s artists are reshaping our planet’s history, as documented in this heavily illustrated book.

An illustrated collection of artworks and essays that shine a light on how art can imagine a sustainable future and call for action on climate change ART+CLIMATE=CHANGE II presents the work of Australian and international artists across a broad range of exhibitions, performances and events from CLIMARTE's ART+CLIMATE=CHANGE 2019 festival. Essays on the climate emergency by artists, curators and arts writers help us imagine a world where we protect and care for the earth, from the river systems, oceans and lands to the air we breathe. In a world vastly changed by the impact of a global pandemic, these socially engaged artists and writers demand immediate and effective action on the climate crisis. We have no time to lose.

International in scope, this volume brings together leading and emerging voices working at the intersection of contemporary art, visual culture, activism, and climate change, and addresses key questions, such as: why and how do art and visual culture, and their ethics and values, matter with regard to a world increasingly shaped by climate breakdown? Foregrounding a decolonial and climate-justice-based approach, this book joins efforts within the environmental humanities in seeking to widen considerations of climate change as it intersects with social, political, and cultural realms. It simultaneously expands the nascent branches of ecocritical art history and visual culture, and builds toward the advancement of a robust and critical interdisciplinarity appropriate to the complex entanglements of climate change. This book will be of special interest to scholars and practitioners of contemporary art and visual culture, environmental studies, cultural geography, and political ecology.

In the enchanted world of Braj, the primary pilgrimage center in north India for worshippers of Krishna, each stone, river, and tree is considered sacred. In Climate Change and the Art of Devotion, Sugata Ray shows how this place-centered theology emerged in the wake of the Little Ice Age (ca. 1550–1850), an epoch marked by climatic catastrophes across the globe. Using the frame of geoaesthetics, he compares early modern conceptions of the environment and current assumptions about nature and culture. A groundbreaking contribution to the emerging field of eco–art history, the book examines architecture, paintings, photography, and prints created in Braj alongside theological treatises and devotional poetry to foreground seepages between the natural ecosystem and cultural production. The paintings of deified rivers, temples that emulate fragrant groves, and talismanic bleeding rocks that Ray discusses will captivate readers interested in environmental humanities and South Asian art history. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/climate-change-and-the-art-of-devotion

51 artists make works responding to the issue of climate change & global warming. Includes sculpture, land art, digital art, ice, sketches.

"This book documents the commitment, hard work and adventures of all those who have been part of the Cape Farewell project. Forty artists, scientists, educators and film crew have sailed into the ice of the High Arctic as part of the Cape Farewell expeditions ... Artwork from the Cape Farewell project features in several exhibitions, at the Bodleian Library, Oxford, December 2005; at the Natural History Museum, 1 June - 3 September 2006; the Liverpool Biennial, 14 September - 26 November 2006; and Eden Project, 2007/8"--Colophon

French and Spanish Upper Paleolithic cave art was drawn forty thousand to eleven thousand years ago, and it was motivated by climate change. Kieran D. O'Hara, a geologist and professor emeritus at the University of Kentucky, explains why we know that to be true in this groundbreaking book. His goal isn't to explore the meaning of cave art but to show why it was done. While many scholars argue that the art depicted in these caves don't depict the animals of that period, O'Hara argues just the opposite - putting forth the controversial theory that the cave paintings accurately reflect the climate and animals that existed alongside the artists. For far too long, cave art specialists have incorrectly concluded that cave art doesn't match up with the reality of life at the time because they've been comparing archaeological bone remains with cave imagery of a different age. Paleolithic people survived through the most severe swings in climate this planet has experienced in the past two million years, and it was a major factor in what cave artists depicted. Examine the facts, and discover a new interpretation with Cave Art and Climate Change.